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Pierre Pincemaille
Pierre-Marie François Pincemaille (8 December 1956 – 12 January 2018) was a French organist, improviser, and pedagogue. He was known for his organ improvisations, both in concert and on CD and for his recordings of Charles-Marie Widor's complete organ symphonies played on organs built by Aristide Cavaillé-Coll, as well as his recordings of the complete organ works of Maurice Duruflé and César Franck, and organ works of Pierre Cochereau and Louis Vierne in particular. He was titular organist at the Basilica of Saint-Denis until his death and was regarded as one of the finest organists of his generation. Biography Pincemaille was born in Paris' 17th arrondissement and began piano studies in 1965; in 1968, he started to study the organ. He graduated from the Paris Conservatory with five first prizes (in harmony, counterpoint, fugue, organ, and improvisation) and was taught by Henri Challan, Jean-Claude Raynaud, Marcel Bitsch and Rolande Falcinelli. He was appoint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris 17e
The 17th arrondissement of Paris (''XVIIe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, it is referred to as ''le dix-septième'' (; "the seventeenth"). The arrondissement, known as Batignolles-Monceau, is situated on the right bank of the River Seine. In 2019, it had a population of 166,543. It borders the inner suburbs of Neuilly-sur-Seine, Levallois-Perret and Clichy in Hauts-de-Seine to the northwest, as well as Saint-Ouen-sur-Seine in Seine-Saint-Denis to the northeast. Geography The land area of the 17th arrondissement is 5.669 km2 (2.189 sq. miles, or 1,401 acres). Situated on the right bank (Rive Droite) of the River Seine, it is divided into four administrative districts: Ternes and Monceau in the southwestern part, two upper-class districts which are more Haussmannian in style; in the middle of the arrondissement, the Batignolles district, an area mostly occupied by young families or couples, with a marked gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Vierne
Louis Victor Jules Vierne (8 October 1870 – 2 June 1937) was a French organist and composer. As the organist of Notre-Dame de Paris from 1900 until his death, he focused on organ music, including six organ symphonies and a '' Messe solennelle'' for choir and two organs. He toured Europe and the United States as a concert organist. His students included Nadia Boulanger and Maurice Duruflé. Life Louis Vierne was born in Poitiers on 8 October 1870, the son of Henri-Alfred Vierne (1828–1886), a teacher, who became a journalist. He was editor-in-chief of the ''Journal de la Vienne'' in Poitiers, where he met his future wife, Marie-Joséphine Gervaz. The couple had four children. Louis was born nearly blind due to congenital cataracts. His unusual gift for music was discovered early. When he was only two years of age, he heard the piano for the first time: a pianist played him a Schubert lullaby, and after he had finished young Louis promptly began to pick out the notes of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Maur-des-Fossés
Saint-Maur-des-Fossés () is a commune in Val-de-Marne Val-de-Marne (, "Vale of the Marne") is a department of France located in the Île-de-France region. Named after the river Marne, it is situated in the Grand Paris metropolis to the southeast of the City of Paris. In 2019, Val-de-Marne had a pop ..., the southeastern suburbs of Paris, suburbs of Paris, France. It is located from the Kilometre Zero, centre of Paris. History The abbey Saint-Maur-des-Fossés owes its name to Saint-Maur Abbey founded in 638 by Queen Nanthild, regent for her son Clovis II, at a place called ''Fossati'' in Medieval Latin, ''Les Fossés'' in modern French language, French, meaning "the moats". This place, located at the narrow entrance of a loop where the river Marne (river), Marne made its way round a rocky outcrop,"Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Of St Denis
The Basilica of Saint-Denis (french: Basilique royale de Saint-Denis, links=no, now formally known as the ) is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture. The basilica became a place of pilgrimage and a necropolis containing the tombs of the Kings of France, including nearly every king from the 10th century to Louis XVIII in the 19th century. Henry IV of France came to Saint-Denis to formally renounce his Protestant faith and become a Catholic. The Queens of France were crowned at Saint-Denis, and the royal regalia, including the sword used for crowning the kings and the royal sceptre, were kept at Saint-Denis between coronations. The site originated as a Gallo-Roman cemetery in late Roman times. The arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rolande Falcinelli
Rolande Roberte Ginabat-Falcinelli (18 February 1920 – 11 June 2006) was a French organist, pianist, composer, and music educator. Biography Rolande Falcinelli (born Ginabat), the grandniece of Marcel Falcinelli and granddaughter of Louis Napoléon Falcinelli (both painters), was born in Paris and entered the Conservatoire de Paris in 1932, where her teachers were noted pianist and pedagogue Isidor Philipp and Abel Estyle (piano), Marcel Samuel-Rousseau (harmony), Simone Plé-Caussade (counterpoint), Henri Büsser (composition), and Marcel Dupré ( organ and improvisation). She was the favourite student of the In 1942, she received the second ''Grand Prix de Rome'' in composition. From 1946–1973, she was titular organist at Sacré-Cœur in Paris. She was succeeded by her student Daniel Roth. Additionally, she taught organ at the American Conservatory in Fontainebleau from 1948–1955, and at the ''École Normale de Musique'' in Paris from 1948–1955. In 1948, at Sal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Bitsch
Marcel Bitsch (December 29, 1921, Paris – September 21, 2011, Toulouse) was a French composer, teacher and analyst. He studied at the Conservatoire de Paris and also was professor of counterpoint there. Career In 1939, Marcel Bitsch entered the Conservatoire de Paris, where he studied harmony with Jean Gallon, counterpoint with Noël Gallon, musicology with Paul-Marie Masson, and composition with Henri Büsser. After earning his arts degree, Bitsch won the Second Prix de Rome in 1943 and First Grand Prix de Rome in 1945, both times with contemporary Claude Pascal winning the second position. In 1956, Marcel Bitsch started tenure as professor of counterpoint and later fugue at the Conservatoire de Paris. In his later years, he mostly concentrated on teaching and analysing the music of Johann Sebastian Bach, producing analytic scores whose page layout was designed to convey the music's structural features. Among his students are Daniel Roth, Pierre Pincemaille Pierre-Marie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Challan
Henri Edmond Émile Challan (12 December 1910 in Asnières – 18 February 1977 in the 14th arrondissement of Paris) was a French composer and music educator. He had a long association with the Conservatoire de Paris where he was both a student and a faculty member. He was a pupil of Jean Gallon and Henri Büsser and was appointed a professor of harmony in 1936. That same year he won both the first and second prize at the Prix de Rome. One of his notable pupils was Japanese composer Akira Miyoshi and French organist Pierre Pincemaille. His twin brother, René Challan René Louis Jean Challan (12 December 1910 – 4 August 1978) was a French classical composer, impresario and art director for French record labels. René Challan was composer Henri Challan's twin brother and harpist Annie Challan's father. Ca ... (1910–1978) was also a composer. Selected works * Sonata for violin and piano (1936) * Suite for bassoon and piano (1937) * String Quartet * Quintet for bassoon and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic frame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ (music)
Carol Williams performing at the United States Military Academy West Point Cadet Chapel.">West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means for producing tones, each played from its own Manual (music), manual, with the hands, or pedalboard, with the feet. Overview Overview includes: * Pipe organs, which use air moving through pipes to produce sounds. Since the 16th century, pipe organs have used various materials for pipes, which can vary widely in timbre and volume. Increasingly hybrid organs are appearing in which pipes are augmented with electric additions. Great economies of space and cost are possible especially when the lowest (and largest) of the pipes can be replaced; * Non-piped organs, which include: ** pump organs, also known as reed organs or harmoniums, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
