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Plug In Baby
"Plug In Baby" is a song by English rock band Muse. It was released as the lead single from the band's second studio album, ''Origin of Symmetry'' (2001), on 12 March 2001. The song became the band's highest-charting single in the UK when it peaked at number 11 on the UK Singles Chart, until it was surpassed by " Time Is Running Out", which peaked at number 8 in 2003. Today, "Plug In Baby" is considered one of Muse's most notable songs, and has been featured on the live albums ''Hullabaloo Soundtrack'' (2002), ''HAARP'' (2008) and ''Live at Rome Olympic Stadium'' (2013). Background and composition "Plug In Baby" is written in the key of B minor (although the song does not begin or end on the tonic chord of the key). It's mainly guitar and bass-driven, and moves at a tempo of 136 bpm. The guitar riff is based on the harmonic minor scale. The beginning of the riff shows similarities to the toccata from Bach's "Toccata and Fugue in D minor, BWV 565" and the beginning of Samuel Ba ...
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Muse (band)
Muse are an English Rock music, rock band from Teignmouth, Teignmouth, Devon, formed in 1994. The band consists of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums). Muse released their debut album, ''Showbiz (Muse album), Showbiz'', in 1999, showcasing Bellamy's falsetto and a melancholic alternative rock style. Their second album, ''Origin of Symmetry'' (2001), incorporated wider instrumentation and Romantic music, romantic classical influences and earned them a reputation for energetic live performances. ''Absolution (album), Absolution'' (2003) saw further classical influence, with strings on tracks such as "Butterflies and Hurricanes", and was the first of seven consecutive Lists of UK Albums Chart number ones, UK number-one albums. ''Black Holes and Revelations'' (2006) incorporated Electronic music, electronic and Pop music, pop elements, displayed in singles such as "Supermassive Black Hole (song ...
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HAARP (album)
''HAARP'' is a live album and video by English rock band Muse, released on 17 March 2008 in the United Kingdom and 1 April 2008 in the United States. The CD documents the band's performance at London's Wembley Stadium, as part of their Black Holes and Revelations Tour, on 16 June 2007, while the DVD contains 20 tracks from the performance on 17 June. The total number of audiences watching the band's shows on 16 and 17 June 2007 was 180,000 (150,000 seated and 30,000 standing). It was named the 40th greatest live album of all time by ''NME'' in 2010. Set design For their performances at Wembley, Muse had the stadium decked out with massive props to dress it as the Ionospheric Research Instrument of the High Frequency Active Auroral Research Program (HAARP), a US government-funded ionospheric research program in Gakona, Alaska which uses high frequency radio waves to cause changes in the ionosphere. and stated in a 2006 interview "Some people think it's designed to tap into the ion ...
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Guitar Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excite ...
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Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ...
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Maverick (company)
Maverick was an American entertainment company founded in 1992 by Madonna, Frederick DeMann, and Veronica "Ronnie" Dashev, and formerly owned and operated by Warner Music Group. It included a record label (Maverick Records), a film production company (Maverick Films), book publishing, music publishing, a Latin record division (Maverick Música), and a television production company. The first releases for the company were Madonna's 1992 coffee table publication ''Sex'' and her studio album ''Erotica'', which were released simultaneously to great controversy as well as success. Journalist and biographer J. Randy Taraborrelli considered the existence of Maverick Records to be an "anomaly", as Madonna became one of the first female artists to have a ''real'' label and one of the few women to run her own entertainment company. DeMann was bought out of the company for a reported $20 million in 1998. Guy Oseary increased his stake in the company and took control as chairman and CEO. ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Adagio For Strings
''Adagio for Strings'' is a work by Samuel Barber, arguably his best known, arranged for string orchestra from the second movement of his String Quartet, Op. 11. Barber finished the arrangement in 1936, the same year that he wrote the quartet. It was performed for the first time on November 5, 1938, by Arturo Toscanini conducting the NBC Symphony Orchestra in a radio broadcast from NBC Studio 8H. Toscanini also conducted the piece on his South American tour with the NBC Symphony in 1940. Its reception has generally been positive, with Alexander J. Morin writing that ''Adagio for Strings'' is "full of pathos and cathartic passion" and that it "rarely leaves a dry eye". The music is the setting for Barber's 1967 choral arrangement of ''Agnus Dei''. ''Adagio for Strings'' has been featured in many TV and movie soundtracks. History Barber's ''Adagio for Strings'' was originally the second movement of his String Quartet, Op. 11, composed in 1936 while he was spending a summe ...
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Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the '' Cello Concerto'' (1945) and '' Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of ...
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Toccata And Fugue In D Minor, BWV 565
The Toccata and Fugue in D minor, Bach-Werke-Verzeichnis, BWV 565, is a piece of organ repertoire, organ music written, according to its oldest extant sources, by Johann Sebastian Bach (1685–1750). The piece opens with a toccata section, followed by a fugue that ends in a coda (music), coda. Scholars differ as to when it was composed. It could have been as early as . Alternatively, a date as late as the 1750s has been suggested. To a large extent, the piece conforms to the characteristics deemed typical of the north German organ school of the baroque music, Baroque era with divergent stylistic influences, such as south German characteristics. Despite a profusion of educated guesswork, there is not much that can be said with certainty about the first century of the composition's existence other than that it survived that period in a manuscript written by Johannes Ringk. The first publication of the piece, in the Bach Revival era, was in 1833, through the efforts of Felix Mendelss ...
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Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli, Adriano Banchieri, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the ...
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