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Pompeo Girolamo Batoni
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs. In addition to art-loving nobility, Batoni's subjects included the kings and q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Degli Uffizi
The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1765 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici so as to accommodate the offices of the Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Theodore, Elector Of Bavaria
Charles Theodore (german: link=no, Karl Theodor; 11 December 1724 – 16 February 1799) reigned as Prince-elector and Count Palatine from 1742, as Duke of Jülich and Berg from 1742 and also as prince-elector and Duke of Bavaria from 1777 to his death. He was a member of the House of Palatinate-Sulzbach, a branch of the House of Wittelsbach. Family and ascent Charles Theodore was of the Wittelsbach house Palatinate-Sulzbach. Brockhaus Geschichte Second Edition His father was Johann Christian, who later became Count Palatine of Sulzbach. His mother was Marie-Anne-Henriette-Leopoldine de La Tour d'Auvergne, Margravine of Bergen op Zoom, a grandniece of Henri de La Tour d'Auvergne, Viscount of Turenne. Charles Theodore was born in Drogenbos near Brussels and educated in Mannheim. Charles Theodore was the Margrave of Bergen op Zoom from 1728 onwards. He then succeeded his father as Count Palatine of Sulzbach in 1733 and inherited the Electoral Palatinate and the duchies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitoline Hill
The Capitolium or Capitoline Hill ( ; it, Campidoglio ; la, Mons Capitolinus ), between the Forum and the Campus Martius, is one of the Seven Hills of Rome. The hill was earlier known as ''Mons Saturnius'', dedicated to the god Saturn. The word ''Capitolium'' first meant the temple of Jupiter Optimus Maximus later built here, and afterwards it was used for the whole hill (and even other temples of Jupiter on other hills), thus ''Mons Capitolinus'' (the adjective noun of ''Capitolium''). In an etymological myth, ancient sources connect the name to ''caput'' ("head", "summit") and the tale was that, when laying the foundations for the temple, the head of a man was found, some sources even saying it was the head of some ''Tolus'' or ''Olus''. The ''Capitolium'' was regarded by the Romans as indestructible, and was adopted as a symbol of eternity. By the 16th century, ''Capitolinus'' had become ''Capitolino'' in Italian, and ''Capitolium'' ''Campidoglio''. The Capitoline Hil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Dei Conservatori
The Capitolium or Capitoline Hill ( ; it, Campidoglio ; la, Mons Capitolinus ), between the Forum and the Campus Martius, is one of the Seven Hills of Rome. The hill was earlier known as ''Mons Saturnius'', dedicated to the god Saturn. The word ''Capitolium'' first meant the temple of Jupiter Optimus Maximus later built here, and afterwards it was used for the whole hill (and even other temples of Jupiter on other hills), thus ''Mons Capitolinus'' (the adjective noun of ''Capitolium''). In an etymological myth, ancient sources connect the name to ''caput'' ("head", "summit") and the tale was that, when laying the foundations for the temple, the head of a man was found, some sources even saying it was the head of some ''Tolus'' or ''Olus''. The ''Capitolium'' was regarded by the Romans as indestructible, and was adopted as a symbol of eternity. By the 16th century, ''Capitolinus'' had become ''Capitolino'' in Italian, and ''Capitolium'' ''Campidoglio''. The Capitoline ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabrielli (Gabrielli Di Gubbio)
{{Other uses, Gabrieli (other) The House of Gabrielli (sometimes known as "Gabrielli di Gubbio") is an Italian feudal family from Gubbio, a town in Umbria. Some historians trace their origins back to the Roman age and claim they descend from the emperor Caracalla, however the first historical documents mentioning the family appear in the 10th century only when Cante Gabrielli was awarded by Pope Stephen VII (according to some genealogists a family member himself), a few castles in central Italy and especially the castle at Luceoli which was renamed Cantiano (i.e. belonging to Cante) after him. 220px, ''The Gabrielli Madonna'', by thumb The family grew in power and many of its members had remarkable lives: * Forte Gabrielli was a hermit in the mountains around Gubbio, and later on joined the Benedictines at Fonte Avellana. He died on 9 May 1040 and was beatified by Pope Benedict XIV on 17 March 1756. His body is still exposed in the Cathedral of Gubbio. * Saint Rodolfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Ferdinandi
Francesco Fernandi (1679–1740), also known as Imperiali, was an Italian painter of the late- Baroque or Rococo period. Biography Born in Milan, he initially apprenticed with the painter for the Borromeo family, Carlo Vimercati. After a spell in Palermo, of which little is known, he moved to Rome sometime around 1705. There he joined projects of the large studio of painters working with Carlo Maratta. He was patronized in Rome by the Cardinal Giuseppe Renato Imperiali, from whom he acquired the last name ''Imperiali''. We know little of his works for the Vatican and the Ottoboni family. In Rome, he gained an independent studio, and was apparently popular with visiting British painters, having mentored Allan Ramsay and William Hoare, among others. Among his Italian pupils is the little-known, Camillo Paderni and the more prominent Pompeo Batoni. In August 1723, he apparently backed the litigation and lobbying by the academic outsiders (non-members of the Accademia di San Luca i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of San Frediano
The Basilica of San Frediano is a Romanesque architecture, Romanesque church in Lucca, Italy, situated on the ''Piazza San Frediano''. History Fridianus (Frediano) was an Irish bishop of Lucca in the first half of the 6th century. He had a church built on this spot, dedicated to Vincent of Saragossa, St. Vincent, a martyr from Zaragoza, Spain. When Fridianus was buried in this church, the church was renamed Ss. Frediano and Vincenzo. Soon afterwards, a community of Canons regular#Canons Regular of Saint Augustine, Augustinian canons was growing around this church. In the Longobard era, the church and the canon house were enlarged. In 1104, this order was recognized by Pope Paschal II. The prior of St. Frediano was later accorded a rank equal in dignity to that of a bishop. The church acquired its present appearance of a typical Roman basilica during the period 1112-1147. In the 13th-14th centuries the striking façade was decorated with a huge golden 13th century mosaic repre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeo Batoni - William Fermor - Google Art Project
Pompeo is both a masculine Italian given name and a surname, derived from the Roman "Pompeius". Notable people with the name include: Given name: *Pompeo Aldrovandi (1668–1752), Italian Cardinal of the Roman Catholic Church *Pompeo Aldrovandini (1677–1735), Italian painter of the Baroque period *Pompeo Batoni (1708–1787), Italian painter * Pompeo Cannicciari (1670–1744), Italian composer *Pompeo Colonna (1479–1532), Italian Cardinal, politician and condottiero *Pompeo Coppini (1870–1957), Italian sculptor who emigrated to the United States * Pompeo D'Ambrosio (1917–1998), Italian who became a Venezuelan businessman *Pompeo Ghitti (1631–1703), Italian painter of the Baroque period * Pompeo Landulfo (1515–1590), Italian painter of the Renaissance period *Pompeo Marchesi (born 1790), Lombard sculptor of the neoclassical school *Pompeo Posar (1921–2004), Playboy magazine staff photographer * Pompeo Targone, Italian military engineer in the service of Ambrose Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeo Batoni (Italian (Lucchese) - Portrait Of John Talbot, Later 1st Earl Talbot - Google Art Project
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs. In addition to art-loving nobility, Batoni's subjects included the kings and qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Lorrain
Claude Lorrain (; born Claude Gellée , called ''le Lorrain'' in French; traditionally just Claude in English; c. 1600 – 23 November 1682) was a French painter, draughtsman and etcher of the Baroque era. He spent most of his life in Italy, and is one of the earliest important artists, apart from his contemporaries in Dutch Golden Age painting, to concentrate on landscape painting. His landscapes are usually turned into the more prestigious genre of history paintings by the addition of a few small figures, typically representing a scene from the Bible or classical mythology. By the end of the 1630s he was established as the leading landscapist in Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but with fewer figures, more carefully painted, and produced at a lower rate.Kitson, 6 He was not generally an innovator in landscape painting, except in introducing the sun and streaming sunlight into many paintings, which had been rare be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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