Pity (William Blake)
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Pity (William Blake)
''Pity'' (c. 1795) is a colour print on paper, finished in ink and watercolour, by the English artist and poet William Blake, one of the group known as the "Large Colour Prints". Along with his other works of this period, it was influenced by the Bible, Milton, and Shakespeare. The work is unusual, as it is a literal illustration of a double simile from ''Macbeth'', found in the lines: :And pity, like a naked new-born babe, :Striding the blast, or heaven's cherubim, hors'd :Upon the sightless couriers of the air. :- ''Macbeth'' (1.7.21–23) Like other members of the group it is a monotype produced by printing from a matrix consisting of paint on gessoed millboard, with each impression then finished by hand. By this unusual means Blake could obtain up to three impressions from a single painting. Three such impressions survive of ''Pity''. A fourth, in the British Museum, was an early trial of the design from a different matrix, as it is smaller than the others. Interpretation ...
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William Blake
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his " prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself". Although Blake was considered mad by contemporaries for his idiosyncratic views, he is held in high regard b ...
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Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed i ...
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Femininity
Femininity (also called womanliness) is a set of attributes, behaviors, and roles generally associated with women and girls. Femininity can be understood as socially constructed, and there is also some evidence that some behaviors considered feminine are influenced by both cultural factors and biological factors. To what extent femininity is biologically or socially influenced is subject to debate. It is conceptually distinct from both the female biological sex and from womanhood, as all humans can exhibit feminine and masculine traits, regardless of sex and gender. Traits traditionally cited as feminine include gracefulness, gentleness, empathy, humility, and sensitivity, though traits associated with femininity vary across societies and individuals, and are influenced by a variety of social and cultural factors. Overview and history Despite the terms ''femininity'' and ''masculinity'' being in common usage, there is little scientific agreement about what femininity and ...
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Tharmas
In the mythological writings of William Blake, Tharmas is one of the four Zoas, who were created when Albion, the primordial man, was divided fourfold. He represents sensation, and his female counterpart is Enion, who represents sexual urges. He is connected to the God the Father aspect of the Christian Trinity and is the begetter of Los. Tharmas is mostly peaceful, and flees during most of his fights with Urizen. He is depicted in various ways ranging from a youth with wings to an old bearded man. Character Tharmas is both the last Zoas described but also the first in the number. His aspect as a Zoas is Sensation. As connected to the Trinity, Tharmas is seen as God the Father. As a body part, he is the loins with his Emanation/mate Enion representing sexual urges. He is also represented as a shepherd. Tharmas is connected to the direction point West and his fallen state is to mark the Circumference of the world. His elemental connection is to water and, in turn, to time. His artis ...
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Sexual Frustration
Sexual frustration is a sense of dissatisfaction stemming from a discrepancy between a person's desired and achieved sexual activity. It may result from physical, mental, emotional, social, and religious or spiritual barriers. It may also derive from not being satisfied during sex, which may be due to issues such as anorgasmia, anaphrodisia, premature ejaculation, delayed ejaculation, erectile dysfunction, or an incompatibility or discrepancy (or self-sensed feeling of discrepancy) in libido. It may also relate to broader existential frustration. Sexual frustration can result from an individual's lacking one or more of the organs needed for achieving sexual release. This may occur when a male is born without a penis or has it removed, or when a female's clitoris is removed for cultural or medical reasons. Historical methods of dealing with sexual frustration have included fasting and the taking of libido suppressants such as anaphrodisiacs (food supplements) or antaph ...
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Blake's Mythology
The prophetic books of the English poet and artist William Blake contain an invented mythology, in which Blake worked to encode his spiritual and political ideas into a prophecy for a new age. This desire to recreate the cosmos is the heart of his work and his psychology. His myths often described the struggle between enlightenment and free love on the one hand, and restrictive education and morals on the other. Sources Among Blake's inspirations were John Milton's '' Paradise Lost'' and ''Paradise Regained'', the visions of Emanuel Swedenborg and the near-cabalistic writings of Jakob Böhme. Blake also included his own interpretations of druidism and paganism. The Fall of Albion The longest elaboration of this private myth-cycle was also his longest poem, '' The Four Zoas: The Death and Judgment of Albion The Ancient Man'', written in the late 1790s but left in manuscript form at the time of his death. In this work, Blake traces the fall of Albion, who was "originally four ...
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Virtue
Virtue ( la, virtus) is moral excellence. A virtue is a trait or quality that is deemed to be morally good and thus is valued as a foundation of principle and good moral being. In other words, it is a behavior that shows high moral standards: doing what is right and avoiding what is wrong. The opposite of virtue is vice. Other examples of this notion include the concept of merit in Asian traditions as well as '' De'' (Chinese 德). Buddhism's four brahmavihara ("Divine States") can be regarded as virtues in the European sense. Etymology The ancient Romans used the Latin word ''virtus'' (derived from ''vir'', their word for ''man'') to refer to all of the "excellent qualities of men, including physical strength, valorous conduct, and moral rectitude." The French words ''vertu'' and ''virtu'' came from this Latin root. In the 13th century, the word ''virtue'' was "borrowed into English". Ancient Egypt Maat (or Ma'at) was the ancient Egyptian goddess of truth, balance, orde ...
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Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global population. Its adherents, known as Christians, are estimated to make up a majority of the population in 157 countries and territories, and believe that Jesus is the Son of God, whose coming as the messiah was prophesied in the Hebrew Bible (called the Old Testament in Christianity) and chronicled in the New Testament. Christianity began as a Second Temple Judaic sect in the 1st century Hellenistic Judaism in the Roman province of Judea. Jesus' apostles and their followers spread around the Levant, Europe, Anatolia, Mesopotamia, the South Caucasus, Ancient Carthage, Egypt, and Ethiopia, despite significant initial persecution. It soon attracted gentile God-fearers, which led to a departure from Jewish customs, and, a ...
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Personification
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman ...
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Salvation
Salvation (from Latin: ''salvatio'', from ''salva'', 'safe, saved') is the state of being saved or protected from harm or a dire situation. In religion and theology, ''salvation'' generally refers to the deliverance of the soul from sin and its consequences."Salvation." ''Oxford English Dictionary'' (2nd ed.). Oxford University Press. 1989. "The saving of the soul; the deliverance from sin and its consequences." The academic study of salvation is called ''soteriology''. Meaning In Abrahamic religions and theology, ''salvation'' is the saving of the soul from sin and its consequences. It may also be called ''deliverance'' or ''redemption'' from sin and its effects. Depending on the religion or even denomination, salvation is considered to be caused either only by the grace of God (i.e. unmerited and unearned), or by faith, good deeds (works), or a combination thereof. Religions often emphasize that man is a sinner by nature and that the penalty of sin is death (physical death, ...
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Nightmare
A nightmare, also known as a bad dream, Retrieved 11 July 2016. is an unpleasant dream that can cause a strong emotional response from the mind, typically fear but also despair, anxiety or great sadness. The dream may contain situations of discomfort, psychological or physical terror, or panic. After a nightmare, a person will often awaken in a state of distress and may be unable to return to sleep for a short period of time. Recurrent nightmares may require medical help, as they can interfere with sleeping patterns and cause insomnia. Nightmares can have physical causes such as sleeping in an uncomfortable position or having a fever, or psychological causes such as stress or anxiety. Eating before going to sleep, which triggers an increase in the body's metabolism and brain activity, can be a potential stimulus for nightmares. The prevalence of nightmares in children (5–12 years old) is between 20 and 30%, and for adults is between 8 and 30%. In common language, the meani ...
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Legendary Creature
A legendary creature (also mythical or mythological creature) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging ... (including myths and legends), but may be featured in historical accounts before modernity. In the classical era, monstrous creatures such as the Cyclops and the Minotaur appear in heroic tales for the protagonist to destroy. Other creatures, such as the unicorn, were claimed in accounts of natural history by various scholars of antiquity. Some legendary creatures have their origin in traditional mythology and were believed to be real creatures, for example dragons, griffins, and unicorns. Others were based on real encounters, originating in garbled accounts of ...
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