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Pietrafesa (painter)
Giovanni De Gregorio, known as il Pietrafesa (1579 or 1580 – 1656, active 1653) called thus after the ancient name of the place of origin, Satriano, the ancient Pietrafesa. Giovanni De Gregorio, or Pietrafesa, was a Lucan painter. Active in the Kingdom of Naples between 1608 and 1653, he was a representative of the Neapolitan school. He was an Italian painter of the Baroque period. He painted an altar-piece of the ''Assumption of the Virgin Mary'' for the chapel of the convent of Marsico Nuovo. Biography De Gregorio was born in Petra-fixia/Pietrafesa (now Satriano di Lucania), between 1579 and 1580, as was written in a notary act dated from September 27, 1595, which states that he, son of Michele, at the age of 15 attended the Neapolitan workshop of Fabrizio Santafede. He remained for six years in his workshop. He frequented assiduously the picture gallery of the prince Matteo di Capua where he admired "Cristo" of Sebastiano del Piombo, from which he would draw the model of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Potenza
Potenza (, also , ; , Potentino dialect: ''Putenz'') is a ''comune'' in the Southern Italian region of Basilicata (former Lucania). Capital of the Province of Potenza and the Basilicata region, the city is the highest regional capital and one of the highest provincial capitals in Italy, overlooking the valley of the Basento river in the Apennine Mountains of Lucania, east of Salerno. Its territory is bounded by the comuni of Anzi, Avigliano, Brindisi Montagna, Picerno, Pietragalla, Pignola, Ruoti, Tito and Vaglio Basilicata. History of Potenza Ancient times The first settlement of Potentia (Potenza's original Latin name) was probably located at a lower elevation than at present, some south of today's Potenza. The Lucanians of Potentia sided against Rome's enemies during the latter's wars against the Samnites and the Bruttii. Subjugated during the 4th century BC (later gaining the status of ''municipium''), the Potentini rebelled after the Roman defeat at Cannae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satriano Di Lucania
Satriano di Lucania is a town and ''comune'' in the province of Potenza, in the Southern Italian region of Basilicata. Key events in the town include the Carnival, folk festivals and the renowned murales. History In the Middle Ages it was a small village called Pietrafixa (''crushed stone'', probably due to the geomorphological characteristics of the place), later Italianized in Pietrafesa until 1887, when the Municipal Administration decided to change the toponym in Satriano, borrowed by the ancient Lucan stronghold Satrianum, whose ruins are located on the mountain behind, to strengthen its historical ties with it. In the 16th century, the town gave the nickname to the painter Giovanni De Gregorio. In the late 19th century, the highest population growth was recorded, with almost 3000 inhabitants. In the early 1900s (1910 - 1921), many families chose to emigrate to both North America and South America. First Some of the men came to places like New York and New Jersey. One ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pignola
Pignola is an Italian town in the province of Potenza in Basilicata. It borders to the east with Anzi, to the south-west with Abriola, to the west with Tito and to the north with Potenza Potenza (, also , ; , Potentino dialect: ''Putenz'') is a ''comune'' in the Southern Italian region of Basilicata (former Lucania). Capital of the Province of Potenza and the Basilicata region, the city is the highest regional capital and one .... The Pignolese territory extends for 55.51 km² and has an altitude ranging from 700 m of Pantano-Petrucco to 927 m of the inhabited center, up to 1476 m of Mount Serranetta which represents the highest point of the Pignolese territory. It has 6,962 inhabitants. The municipality includes fourteen hamlets: Masseria Coviello, Campo di Giorgio, Molino di Capo, Mulino di Piede, Pantano, Petrucco, Piancardillo, Ponte Mallardo, Pozzillo, Rifreddo, Sciffra, Serra San Marco, Tora, Tuorno, and is divided into two parts: the historic center upstream, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsico Nuovo
Marsico Nuovo ( Lucano: ) is a town and ''comune'' of the province of Potenza in the Basilicata region of southern Italy. It was the seat of the bishops of Grumentum. It is an agricultural centre in the Agri river valley. History The city's origins are obscure, but, after the destruction by the Saracens of the ancient ''Grumentum'', the town grew in importance, and became the seat of a county under the Normans (11th century). Its most famous count was Sylvester of Marsico. It was subsequently ruled by the Hauteville, the Guarna and Sanseverino families. The last count from the latter, Ferrante Sanseverino, was exiled in 1552 and his fiefs acquired by the Kingdom of Naples. Main sights Among the churches in the town are: * Cathedral of San Giorgio * San Gianuario * San Michele Arcangelo * Madonna del Carmine * Santi Maria di Constantinopoli * San Rocco, contains arts from a destroyed church of All Saints. References See also *Marsicovetere Marsicovetere ( Lucano: ) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabrizio Santafede
Fabrizio Santafede or Fabrizio Santaféde (c. 1560–1623/28) was an Italian painter known for his altarpieces. He painted in a style that rejected the Mannerism popular in the Naples of his time and evident in the works of Francesco Curia. Life Born in Naples, he began as a pupil of his father, the painter Francesco Santafede,Giovan Battista Chiarini (a cura di), ''Delle notizie del bello, dell'antico, e del curioso della città di Napoli raccolte dal canonico Carlo Celano'', Vol. I, Napoli, Stamperia Floriana, 1856, p. 154 and later became a pupil of Marco Pino. He may have been one of the collaborators of Pino on the decoration of the church of S Giovanni Fiorentini in Naples.Antonella D’Autilia. "Santafede, Fabrizio." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 March 2017 He traveled extensively, including to Bologna, Florence, Rome, and Venice in his study of the great masters. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Del Piombo
Sebastiano del Piombo (; c. 1485 – 21 June 1547) was an Italian painter of the High Renaissance and early Mannerism, Mannerist periods famous as the only major artist of the period to combine the colouring of the Venetian School (art), Venetian school in which he was trained with the monumental forms of the Roman school. He belongs both to the painting school of his native city, Venice, where he made significant contributions before he left for Rome in 1511, and that of Rome, where he stayed for the rest of his life, and whose style he thoroughly adopted. Born Sebastiano Luciani, after coming to Rome he became known as ''Sebastiano Veneziano'' or ''Viniziano'' ("Sebastian the Venetian"), until in 1531 he became the Keeper of the Seals#Papacy, Keeper of the Seal to the Papacy, and so got the nickname ''del Piombo'' ("of the Lead") thereafter, from his new job title of ''piombatore''. Friends like Michelangelo and Ariosto called him ''Fra Bastiano'' ("Brother Bastian"). Never a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Naples
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
