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Polyeucte (opera)
'' Polyeucte'' () is an ''opéra'' by Charles Gounod based on the play about Saint Polyeuctus by Pierre Corneille. The libretto by Jules Barbier and Michel Carré is more faithful to its source than ''Les martyrs'', Scribe's adaptation for Donizetti, and Gounod hoped to express "the unknown and irresistible powers that Christianity has spread among humanity". The subject had occupied Gounod for some ten years. An initial delay was caused by a fire which destroyed the theatre of the Paris Opéra, the Salle Le Peletier, in October 1873. Further delay came about because the first draft remained in the hands of the jealous Georgina Weldon when Gounod left England in 1874 to return to Paris. He had to resort to a lawsuit before resigning himself to recomposing the work from memory, although towards the end of that endeavor, Weldon did return it. The opera finally premiered at the Opéra's new house, the Palais Garnier on 7 October 1878, in stage sets designed by Jean Émile Daran ...
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Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ...
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Eugène Louis Carpezat
Eugene is a common male given name that comes from the Greek εὐγενής (''eugenēs''), "noble", literally "well-born", from εὖ (''eu''), "well" and γένος (''genos''), "race, stock, kin".γένος
Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus Gene is a common shortened form. The feminine variant is or Eugenie. , a common given name in parts of central and northern Europe, is also a variant of Eugene / Eugine. Other male foreign-language varia ...
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Charles Bérardi
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depre ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Jean Lassalle (baritone)
Jean Lassalle (; oc, Joan de Lassala; born 3 May 1955) is a French politician who represented the 4th constituency of the Pyrénées-Atlantiques department in the National Assembly from 2002 to 2022. A former member of the Democratic Movement (MoDem), he was a candidate in the 2017 presidential election, in which he received 435,301 votes (1.21%). Lassalle ran under the banner of Résistons! (RES), a party he founded and has led since he left the MoDem in 2016. In the 2022 presidential election he received 1.3 million votes constituting over 3% of those cast. Political career Lassalle, who held the mayorship of the commune of Lourdios-Ichère from 1977 to 2017, also sat on the General Council of Pyrénées-Atlantiques from 1982 to 2015, elected in the canton of Accous. He was one of the general council's vice presidents from 1991 to 2001 under François Bayrou. Lassalle was elected to the National Assembly in the 2002 legislative election, where he represents Pyrénées-At ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Marius Salomon
Marius may refer to: People *Gaius Marius (157 BC-86 BC), Roman statesman, seven times consul. Arts and entertainment * ''Marius'' (play), a 1929 play by Marcel Pagnol * "Marius" (short story), a 1957 story by Poul Anderson * ''Marius'' (1931 film), a French adaptation of Pagnol's play, directed by Alexander Korda * ''Marius'' (2013 film), a French adaptation of Pagnol's play, directed by Daniel Auteuil Places * Marius (Laconia), a town of ancient Laconia, Greece * Măriuș, a village in Valea Vinului, Satu Mare County, Romania * Marius (crater), on the Moon * Marius Hills, on the Moon Other uses * Marius (name), a male given name, a Roman clan name and family name, and a modern name or surname * Marius (commando), Alain Alivon (born 1965), French Navy officer * Marius (giraffe), a giraffe euthanized at the Copenhagen Zoo in 2014 See also * * * Mario (other) * Maria (other) * Mary (other) Mary may refer to: People * Mary (name), a feminin ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Charles Lamoureux
Charles Lamoureux (; 28 September 1834 – 21 December 1899) was a French conductor and violinist. Life He was born in Bordeaux, where his father owned a café. He studied the violin with Narcisse Girard at the Paris Conservatoire, taking a ''premier prix'' in 1854. He was subsequently engaged as a violinist at the Opéra de Paris and later joined the Société des Concerts du Conservatoire. In 1860, he was a co-founder of the Séances Populaires de Musique de Chambre and in 1872 he founded a quartet which eventually took on the proportions of a chamber orchestra. Having journeyed to England and assisted at a Handel festival, he thought he would attempt something similar in Paris. Having come into a fortune through marriage, he put on the performances himself, leading to the foundation of the Société Française de l'Harmonie Sacrée. In 1873, Lamoureux conducted the first performance in Paris of Handel's ''Messiah''. He also gave performances of Bach's ''St Matthew Pas ...
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Numa Auguez
Florentin Antinoüs Numa Auguez (31 January 1847 in Saleux ( Somme) – 27 January 1903) in Paris, was a 19th-century French baritone and singing teacher at the Conservatoire de Paris The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue .... Biography After two years of commercial employment in the capital, Numa Auguez was admitted to the Paris Conservatoire in 1867, where he obtained a first runner-up in the opera competition and a second one in July 1869. His stage debut was abruptly interrupted by the declaration of war in 1870, when he enlisted and distinguished himself in the battle of Epernay. After the war, he resumed classes at the Conservatoire for an additional year before being hired at the Paris Opera. For nine years from 1873 to 1882, he was part of the Palais Garnier ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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