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Basilica Of San Frediano
The Basilica of San Frediano is a Romanesque architecture, Romanesque church in Lucca, Italy, situated on the ''Piazza San Frediano''. History Fridianus (Frediano) was an Irish bishop of Lucca in the first half of the 6th century. He had a church built on this spot, dedicated to Vincent of Saragossa, St. Vincent, a martyr from Zaragoza, Spain. When Fridianus was buried in this church, the church was renamed Ss. Frediano and Vincenzo. Soon afterwards, a community of Canons regular#Canons Regular of Saint Augustine, Augustinian canons was growing around this church. In the Longobard era, the church and the canon house were enlarged. In 1104, this order was recognized by Pope Paschal II. The prior of St. Frediano was later accorded a rank equal in dignity to that of a bishop. The church acquired its present appearance of a typical Roman basilica during the period 1112-1147. In the 13th-14th centuries the striking façade was decorated with a huge golden 13th century mosaic repre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Di San Frediano Lucca
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's Forum (Roman), forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman architecture, ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised Tribune (architecture), tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and this must have influenced him. His first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. It is likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a " triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Predella
In art a predella (plural predelle) is the lowest part of an altarpiece, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a polyptych or multipanel altarpiece. In late medieval and Renaissance altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the ''Life of Christ'', the ''Life of the Virgin'' or a saint. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in continuous representation. They are significant in art history, as the artist had more freedom from iconographic conventions than in the main panel as they could only be seen from close up. As the main panels themselves ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monolith
A monolith is a geological feature consisting of a single massive stone or rock, such as some mountains. For instance, Savandurga mountain is a monolith mountain in India. Erosion usually exposes the geological formations, which are often made of very hard and solid igneous or metamorphic rock. Some monoliths are volcanic plugs, solidified lava filling the vent of an extinct volcano. In architecture, the term has considerable overlap with megalith, which is normally used for prehistory, and may be used in the contexts of rock-cut architecture that remains attached to solid rock, as in monolithic church, or for exceptionally large stones such as obelisks, statues, monolithic columns or large architraves, that may have been moved a considerable distance after quarrying. It may also be used of large glacial erratics moved by natural forces. The word derives, via the Latin , from the Ancient Greek word (), from () meaning "one" or "single" and () meaning "stone". Geologica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zita
Zita (c. 1212 – 27 April 1272; also known as Sitha or Citha) is an Italian saint, the patron saint of maids and domestic servants. She is often appealed to in order to help find lost keys. She is often confused with St. Osyth or Ositha, an important English Saint with a town named after her. Zita entered domestic service at the age of twelve and served the same family for almost fifty years. Through her diligence and fidelity, she became a trusted and valued servant. She spent her days in doing ordinary things extraordinarily well. Zita was known for her kindness and generosity to the poor. Life Zita was born in Tuscany in a village not far from Lucca, to Giovanni and Buonissima Lombardo. Her maternal uncle, Graziano, was a hermit who dwelt on a neighboring mountain where he had built a church and a shelter for travelers. Her elder sister became a Cistercian nun. At the age of 12, she became a servant in the household of the Fatinellis, a well-to-do family of silk m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Civitali
Matteo Civitali (1436–1501) was an Italian Renaissance sculptor and architect, painterThe only known painting attributed to Matteo, a triptych of the ''Virgin and Child with Saints Michael Archangel, John the Baptist, Biagio and Peter'', executed in 1467–69, was loaned to the 2004 exhibition. and engineer from Lucca. He was a leading artistic personality of the Early Renaissance in Lucca, where he was born and where most of his work remains. Biography He was trained in Florence, where Antonio Rossellino and Mino da Fiesole influenced his mature style. He is known to have sculpted statues of Adam, Eve, Abraham, Saints Zacchariah and Elizabeth, and others for the chapel of San Giovanni Battista in Genoa Cathedral.R. Soprani and CG. Ratti. He is mentioned with the name of ''Matteo Civitali'' by Vasari in his biography of Jacopo della Quercia, and appears to have taken up the art of sculpture at the age of 40 years, after years of practicing as a "barber" (surgeon). While con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lunette
A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum. A lunette is also formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to describe the section of interior wall between the curves of a vault and its springing line. A system of intersecting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glazed Architectural Terra-cotta
Glazed architectural terra cotta is a ceramic masonry building material used as a decorative skin. It was popular in the United States from the late 19th century until the 1930s, and is still one of the most common building materials found in U.S. urban environments. It is the glazed version of architectural terracotta; the material in both its glazed and unglazed versions is sturdy and relatively inexpensive, and can be molded into richly ornamented detail. Glazed terra-cotta played a significant role in architectural styles such as the Chicago School and Beaux-Arts architecture. History The material, also known in Great Britain as faience and sometimes referred to as "architectural ceramics", was closely associated with the work of Cass Gilbert, Louis Sullivan, and Daniel H. Burnham, among other architects. Buildings incorporating glazed terra-cotta include the Woolworth Building in New York City and the Wrigley Building in Chicago. Glazed architectural terra-cott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
