|
Pinotta
''Pinotta'' is an ''idillio'' or opera in 2 acts by Pietro Mascagni from an Italian libretto by Giovanni Targioni-Tozzetti Giovanni Targioni-Tozzetti (17 March 186330 May 1934) was an Italian librettist. Biography He was best known for his friendship and collaboration with the composer Pietro Mascagni. Most of his libretti were written in collaboration with Guido .... The opera received its first performance on 23 March 1932 at the Teatro del Casinò in San Remo. ''Pinotta'' is based on two youthful works of Mascagni: his cantata ''In Filanda'' (1881) which was combined with the song ''La tua stelle'' (1882). The libretto was written by Giovanni Targioni-Tozzetti, a long-time collaborator of the composer, and tells the love story of Baldo, a worker, and Pinotta, a young hand-spinner in Andrea's workshop. In the end, Baldo and Pinotta get married. The opera was successful and had several other performances in Italy (Florence, Naples, Rome, Turin). Today, ''Pinotta'' is rarel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece ''Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ''Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, ''L'amico Fritz'' and ''Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a baker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Targioni-Tozzetti
Giovanni Targioni-Tozzetti (17 March 186330 May 1934) was an Italian librettist. Biography He was best known for his friendship and collaboration with the composer Pietro Mascagni. Most of his libretti were written in collaboration with Guido Menasci. Targioni-Tozzetti was born and died in Livorno. Operas *''Cavalleria rusticana'' (1890) *''I Rantzau'' (1892) *'' Regina Diaz'' (1894) *'' Silvano'' (1895) *''Zanetto'' (1896) *'' Amica'' (1905) *'' La sposa di Nino'' (1913) *''Pinotta ''Pinotta'' is an ''idillio'' or opera in 2 acts by Pietro Mascagni from an Italian libretto by Giovanni Targioni-Tozzetti Giovanni Targioni-Tozzetti (17 March 186330 May 1934) was an Italian librettist. Biography He was best known for his f ...'' (1932) *'' Nerone'' (1935) External links * * 1863 births 1934 deaths People from Livorno Italian opera librettists Italian male dramatists and playwrights 19th-century Italian dramatists and playwrights 19th-century Italian male wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mafalda Favero
Mafalda Favero (pseudonym of Giuseppina Favero) (6 January 19033 September 1981) was an Italian operatic soprano. Mafalda Favero was born in Portomaggiore, near Ferrara. When she was 17, she started studying with Alessandro Vezzani at the Bologna Conservatory and attracted the attention of Franco Alfano. She began her professional career in her early 20s in Cremona before moving to Parma where she sang several roles. She eventually transferred to La Scala where she debuted singing Eva in ''Die Meistersinger von Nürnberg'' under Arturo Toscanini in 1929. She remained one of the regular singers at La Scala until 1950, in addition to singing in London (Royal Opera House) in 1937 and 1939, and in the United States (Metropolitan Opera and San Francisco Opera) in 1938. She had a large repertoire which included many contemporary works. She sang in the first performances of Alfano's '' L'ultimo Lord'', Mascagni's ''Pinotta'', Zandonai's '' Farsa amorosa'', and Wolf-Ferrari's '' Il& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernesto Badini
Ernesto Badini (born San Colombano al Lambro, 14 September 1876; died Milan, 6 July 1937) was an Italian opera singer that sang in the baritone range. He was trained at Milan Conservatory and made his debut as Matteo (in '' Frà Diavolo'') at Lodi's Teatro Gaffurio in 1896. Badini was a regular performer at Milan's La Scala and achieved his greatest success in the comic role of Puccini's Gianni Schicchi. Biography In ''Il Signor Bruschino'' (Rossini), he was said with a generally "excellent cast" to have "co-operated with a will". At Covent Garden: he portrayed Marcello in ''Boheme'' (Puccini): " otparticularly well-suited for his part He also worked in South America and Salzburg. His voice was described as "serviceable rather than rich":J.B. Steane. The New Grove Dictionary of Opera whilst his acting ability demonstrated "an assured style and economy of gesture" First Performances He participated in several first performances, as follows: Puccini: ''Gianni Schicchi'' (premie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanremo Casino
Sanremo Casino, officially named is a gambling and entertainment complex located in Sanremo, on the Italian Riviera. History The Casino's building was designed by French architect Eugène Ferret, opening 12 January 1905. Seven different projects were submitted, resulting in the victory of Ferret, who adhered to the Art Nouveau movement, so much in vogue in France back then. Ferret was also to be the first manager of the proper gaming activities by an agreement signed on 5 November 1903. From 1913 the Casino had its own tram connection. In 1927, by means of normalizing a situation of tolerance that lasted for years and in order, among other things, to cope with competition from neighbouring Côte d'Azur; the RDL n. 2448 from 22 December 1927 "Ruling in favour of the City of Sanremo" was converted into Law n. 3125 of 27 December 1928; allowing the City of Sanremo, quite exceptionally, to engage in gambling activities and also allowing an arrangement of the municipal budget so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
