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Polo (music)
Polo designates two forms of Venezuelan folk music. One that originates from Margarita Island and another one that is played in Coro, in the state of Falcón. Polo Margariteño Lyrical form The Polo from Margarita is sung in octosyllabic or hendecasyllabic verses with varying rhyme schemes. Typically the stanzas are composed of four verses, and common rhyme schemes include ABAB and ABBA. Traditionally, however, the polo, like the malagueña and galerón has been sung in décima form, that is, ten verses of eight syllables each, with an "ABBAACCDDC" rhyme scheme. It is typical for each verse in the polo to be sung twice, which has lent to it being sung as a duet on occasion. The theme of the polo's lyrics are typically centered around life in the island of Margarita and the states of Sucre, and Anzoátegui. As a result, the imagery and habits of coastal life are frequently the subject of the polo, as evidenced by the following stanza: The theme of love is also common in po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venezuelan Music
Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains. Genres Joropo Joropo was developed by creative artists such as Juan Vicente Torrealba, Ignacio Figueredo, Augusto Bracca, Genaro Prieto, Eneas Perdomo and Angel Custodio Loyola, who helped to popularize the music throughout the country. Since then a slick, contemporary form of pop-llanera has developed which has earned the scorn of some purists who perceive it as stale and watered-down. Some singers, such as Adilia Castillo, Lorenzo Herrera, Simon Diaz, Mario Suarez, Edith Salcedo, Magdalena Sanchez, Rafael Montaño, Reyna Lucero, Cristina Maica, José Catire Carpio, Cristobal Jimenez, Juan de los Santos Contreras (El Carrao de Palmarito) and Reynaldo Armas have maintained a huge following over the years. In a similar vein, there is also neo- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gualberto Ibarreto
Gualberto José Ibarreto Barrios (born July 12, 1947 in El Pilar, Sucre state, Venezuela), is a folk singer who plays the mandolin, cuatro, and guitar. See also * Venezuelan music Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains. Genres Jorop ... External links Gualberto Ibarreto DiscographyGualberto Ibarreto Official Website* 1947 births Living people People from Sucre (state) Venezuelan folk singers {{Venezuela-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soledad Bravo
Soledad Bravo (born January 1, 1943) is a Venezuelan singer. Born in Logroño, La Rioja, Spain, her father was a Spanish republican, moving to Venezuela with his family when his daughter was still at an early age. At 24, Soledad began studying architecture and philosophy at the Universidad Central de Venezuela, where she also began performing. One year later, in 1968, she released her debut titled ''Soledad Bravo Canta'' (''Soledad Bravo Sings''), which made her a star in Venezuela and other parts of South America. In the years that followed, she cooperated with Atahualpa Yupanqui, Gilberto Gil and others, having lived and performed in Europe and the Americas. Her repertoire is a vivid mixture of fiery, vivid Caribbean and Latin rhythms, Sephardic elegies and heartwarming ballads. Considered to be one of the best voices in Latin America, one of her most popular and best known songs is ''Hasta Siempre'', a cover of a Cuban hymn by Carlos Puebla to Ernesto "Che" Guevara Ernes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilia Todd
Cecilia Todd Vallenilla (born March 4, 1951 in Caracas, Venezuela) is a singer and cuatro player. References See also *Venezuelan music Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains. Genres Jorop ... 1951 births Feminist musicians Living people Singers from Caracas Venezuelan folk singers 20th-century Venezuelan women singers Venezuelan feminists {{Venezuela-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesca
Romanesca is a melodic-harmonic formula popular from the mid–16th to early–17th centuries that was used as an aria formula for singing poetry and as a subject for instrumental variation. The pattern, which is found in an endless collection of compositions labeled ''romanesca'', perhaps named after the Roma, is a descending descant formula within a chordal progression that has a bass which moves by 4ths. The formula was not to be viewed as a fixed tune, but as a framework over which elaborate ornamentation can occur. Gerbino, Giuseppe. (2001). Romanesca. In John Tyrrell and Stanley Sadie (Eds.), The New Grove Dictionary of music and musicians (2nd ed., Vol. 21, pp. 577-578). New York: Grove It was most popular with Italian and Spanish composers of the Renaissance and early Baroque period. It was also used by vihuelistas including Luis de Narváez, Alonso Mudarra, Enríquez de Valderrábano, and Diego Pisador. Origins Scholars are uncertain of the precise origins of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relative Minor
In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to ''parallel'' minor or major, which shares the same tonic.) For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. The minor key starts three semitones below its relative major; for example ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Key
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenata Guayanesa
Serenata Guayanesa is a vocal and instrumental quartet that plays typical Venezuelan folk music. It is one of the two best known groups that play this style of music (the other being Un Solo Pueblo).Mark Dinneen, ''Culture and customs of Venezuela'', Greenwood Publishing Group, 2001. p133 See also *Venezuela *Music of Venezuela *Iván Pérez Rossi *Hernán Gamboa Hernan José Gamboa Alexis, better known as Hernan José Gamboa Alexis (June 18, 1946 – January 10, 2016) was a Venezuelan musician, composer and singer. He was a member of the Venezuelan fold music group Serenata Guayanesa, and later releas ... References External linksUnofficial website {{Authority control Venezuelan musical groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anzoátegui
) , anthem = '' Himno del Estado Anzoátegui'' , image_map = Anzoategui in Venezuela.svg , map_alt = , map_caption = Location within Venezuela , pushpin_map = , pushpin_map_alt = , pushpin_mapsize = , pushpin_map_caption = , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name = Venezuela , subdivision_type1 = , subdivision_name1 = , subdivision_type2 = , subdivision_name2 = , established_title = Created , established_date = August 5, 1909 , founder = , named_for = , seat_type = Capital , seat = Barcelona , government_footnotes = , government_type = , leader_party = , governing_body= Legislative Council , leader_title = Governor , leader_name = Antonio Barreto Sira (2016) , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isla Margarita
Margarita Island (, ) is the largest island in the Venezuelan state of Nueva Esparta, situated off the northeastern coast of the country, in the Caribbean Sea. The capital city of Nueva Esparta, La Asunción, is located on the island. History Age of Exploration Christopher Columbus was the first European to arrive on Margarita Island in 1498. The local natives were the Guaiqueries people. The coast of the island was abundant in pearls, which represented almost a third of all New World tribute to the Spanish Crown. Margarita Island was fortified against the increasing threat of pirate attacks, and some fortifications remain today. It was the center of Spanish colonial Margarita Province, established in 1525. In 1561, the island was seized by Lope de Aguirre, a notoriously violent and rebellious conquistador. Around 1675, the island was captured again, this time by Red Legs Greaves, a pirate known for his humanity and morality. He captured a fleet of Spanish ships off por ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sucre (state)
The Sucre State ( es, Estado Sucre, ) is one of the 23 states of Venezuela. The state capital is Cumaná city. Sucre State covers a total surface area of and, as of the 2011 census, had a population of 896,921. The most important river in the state is the Manzanares River. History This Venezuelan State has great historical importance, because it was the first Venezuelan land that was touched by the European navigator, Christopher Columbus. The latter, impressed by the greenness of the flora, the coasts and the crystalline water of its beaches, called the place "Tierra de Gracia". Spanish colonization The capital of the state is Cumaná, which was founded by Gonzalo de Ocampo in 1521, although Franciscan missionaries began to populate it in 1515. In 1530 it was hit by an earthquake, so it had to be rebuilt. On July 2, 1591, King Philip II of Spain granted Cumaná the title of city. In 1639, conflicts appeared in the Cumanacoa Valley, as the well-known conqueror Juan de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margarita Island
Margarita Island (, ) is the largest island in the Venezuelan state of Nueva Esparta, situated off the northeastern coast of the country, in the Caribbean Sea. The capital city of Nueva Esparta, La Asunción, is located on the island. History Age of Exploration Christopher Columbus was the first European to arrive on Margarita Island in 1498. The local natives were the Guaiqueries people. The coast of the island was abundant in pearls, which represented almost a third of all New World tribute to the Spanish Crown. Margarita Island was fortified against the increasing threat of pirate attacks, and some fortifications remain today. It was the center of Spanish colonial Margarita Province, established in 1525. In 1561, the island was seized by Lope de Aguirre, a notoriously violent and rebellious conquistador. Around 1675, the island was captured again, this time by Red Legs Greaves, a pirate known for his humanity and morality. He captured a fleet of Spanish ships off por ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
