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Piraeus Athena
The Piraeus Athena is a bronze statue dated to the fourth century BCE. It currently resides in the Archaeological Museum of Piraeus. Discovery The Piraeus Athena was discovered in 1959, by workers who were drilling underground to install pipes. Bronze was first hit 1.5 meters below the ground; a few days later, they uncovered the statue at the intersection of Georgiou I Street and Philonos Street. The excavation of the statue was led by Efthymios Mastrokostas. The Piraeus Athena was found with three more large bronze statues, along with other artifacts. The Piraeus Athena was discovered in very good condition; however, it underwent irreparable damage after being abandoned on the damp floor of the Piraeus Museum according to the scholar, Steinhauer. History and dating There are various theories about the origins of the Piraeus Athena. Because the room the statue was found in was very close to the main harbor, many scholars believe that the statue had been stored in a harbor's stoa a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Women In Greece
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statues In Greece
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Bronze Statues Of The Classical Period
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures In Piraeus
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Sculptures In Greece
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Athena
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4th-century BC Greek Sculptures
The 4th century (per the Julian calendar and Anno Domini/Common era) was the time period which lasted from 301 ( CCCI) through 400 ( CD). In the West, the early part of the century was shaped by Constantine the Great, who became the first Roman emperor to adopt Christianity. Gaining sole reign of the empire, he is also noted for re-establishing a single imperial capital, choosing the site of ancient Byzantium in 330 (over the current capitals, which had effectively been changed by Diocletian's reforms to Milan in the West, and Nicomedeia in the East) to build the city soon called Nova Roma (New Rome); it was later renamed Constantinople in his honor. The last emperor to control both the eastern and western halves of the empire was Theodosius I. As the century progressed after his death, it became increasingly apparent that the empire had changed in many ways since the time of Augustus. The two emperor system originally established by Diocletian in the previous century fell into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Palagia
Olga Palagia is Professor of Classical Archaeology at the National and Kapodistrian University of Athens and is a leading expert on ancient Greek sculpture. She is known in particular for her work on sculpture in ancient Athens and has edited a number of key handbooks on Greek sculpture. Career Palagia undertook her BA in archaeology and history at the National and Kapodistrian University of Athens and graduated in 1972. She moved to the University of Oxford to study for a diploma in classical archaeology followed by a D.Phil., which was awarded in 1977. Her thesis, ''Euphranor'', was published in 1980 by Brill. Following Palagia's studies she worked first as a research assistant at the Acropolis Museum of Athens from 1978 to 1981. Palagia then joined the National and Kapodistrian University of Athens as a lecturer and was awarded tenure in 1983. She became an assistant professor in 1988, associate professor in 1993, and then professor in 1999. Palagia has been the Chair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphranor
AGMA Apollon Patroos Euphranor. Euphranor of Corinth (middle of the 4th century BC) was a Greek artist who excelled both as a sculptor and as a painter. Pliny the Elder provides a list of his works including a cavalry battle, a Theseus, and the feigned madness of Odysseus among the paintings; and Paris, Leto with her children Apollo and Artemis, and Philip and Alexander in chariots among the statues. No known existing statues have been identified as copies from works of Euphranor (but see a series of attributions by Six in Jahrbuch, 1909, 7 foil.). His work appears to have resembled that of his contemporary Lysippus, notably in the attention he paid to symmetry, in his preference for bodily forms slighter than those usual in earlier art, and in his love of heroic subjects. He wrote a (now lost) treatise on proportions. He was a contemporary of Antorides, and, like him, studied under Ariston.Pliny the Elder Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
