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Pleasure Heads Must Burn
The discography of The Birthday Party, an Australian post-punk band, consists of four studio albums, two live albums, six compilation albums, six extended plays and nine singles. The group began under various names in Melbourne in 1973; formed by vocalist Nick Cave, guitarist Mick Harvey, drummer Phill Calvert, guitarist John Cocivera, bassist Brett Purcell, and saxophonist Chris Coyne —all of whom were students at Caulfield Grammar School. By 1978, following several membership changes, the band consisted of Cave, Harvey and Calvert with bassist Tracy Pew and guitarist Rowland S Howard. Under the name The Boys Next Door, the band released several singles and two studio albums, ''Door, Door'' in 1979 on Mushroom Records and '' The Birthday Party'' in 1980 on Missing Link Records. Despite moderate success in Australia, The Boys Next Door relocated to London, England in 1980 and changed their name to The Birthday Party. In London, the band experienced undergroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Birthday Party (band)
The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1977 to 1983. The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their 1981 single " Release the Bats" was particularly influential on the emerging gothic scene. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." In 1980, The Birthday Party moved from Melbourne to London, where they were championed by broadcaster John Peel. They subsequently released two albums: '' Prayers on Fire'' (1981) and '' Junkyard'' (1982). Disillusioned by their stay in London, the band's sound and live shows became increasingly violent. They broke up soon after relocating to West Berlin in 1982. The crea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Door, Door
''Door, Door'' is the debut album by Australian rock band The Boys Next Door. The album was recorded before the band left Australia for London in 1980, at which point they changed their name to The Birthday Party and created the body of work for which they are most recognised. Likewise, the album is different stylistically from their later work, being less dark and slightly more poppy. Background The band recorded a full album in June 1978 as a four-piece. Shortly afterwards, Rowland S. Howard joined as second guitarist and the group discarded half of these songs and recorded five new tracks in January 1979. These were featured on side two of the released LP (tracks 6-10 of the CD release). Of the "missing" half-album, only a demo of the song "Sex Crimes" has ever been released (in 2005). Legacy Vocalist Nick Cave later said of the album, "We were adolescents and very late developers. There was a period where we were confused and had a lot of problems and we put out an a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Adamson
Barry Adamson (born 11 June 1958) Discography Studio Albums Compilation Albums EPs Singles Soundtracks References External links * Adamson's art-house * {{DEFAULTSORT:Adamson, Barry 1958 births Living people People from Moss Side 20th-century Black British male singers English people of Scottish descent Buzzcocks members English rock bass guitarists Male bass guitarists English film score composers English male film score composers English rock singers British post-punk musicians Magazine (band) members Musicians from Manchester Nick Cave and the Bad Seeds members Mute Records artists 21st-century Black British male singers Visage (band) members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blixa Bargeld
Blixa Bargeld (born Christian Emmerich, 12 January 1959) is a German musician who has been the lead singer of the band Einstürzende Neubauten since its formation in 1980. Bargeld was also a founding member of the Australian rock band Nick Cave and the Bad Seeds, serving as a member from 1983 until his departure in 2003. Early life Bargeld left school prior to completion, and is self-taught. He experimented with audio equipment as a teenager, including the disassembling of tape recorders. The first album that he owned was by Pink Floyd, but he quickly moved on to German krautrock acts such as Kraftwerk, Neu! and Can, which he described as his biggest influences at the time. Bargeld is from the Tempelhof area of West Berlin and he moved out of his parents' home in the late 1970s. A 2008 documentary featured him visiting his mother and talking to her about his childhood and the relationship that he had with his parents."Mein Leben – Blixa Bargeld" (Documentary Film directed by B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Einstürzende Neubauten
(, 'Collapsing New Buildings') is a German experimental music group, formed in West Berlin in 1980. The group is currently composed of founding members Blixa Bargeld (lead vocals; guitar; keyboard) and N.U. Unruh (custom-made instruments; percussion; vocals), long-time contributor Alexander Hacke (bass; vocals), plus Jochen Arbeit (guitar; vocals), and Rudolf Moser (custom-built instruments; percussion; vocals), who both joined the line-up in 1997. One of their trademarks is the use of custom-built instruments, predominantly made out of scrap metal and building tools, and noises, in addition to standard musical instruments. Their early albums were unremittingly harsh, with Bargeld's vocals shouted and screamed above a din of banging and scraping metal percussion. Subsequent recordings found the group's sound growing somewhat more conventional, yet still containing many unorthodox elements. History 1980s On 1 April 1980, made their first appearance, at the Moon Club in West B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mute Records
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Nick Cave and the Bad Seeds, Yazoo, and M83. History Beginnings During 1978, Daniel Miller began recording music, using synthesisers, under the name The Normal.Mute - Documentary Evidence - Biba Kopf 1986 He recorded the tracks "T.V.O.D." and "Warm Leatherette" and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single.Muted Response - Daniel Miller Interview - E&MM 1984 "T.V.O.D."/"Warm Leatherette" became a cult hit ensuring the future of the label. "Warm Leatherette" was later covered by Grace Jones and Chicks on Speed as well as Rose McDowell. After meetin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Berlin
West Berlin (german: Berlin (West) or , ) was a political enclave which comprised the western part of Berlin during the years of the Cold War. Although West Berlin was de jure not part of West Germany, lacked any sovereignty, and was under military occupation until German reunification in 1990, the territory was claimed by the West Germany, Federal Republic of Germany (FRG) which was heavily disputed by the Soviet Union and other Eastern Bloc countries. However, West Berlin de facto aligned itself politically with the FRG on 23 May 1949, was directly or indirectly represented in its federal institutions, and most of its residents were citizens of the FRG. West Berlin was formally controlled by the Western Allies and entirely surrounded by the Soviet Union, Soviet-controlled East Berlin and East Germany. West Berlin had great symbolic significance during the Cold War, as it was widely considered by westerners an "island of free world, freedom" and America's most loyal counterpa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junkyard (album)
Junkyard is the third studio album by Australian post-punk group The Birthday Party. It was released on 10 May 1982 by Missing Link Records in Australia and by 4AD in the UK. It was the group's last full-length studio recording. It has received critical acclaim. Background ''Junkyard'' was inspired by American Southern Gothic imagery, dealing with extreme subjects like an evangelist's murdered daughter. Anita Lane, then girlfriend of lead singer Nick Cave, co-wrote two songs for the album: "Dead Joe" and "Kiss Me Black". The album was a transitional record for a variety of reasons. On 16 February 1982 in Melbourne, Tracy Pew (the band's bass player) was arrested for drunk driving. For this and several other outstanding offences he served 2.5 months in Pentridge Prison in Australia, and so Barry Adamson played bass on at least one track. In addition to his usual guitar, Mick Harvey played drums on a few songs, anticipating the upcoming termination of founding member Phill Calv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prayers On Fire
''Prayers on Fire'' is the debut studio album by Australian rock group The Birthday Party, which was released on 6 April 1981 on the Missing Link label in Australia, later licensed to the 4AD label. This was the band's first full-length release on an international record label and the first after changing the group's name from Boys Next Door to The Birthday Party. It was recorded at Armstrong's Audio Visual Studios in Melbourne and Richmond Recorders in the nearby suburb of Richmond, between December 1980 and January 1981. Background In February 1980 Melbourne-based new wave group, The Boys Next Door, changed their name to The Birthday Party. They consisted of the same lineup of Phill Calvert on drums, Nick Cave on vocals, Mick Harvey on guitar, Rowland S. Howard on guitar and Tracy Pew on bass guitar. They relocated to London and soon signed with the 4AD label which issued the extended play, ''The Friend Catcher'' in the United Kingdom. In July, their Australian label, Missi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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