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Poetic Contraction
Poetic contractions are contractions of words found in poetry but not commonly used in everyday modern English. Also known as elision or syncope, these contractions are usually used to lower the number of syllables in a particular word in order to adhere to the meter of a composition. In languages like French, elision removes the end syllable of a word that ends with a vowel sound when the next begins with a vowel sound, in order to avoid hiatus, or retain a consonant-vowel-consonant-vowel rhythm. Many of these poetic contractions originate from archaic English. By the end of the 18th century, contractions were generally looked down upon in standardized formal writing. This development may have been influenced by the publication of Samuel Johnson's ''A Dictionary of the English Language ''A Dictionary of the English Language'', sometimes published as ''Johnson's Dictionary'', was published on 15 April 1755 and written by Samuel Johnson. It is among the most influential di ...
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Contraction (grammar)
A contraction is a shortened version of the spoken and written forms of a word, syllable, or word group, created by omission of internal letters and sounds. In linguistic analysis, contractions should not be confused with crasis, abbreviations and initialisms (including acronyms), with which they share some semantic and phonetic functions, though all three are connoted by the term "abbreviation" in layman’s terms. Contraction is also distinguished from morphological clipping, where beginnings and endings are omitted. The definition overlaps with the term portmanteau (a linguistic ''blend''), but a distinction can be made between a portmanteau and a contraction by noting that contractions are formed from words that would otherwise appear together in sequence, such as ''do'' and ''not'', whereas a portmanteau word is formed by combining two or more existing words that all relate to a singular concept that the portmanteau describes. English English has a number of con ...
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Elision
In linguistics, an elision or deletion is the omission of one or more sounds (such as a vowel, a consonant, or a whole syllable) in a word or phrase. However, these terms are also used to refer more narrowly to cases where two words are run together by the omission of a final sound. An example is the elision of word-final /t/ in English if it is preceded and followed by a consonant: "first light" is often pronounced /fɜ:s laɪt/. Many other terms are used to refer to particular cases where sounds are omitted. Citation forms and contextual forms A word may be spoken individually in what is called the Lemma (morphology), citation form. This corresponds to the pronunciation given in a dictionary. However, when words are spoken in context, it often happens that some sounds that belong to the citation form are omitted. Elision is not an all-or-nothing process: elision is more likely to occur in some styles of speaking and less likely in others. Many writers have described the styles ...
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Syncope (phonology)
In phonology, syncope (; from grc, , , cutting up) is the loss of one or more sounds from the interior of a word, especially the loss of an unstressed vowel. It is found in both synchronic and diachronic analyses of languages. Its opposite, whereby sounds are added, is epenthesis. Synchronic analysis Synchronic analysis studies linguistic phenomena at one moment of a language's history, usually the present, in contrast to diachronic analysis, which studies a language's states and the patterns of change across a historical timeframe. In modern languages, syncope occurs in inflection, poetry, and informal speech. Inflections In languages such as Irish and Hebrew, the process of inflection can cause syncope: * In some verbs : (to play) should become * (I play). However, the addition of the causes syncope and the second-last syllable vowel is lost so becomes . : (katav), (he) wrote, becomes (katvu), (they) wrote, when the third-person plural ending (-u) is added. * I ...
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Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ...
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Elision (French)
In French, elision is the suppression of a final unstressed vowel (usually ) immediately before another word beginning with a vowel or a muted h. The term also refers to the orthographic convention by which the deletion of a vowel is reflected in writing, and indicated with an apostrophe. Written French In written French, elision (both phonetic and orthographic) is obligatory for the following words: *the definite articles and ** ("the boy"), ("the girl") ** + → ("the tree"), + → ("the church") *the subject pronouns and (when they occur before the verb) **. ("I sleep") . ("That would be great.") **. ("I slept.") . ("It was great.") **but: ? ("Did I imagine?"), ? ("Is that useful?") *the object pronouns , , , , and (when they occur before the verb) **. ("Jean shaves himself, sees her, phones me.") **. ("Jean shaved himself, saw her, phoned me.") **but: . ("Look at him one more time.") *the object pronouns when they occur after an imperative verb and before the ...
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Hiatus (linguistics)
In phonology, hiatus, diaeresis (), or dieresis describes the occurrence of two separate vowel sounds in adjacent syllables with no intervening consonant. When two vowel sounds instead occur together as part of a single syllable, the result is called a diphthong. Preference Some languages do not have diphthongs, except sometimes in rapid speech, or they have a limited number of diphthongs but also numerous vowel sequences that cannot form diphthongs and so appear in hiatus. That is the case of Japanese, Nuosu, Bantu languages like Swahili, and Lakota. Examples are Japanese () 'blue/green', and Swahili 'purify', both with three syllables. Avoidance Many languages disallow or restrict hiatus and avoid it by deleting or assimilating the vowel or by adding an extra consonant. Epenthesis A consonant may be added between vowels ( epenthesis) to prevent hiatus. That is most often a semivowel or a glottal, but all kinds of other consonants can be used as well, depending on the ...
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Old English
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlement of Britain, Anglo-Saxon settlers in the mid-5th century, and the first Old English literature, Old English literary works date from the mid-7th century. After the Norman conquest of 1066, English was replaced, for a time, by Anglo-Norman language, Anglo-Norman (a langues d'oïl, relative of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during this period the English language was heavily influenced by Anglo-Norman, developing into a phase known now as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian languages, Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic peoples, Germanic tribes traditionally known as the Angles, Sa ...
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Samuel Johnson
Samuel Johnson (18 September 1709  – 13 December 1784), often called Dr Johnson, was an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor and lexicographer. The ''Oxford Dictionary of National Biography'' calls him "arguably the most distinguished man of letters in English history". Born in Lichfield, Staffordshire, he attended Pembroke College, Oxford until lack of funds forced him to leave. After working as a teacher, he moved to London and began writing for ''The Gentleman's Magazine''. Early works include ''Life of Mr Richard Savage'', the poems ''London'' and ''The Vanity of Human Wishes'' and the play ''Irene''. After nine years' effort, Johnson's '' A Dictionary of the English Language'' appeared in 1755, and was acclaimed as "one of the greatest single achievements of scholarship". Later work included essays, an annotated ''The Plays of William Shakespeare'', and the apologue ''The History of R ...
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A Dictionary Of The English Language
''A Dictionary of the English Language'', sometimes published as ''Johnson's Dictionary'', was published on 15 April 1755 and written by Samuel Johnson. It is among the most influential dictionaries in the history of the English language. There was dissatisfaction with the dictionaries of the period, so in June 1746 a group of London booksellers contracted Johnson to write a dictionary for the sum of 1,500 guineas (£1,575), equivalent to about £ in . Johnson took seven years to complete the work, although he had claimed he could finish it in three. He did so single-handedly, with only clerical assistance to copy the illustrative quotations that he had marked in books. Johnson produced several revised editions during his life. Until the completion of the ''Oxford English Dictionary'' 173 years later, Johnson's was viewed as the pre-eminent English dictionary. According to Walter Jackson Bate, the Dictionary "easily ranks as one of the greatest single achievements of s ...
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Writing
Writing is a medium of human communication which involves the representation of a language through a system of physically Epigraphy, inscribed, Printing press, mechanically transferred, or Word processor, digitally represented Symbols (semiotics), symbols. Writing systems do not themselves constitute human languages (with the debatable exception of computer languages); they are a means of rendering language into a form that can be reconstructed by other humans separated by time and/or space. While not all languages use a writing system, those that do can complement and extend capacities of spoken language by creating durable forms of language that can be transmitted across space (e.g. Letter (message), written correspondence) and stored over time (e.g. libraries or other public records). It has also been observed that the activity of writing itself can have knowledge-transforming effects, since it allows humans to externalize their thinking in forms that are easier to reflect ...
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