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Pietà (arte)
The Pietà (; meaning " pity", "compassion") is a subject in religious Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by sole privilege of the Virgin Mary alone, sometimes accompanied by a specific Marian title. Accordingly, several of such images have merited a Pontifical decree of Canonical coronation from a Pope, such as but not limited to, the Pieta of Saint Peter’s Basilica in Rome, Marienthal Basilica in France, the image in Church of Franciscans in Leuven, Belgium, Kamp-Bornhofen, Germany and Our Lady of Charity in Cartagena, Spain, et cetera. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (The Dolorous Mother) and Stabat Mater (The Standing Mother). The other two r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo's Pieta 5450 Cropncleaned Edit
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgen Caridad Cartagena
Virgen is a municipality in the district of Lienz in the Austrian state of Tyrol. It includes part of the Virgen valley in the Venediger Group mountain range, and extensive parts of the municipality are in High Tauern National Park. The history of the area goes back to 500 BC, when copper mining played an important role. After the end of the Roman period Slavs settled in the Virgen valley, who were gradually assimilated by Baiuvarii settlers beginning in the 8th century. The simultaneous Christianization of the area led to the creation of one of the first parishes in the region. During the middle ages Virgen was a part of Carinthia and the County of Gorizia, and by 1500 it was annexed by Tyrol. With a population of 2,200 (as of January 1, 2020), Virgen is the fifth largest community in east Tyrol in terms of population. Agriculture and tourism both play important economic rolls, but a lack of jobs and structural problems lead to a very high commuter rate. Virgen has won awards for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Peter's Basilica
The Papal Basilica of Saint Peter in the Vatican ( it, Basilica Papale di San Pietro in Vaticano), or simply Saint Peter's Basilica ( la, Basilica Sancti Petri), is a church built in the Renaissance style located in Vatican City, the papal enclave that is within the city of Rome, Italy. It was initially planned by Pope Nicholas V and then Pope Julius II to replace the aging Old St. Peter's Basilica, which was built in the fourth century by Roman emperor Constantine the Great. Construction of the present basilica began on 18 April 1506 and was completed on 18 November 1626. Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world by interior measure. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Buonarroti
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà (Michelangelo)
The ''Pietà'' (; 1498–1499) is a key work of Italian Renaissance sculpture by Michelangelo Buonarroti, now in St. Peter's Basilica, Vatican City. It is the first of a number of works of the same subject by the artist. The statue was commissioned for the French Cardinal Jean de Bilhères, who was the French ambassador in Rome. The sculpture, in Carrara marble, was made for the cardinal's funeral monument, but was moved to its current location, the first chapel on the north side after the entrance of the basilica, in the 18th century. It is the only piece Michelangelo ever signed. This famous work of art depicts the body of Jesus on the lap of his mother Mary after the Crucifixion. Michelangelo's interpretation of the ''Pietà'' is unprecedented in Italian sculpture. It is an important work as it balances the Renaissance ideals of classical beauty with naturalism. In 2019, a small terracotta figure identified as a model for the final sculpture was displayed in Paris. De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God The Father
God the Father is a title given to God in Christianity. In mainstream trinitarian Christianity, God the Father is regarded as the first person of the Trinity, followed by the second person, God the Son Jesus Christ, and the third person, God the Holy Spirit. Since the second century, Christian creeds included affirmation of belief in "God the Father ( Almighty)", primarily in his capacity as "Father and creator of the universe". However, in Christianity the concept of God as the father of Jesus Christ goes metaphysically further than the concept of God as the creator and father of all people, as indicated in the Apostles' Creed where the expression of belief in the "Father almighty, creator of heaven and earth" is immediately, but separately followed by in "Jesus Christ, his only Son, our Lord", thus expressing both senses of fatherhood. Christianity Overview In much of modern Christianity, God is addressed as the Father, in part because of his active interest in huma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Sorrows Of The Virgin
Our Lady of Sorrows ( la, Beata Maria Virgo Perdolens), Our Lady of Dolours, the Sorrowful Mother or Mother of Sorrows ( la, Mater Dolorosa, link=no), and Our Lady of Piety, Our Lady of the Seven Sorrows or Our Lady of the Seven Dolours are names by which Mary, mother of Jesus, is referred to in relation to sorrows in life. As ', it is also a key subject for Marian art in the Catholic Church. The Seven Sorrows of Mary are a popular religious theme and a Catholic devotion. In Christian imagery, the Virgin Mary is portrayed sorrowful and in tears, with one or seven swords piercing her heart, iconography based on the prophecy of Simeon in Luke 2:34–35. Pious practices in reference to this title include the Chaplet of the Seven Sorrows, the Seven Principal Dolors of the Blessed Virgin, the Novena in Honor of the Seven Sorrows of Mary, and the ''Via Matris''. The feast of Our Lady of Sorrows is liturgically celebrated every 15 September, while a feast, the Friday of Sorrows is ob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stations Of The Cross
The Stations of the Cross or the Way of the Cross, also known as the Way of Sorrows or the Via Crucis, refers to a series of images depicting Jesus Christ on the day of Crucifixion of Jesus, his crucifixion and accompanying prayers. The stations grew out of imitations of the Via Dolorosa in Jerusalem, which is a traditional processional route symbolising the actual path Jesus walked to Mount Calvary. The objective of the stations is to help the Christian faithful to make a spiritual Christian pilgrimage, pilgrimage through contemplation of the Passion (Christianity), Passion of Christ. It has become one of the most popular devotions and the stations can be found in many Western Christianity, Western Christian churches, including those in the Catholic Church, Roman Catholic, Lutheran, Anglican, and Methodist traditions. Commonly, a series of 14 images will be arranged in numbered order along a path, along which worshippers—individually or in a procession—move in order, stoppi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deposition Of Christ
The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (). In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross, and is also the sixth of the Seven Sorrows of the Blessed Virgin Mary. Other figures not mentioned in the Gospels who are often included in depictions of this subject include John the Evangelist, who is sometimes depicted supporting a fainting Mary (as in the work below by Rogier van der Weyden), and Mary Magdalene. The Gospels mention an undefined number of women as watching the crucifixion, including The Three Marys, (Mary Salome being mentioned in ), and also that the Virgin Mary and Mary Magdalene saw the burial (). These and further women and unnamed male ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andachtsbilder
''Andachtsbilder'' (singular ''Andachtsbild'', German for devotional image) is a German term often used in English in art history for Christian devotional images designed as aids for prayer or contemplation. The images "generally show holy figures extracted from a narrative context to form a highly focused, and often very emotionally powerful, vignette". The term is especially used of Northern Gothic art around the 14th and 15th centuries, when new subjects such as the ''Pietà'', '' Pensive Christ'', ''Man of Sorrows'', ''Arma Christi'', ''Veil of Veronica'', the severed head of John the Baptist, and the '' Virgin of Sorrows'' became extremely popular. Subjects and genres Traditional subjects from the narrative of the Passion of Christ such as the '' Ecce Homo'' and the ''Crucifixion of Jesus'' were also treated in the same way. Though the ''Crucifix'' had been treated as an intense, isolated image for centuries, at least as far back as the 10th century ''Gero Cross'' in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio Della Nunziatella
The Oratorio della Nunziatella is a 15th-century Renaissance-style oratory in Foligno, region of Umbria, Italy. The oratory is located near the 18th-century ''Chiesa del Suffragio'' and is named after the Virgin of the Annunciation, considered in those days to be the patron saint of the city. It was restored in the 19th century. Among the decorations is the prominent fresco of the Baptism of Jesus painted between 1497 and 1507 by Pietro Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ea .... Sources * Hospitali Roman Catholic chapels in Italy Roman Catholic churches in Foligno 15th-century Roman Catholic church buildings in Italy Renaissance architecture in Rome Tourist attractions in Umbria 15th-century establishments in Italy {{RC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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