Olga Palagia
   HOME

TheInfoList



OR:

Olga Palagia is Professor of Classical Archaeology at the National and Kapodistrian University of Athens and is a leading expert on
ancient Greek sculpture The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monument ...
. She is known in particular for her work on sculpture in ancient
Athens Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates ...
and has edited a number of key handbooks on Greek sculpture.


Career

Palagia undertook her BA in archaeology and history at the National and Kapodistrian University of Athens and graduated in 1972. She moved to the
University of Oxford , mottoeng = The Lord is my light , established = , endowment = £6.1 billion (including colleges) (2019) , budget = £2.145 billion (2019–20) , chancellor ...
to study for a diploma in classical archaeology followed by a D.Phil., which was awarded in 1977. Her thesis, ''Euphranor'', was published in 1980 by Brill. Following Palagia's studies she worked first as a research assistant at the Acropolis Museum of Athens from 1978 to 1981. Palagia then joined the National and Kapodistrian University of Athens as a lecturer and was awarded tenure in 1983. She became an assistant professor in 1988, associate professor in 1993, and then professor in 1999. Palagia has been the Chair of the Department of Archaeology (2002-4) and the Deputy Head of the Faculty of History and Archaeology (2006-7). Palagia has edited a number of key handbooks on Greek sculpture which are widely used in teaching and research as well as contributing chapters to standard handbooks. She is an expert on the sculptures of the Parthenon, publishing a book, ''The Pediments of the Parthenon'' (Brill, Leiden), in 1993 and lecturing widely on the topic. Palagia served on the Committee for the Restoration of the Acropolis Monuments 2005–2009. Palagia has held a number of visiting fellowships at international institutions, including the Ailsa Mellon Bruce Visiting Senior Fellowship (Spring 1991) at the National Gallery of Art, Washington DC, the Sylvan C. Coleman and Pamela Coleman Memorial Fund Fellowship (March 1998) at the
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
, New York, the Andrew W. Mellon Art History Fellowship (October 2004) at the
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
, New York, and the Onassis Visiting Lectureship (2015) at the
University of Waterloo The University of Waterloo (UWaterloo, UW, or Waterloo) is a public research university with a main campus in Waterloo, Ontario, Canada. The main campus is on of land adjacent to "Uptown" Waterloo and Waterloo Park. The university also operates ...
, Ontario. Palagia delivered the Byvanck Lecture in 2015 at Leiden University, and has delivered a wide range of public lectures on sculpture across the world. Palagia was elected as a Fellow of the
Society of Antiquaries of London A society is a group of individuals involved in persistent social interaction, or a large social group sharing the same spatial or social territory, typically subject to the same political authority and dominant cultural expectations. Soci ...
on 3 May 1990. She is an honorary fellow of the
Society for the Promotion of Hellenic Studies The Society for the Promotion of Hellenic Studies, known as the Hellenic Society, was founded in 1879 to advance the study of Greek language, literature, history, art and archaeology in the Ancient, Byzantine and Modern periods. The first Pr ...
, and a corresponding member of the
German Archaeological Institute The German Archaeological Institute (german: Deutsches Archäologisches Institut, ''DAI'') is a research institute in the field of archaeology (and other related fields). The DAI is a "federal agency" under the Federal Foreign Office of Germany ...
and the Archaeological Institute of America.


Selected publications

*''Euphranor'' (Brill, Leiden, 1980)
'A Colossal Statue of a Personification from the Agora of Athens'
in ''Hesperia'' 51 (1982) pp. 99–113 *''The Pediments of the Parthenon'' (Brill, Leiden, 1993) *(ed.) ''Greek Offerings in Honour of John Boardman'' (Oxford, 1997) *(ed.) ''Art in Athens during the Peloponnesian War'' (Cambridge, 2009) *with William Coulson (eds.) ''Sculpture from Arcadia and Laconia'' (Oxford, 1993) *with William Coulson, TL Shear, HA Shapiro, and FJ Frost (eds.) ''The Archaeology of Athens and Attica under the Democracy'' (Oxford, 1994) *with JJ Pollitt (eds.) ''Personal Styles in Greek Sculpture'' (Cambridge, 1996) *with John Oakley and William Coulson (eds.) ''Athenian Potters and Painters'' (Oxford, 1997) *with William Coulson (eds.) ''Regional Schools in Hellenistic Sculpture'' (Oxford, 1998) *'Hephaestion's Pyre and the Royal Hunt of Alexander' in A.B. Bosworth and E.J. Baynham (eds), ''Alexander the Great in Fact and Fiction''. (Oxford & New York: Oxford University Press, 2000). *with Stephen V Tracey (eds.) ''The Macedonians in Athens 322-229 B.C.'' (Oxford, 2003) *with Hans Rupprecht Goette (eds.) ''Ludwig Ross und Griechenland'' (Rahden, 2005) *'Fire from Heaven: Pediments and Akroteria of the Parthenon' in Jenifer Neils (ed.) ''The Parthenon : From Antiquity to the Present'' (Cambridge, Cambridge University Press, 2005) *(ed.) ''Greek sculpture: function, materials, and techniques in the archaic and classical periods'' (Cambridge University Press, 2006) *with Alkestis Spetsieri-Choremi (eds.) ''The Panathenaic Games'' (Oxford, 2007) *with John H Oakley (eds.) ''Athenian Potters and Painters'' II (Oxford, 2009) *(ed.) ''Art in Athens During the Peloponnesian War'' (Cambridge University Press, 2009) *with Bonna D. Wescoat (eds.) ''Samothracian Connections: Essays'' ''in Honor of James R. McCredie'' (2010) *with Hans Rupprecht Goette (eds.) ''Sailing to Classical Greece in honour of Petros Themelis'' (2011) *'The Functions of Greek Art' in (ed.) Clemente Marconi ''The Oxford Handbook of Greek and Roman Art and Architecture'' (Oxford, 2014) *(ed.) ''Handbook of Greek Sculpture'' (de Gruyter, 2019)


References


External links


The Motya charioteer - an alternative view
Lecture given by Olga Palagia for the Hellenic Society at The British Museum in 2012
Sculptural display in ancient Greek temples
Lecture given by Olga Palagia at Senate House in London on 28 June 2017 as part of the 'Sculptural Display' lectures by the Hellenic and Roman Societies.
Olga Palagia on WorldCat
{{DEFAULTSORT:Palagia, Olga Living people National and Kapodistrian University of Athens faculty National and Kapodistrian University of Athens alumni Alumni of the University of Oxford Women classical scholars Fellows of the Society of Antiquaries of London Greek classical scholars 1949 births Greek women archaeologists