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Pietà (Annibale Carracci)
''Pietà'' is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese. It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. It is one of many 16th century Bolognese paintings dedicated to the theme of the Pietà, and it is counted among Carracci's masterpieces. History The dating of this painting is owed to records of its commission by Odoardo Farnese. It is unknown, however, what its original destination was or the date of its execution. For its location, the format of the painting indicates that it might have been intended for the private devotion of its commissioner. Therefore, it would have been kept at the chapel of the Palazzo Farnese in Rome or another Farnese mansion. There is a 16th century traveler's account that refers to an admirable Pietà by Carracci, seen in the Palazzo Farnese of Caprarola. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annibale Carracci
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Wittkower
Rudolf Wittkower (22 June 1901 – 11 October 1971) was a British art historian specializing in Italian Renaissance and Baroque art and architecture, who spent much of his career in London, but was educated in Germany, and later moved to the United States. Despite having a British father who stayed in Germany after his studies, he was born and raised in Berlin. Early life Wittkower was born in Berlin to Henry Wittkower (1865–1942) and Gertrude Ansbach (Wittkower) (1876–1965). Career Rudolf Wittkower moved to London in 1933 with his wife Margot Holzmann because they were both Jewish and were fleeing Nazi Germany. He taught at the Warburg Institute, University of London from 1934 to 1956, was appointed Durning Lawrence professor at the Slade School of Fine Art, University College, London in 1949 and then moved to the United States to work at Columbia University from 1956 to 1969 where he was chairman of the Department of Art History and Archaeology. Among Wittkower's books w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valenciennes
Valenciennes (, also , , ; nl, label=also Dutch, Valencijn; pcd, Valincyinnes or ; la, Valentianae) is a commune in the Nord department, Hauts-de-France, France. It lies on the Scheldt () river. Although the city and region experienced a steady population decline between 1975 and 1990, it has since rebounded. The 1999 census recorded that the population of the commune of Valenciennes was 41,278, and that of the metropolitan area was 399,677. History Before 1500 Valenciennes is first mentioned in 693 in a legal document written by Clovis II (''Valentiana''). In the 843 Treaty of Verdun, it was made a neutral city between Neustria and the Austrasia. Later in the 9th century the region was overrun by the Normans, and in 881 the town passed to them. In 923 it passed to the Duchy of Lower Lotharingia dependent on the Holy Roman Empire. Once the Empire of the Franks was established, the city began to develop, though the archaeological record has still not revealed all it has to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gonesse
Gonesse () is a Communes of France, commune in the Val-d'Oise department, in the north-eastern suburbs of Paris, France. It is located from the Kilometre Zero, centre of Paris. The commune lies immediately north of Le Bourget Airport, and it is six kilometres (four miles) south-west of Paris-Charles de Gaulle Airport, Charles de Gaulle International Airport. History Since Carolingian Empire, Carolingian times, cereals have been grown in Gonesse. In the period of the 12th through to the 16th centuries, the cultivation of grain was supplemented by drapery, in particular the production of the coarse woollen material of the ''gaunace''.Histoire de Gonesse – Quelques repères historiques . ''Ville-gonesse.fr'', r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dulwich Picture Gallery
Dulwich Picture Gallery is an art gallery in Dulwich, South London, which opened to the public in 1817. It was designed by Regency architect Sir John Soane using an innovative and influential method of illumination. Dulwich is the oldest public art gallery in England and was made an independent charitable trust in 1994. Until this time the gallery was part of the College of God's Gift, a charitable foundation established by the actor, entrepreneur, and philanthropist Edward Alleyn in the early 17th century. The acquisition of artworks by its founders and bequests from its many patrons resulted in Dulwich Picture Gallery housing one of the country's finest collections of Old Masters, especially rich in French, Italian, and Spanish Baroque paintings, and in British portraits from Tudor times to the 19th century. The Dulwich Picture Gallery and its mausoleum are listed Grade II* on the National Heritage List for England. History Early history of the gallery Edward Alleyn (1566 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marignane
Marignane (; oc, Marinhana) is a commune in the Bouches-du-Rhône department in the Provence-Alpes-Côte d'Azur region in southern France. Geography It is a component of the Aix-Marseille-Provence Metropolis, and the largest suburb of the city of Marseille. It is located 18.3 km (11.4 mi) to the northwest of Marseille. Climate The climate is hot-summer mediterranean (Köppen: ''Csa''). The city serves as the basis for data from Marseille through the weather station at the airport, which is inside Marignane's city limits. History In the 15th century the Count of Provence owned the land, and from 1603 to the French Revolution it belonged to the Covets. In the 17th century the Covets refurbished the castle. Three chapels and one convent were built in the 17th and 18th century: ''Notre-Dame de Pitié'' (1635), ''Saint-Nicolas'' (1695), ''Sainte-Anne'' (1710, now demolished), and ''Couvent des Minimes'' (1695). Population Politics From 1995 to 2008, the mayor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Mignard
Pierre Mignard or Pierre Mignard I (17 November 1612 – 30 May 1695), called "Mignard le Romain" to distinguish him from his brother Nicolas Mignard, was a French painter known for his religious and mythological scenes and portraits. He was a near-contemporary of the Premier Peintre du Roi Charles Le Brun with whom he engaged in a bitter, life-long rivalry.Lada Nikolenko. "Mignard." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 May. 2017 Life Pierre Mignard was born at Troyes in 1612 as the son of Pierre and Marie Gallois. He came from a family of artisans. He was the younger brother of Nicolas, who became a painter and etcher who was mainly active in Avignon and was known as Mignard d'Avignon.Albert Babeau, ''Nicolas Mignard - sa vie et ses oeuvres'' in: 'Annu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Dei Papi
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Mignard
Nicolas Mignard, called Mignard d’Avignon, (7 February 1606 (baptised) – 20 March 1668) was a French painter known for his religious and mythological scenes and portraits.Lada Nikolenko. "Mignard." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 22 May. 2017 He spent most of his active life in Avignon creating religious and mythological paintings for religious institutions and stately homes but ended his career as court painter in Paris.Nicolas Mignard at the Getty Museum Biography Nicolas Mignard was born in in 1606 as the son of Pierre and Marie Gallois. He came from a family of artisans. He was the older brother of |
Galleria Doria Pamphilj
The Doria Pamphilj Gallery is a large art collection housed in the Palazzo Doria Pamphilj in Rome, Italy, between Via del Corso and Via della Gatta. The principal entrance is on the Via del Corso (until recently, the entrance to the gallery was from the Piazza del Collegio Romano). The palace façade on Via del Corso is adjacent to a church, Santa Maria in Via Lata. Like the palace, it is still privately owned by the princely Roman family Doria Pamphili. Tours of the state rooms often culminate in concerts of Baroque and Renaissance music, paying tribute to the setting and the masterpieces it contains. Collection The large collection of paintings, furniture and statuary has been assembled since the 16th century by the Doria, Pamphilj, Landi and Aldobrandini families now united through marriage and descent under the simplified surname Doria Pamphilj. The collection includes paintings and furnishings from Innocent X's Palazzo Pamphilj (in Piazza Navona), who bequeathed them to h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paolo Lasinio
Giovanni Paolo Lasinio (c. 1796–1855) was an Italian engraver and painter. Biography He was the son of the engraver Carlo Lasinio, and together with Rossi engraved forty-four plates of the Campo Santo at Pisa (1832), and took part in the decorations of the Galleries at Florence and Turin. He executed the plates for Ippolito Rosellini Niccola Francesco Ippolito Baldassarre Rosellini, known simply as Ippolito RoselliniBardelli 1843, p. 4 (13 August 1800 – 4 June 1843) was an Italian Egyptologist. A scholar and friend of Jean-François Champollion, he is regarded as t ...'s ''Monumenti dell' Egitto e de la Nubia'' (Monuments of Egypt and Nubia) (1833–44). References 1796 births 1855 deaths Italian engravers Painters from Tuscany 19th-century Italian painters 19th-century Italian male artists Italian male painters {{Italy-engraver-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Rousselet
Gilles Rousselet, also known as Aegidius Rousselet (1610–1686) was a French burin engraver, print dealer, and draftsman, active during the Baroque-era. He was one of the most skilled engravers of the seventeenth century and a member of the Académie. About Gilles Rousselet, born in 1610 in Paris, France. His father was a bookseller and possibly a printmaker. It is unknown with whom he studied engraving under, but his work was inspired by Abraham Bloemaert. Gilles Rousselet married in 1645 to Judith Le Goux in the Saint-Nicolas-des-Champs church, and together they had fourteen children. He was the father of sculptor, Jean Rousselet (1656–1693). A lot of Rousselet's engraving work was a reproduction of works by other artists. During his career he reproduced work by artists, including Grégoire Huret, Claude Vignon, Jacques Stella, Laurent de La Hyre, Raphael, Pietro da Cortona, Guido Reni, Valentin de Boulogne, Nicolas Poussin, and his friend Charles Le Brun. Unlike R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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