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Pierre Pevel
Pierre Pevel (born 1968) is a French science fiction and fantasy writer. He received the Grand Prix de l'Imaginaire for his novel '' Les Ombres de Wielstadt'' in 2002. Biography Pierre Pevel was born in 1968. He was a scriptwriter and author of role-playing games, before he began writing. He has written many fantasy novels under the pseudonym "Pierre Jacq", often signing his books under his real name. He is known for his trilogy, the ''Ombres de Wieldstadt'', published en 2001, which in 2002 won him a Grand Prix de l'Imaginaire. Pierre Pevel lives in Nancy, France. Bibliography Pierre Pevel's novels are written in a style approaching that of uchronia (or, alternative history), and in particular of fantasy uchronia. The setting is nearly always in a universe strongly inspired by a precise historical period, well documented, but that is different from real world events by the presence of wondrous elements (magic, supernatural creatures). These elements influence the portra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Pevel-Imaginales 2010
Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word πέτρος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation of Aramaic כיפא (''Kefa),'' the nickname Jesus gave to apostle Simon Bar-Jona, referred in English as Saint Peter. Pierre is also found as a surname. People with the given name * Abbé Pierre, Henri Marie Joseph Grouès (1912–2007), French Catholic priest who founded the Emmaus Movement * Monsieur Pierre, Pierre Jean Philippe Zurcher-Margolle (c. 1890–1963), French ballroom dancer and dance teacher * Pierre (footballer), Lucas Pierre Santos Oliveira (born 1982), Brazilian footballer * Pierre, Baron of Beauvau (c. 1380–1453) * Pierre, Duke of Penthièvre (1845–1919) * Pierre, marquis de Fayet (died 1737), French naval commander and Governor General of Saint-Domingue * Prince Pierre, Duke of Valentinois (1895–1964), father o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belle Époque
The Belle Époque or La Belle Époque (; French for "Beautiful Epoch") is a period of French and European history, usually considered to begin around 1871–1880 and to end with the outbreak of World War I in 1914. Occurring during the era of the Third French Republic, it was a period characterised by optimism, regional peace, economic prosperity, colonial expansion, and technological, scientific, and cultural innovations. In this era of France's cultural and artistic climate (particularly within Paris), the arts markedly flourished, and numerous masterpieces of literature, music, theatre, and visual art gained extensive recognition. The Belle Époque was so named in retrospect, when it began to be considered a continental European "Golden Age" in contrast to the horrors of the Napoleonic Wars and World War I. The Belle Époque was a period in which, according to historian R. R. Palmer: " European civilisation achieved its greatest power in global politics, and also ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mousquetares
The Musketeers of the Guard (french: Mousquetaires de la garde) or King's Musketeers () had the full name - Musketeers of the military household of the King of France. () They were an elite fighting company of the military branch of the Maison du Roi, the Royal Household of the French monarchy. History They were founded in 1622 when Louis XIII furnished a company of light cavalry (the ''carabins'', created by Louis' father Henry IV) with muskets. The Musketeers fought in battles both on foot (infantry) and on horseback (cavalry). They formed the royal guard for the king while he was outside of the royal residences (within the royal residences, the king's guard was the ''Garde du corps'' and the ''Gardes suisses''). The Musketeers of the Guard wore an early type of military uniform with a tabard (known as ''soubreveste''), indicating that they "belonged" to the King, and an embroidered white cross denoting the fact that they were formed during the Huguenot rebellions in support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragons
A dragon is a reptilian legendary creature that appears in the folklore of many cultures worldwide. Beliefs about dragons vary considerably through regions, but dragons in western cultures since the High Middle Ages have often been depicted as winged, horned, and capable of breathing fire. Dragons in eastern cultures are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence. Commonalities between dragons' traits are often a hybridization of feline, reptilian and avian features. Scholars believe huge extinct or migrating crocodiles bear the closest resemblance, especially when encountered in forested or swampy areas, and are most likely the template of modern Oriental dragon imagery. Etymology The word ''dragon'' entered the English language in the early 13th century from Old French ''dragon'', which in turn comes from la, draconem (nominative ) meaning "huge serpent, dragon", from Ancient Greek , (genitive , ) "serpent, giant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mage (paranormal)
Magic, sometimes spelled magick, is an ancient praxis rooted in sacred rituals, spiritual divinations, and/or cultural lineage—with an intention to invoke, manipulate, or otherwise manifest supernatural forces, beings, or entities in the natural, incarnate world. It is a categorical yet often ambiguous term which has been used to refer to a wide variety of beliefs and practices, frequently considered separate from both religion and science. Although connotations have varied from positive to negative at times throughout history, magic continues to have an important religious and medicinal role in many cultures today. Within Western culture, magic has been linked to ideas of the Other, foreignness, and primitivism; indicating that it is "a powerful marker of cultural difference" and likewise, a non-modern phenomenon. During the late nineteenth and early twentieth century, Western intellectuals perceived the practice of magic to be a sign of a primitive mentality and also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogres
An ogre (feminine: ogress) is a legendary monster depicted as a large, hideous, man-like being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend with a taste for infants. In mythology, ogres are often depicted as inhumanly large, tall, and having a disproportionately large head, abundant hair, unusually colored skin, a voracious appetite, and a strong body. Ogres are closely linked with giants and with human cannibals in mythology. In both folklore and fiction, giants are often given ogrish traits (such as the giants in "Jack and the Beanstalk" and "Jack the Giant Killer", the Giant Despair in ''The Pilgrim's Progress'', and the Jötunn of Norse mythology); while ogres may be given giant-like traits. Famous examples of ogres in folklore include the ogre in "Puss in Boots" and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnomes
A gnome is a mythological creature and diminutive spirit in Renaissance magic and alchemy, first introduced by Paracelsus in the 16th century and later adopted by more recent authors including those of modern fantasy literature. Its characteristics have been reinterpreted to suit the needs of various story tellers, but it is typically said to be a small humanoid that lives underground. Diminutive statues of gnomes introduced as lawn ornaments during the 19th century grew in popularity during the 20th century and came to be known as garden gnomes. History Origins The word comes from Renaissance Latin ''gnomus'', which first appears in ''A Book on Nymphs, Sylphs, Pygmies, and Salamanders, and on the Other Spirits'' by Paracelsus, published posthumously in Nysa in 1566 (and again in the Johannes Huser edition of 1589–1591 from an autograph by Paracelsus). The term may be an original invention of Paracelsus, possibly deriving the term from Latin ''gēnomos'' (itself representi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winged Cat
The winged cat – a Felidae, feline with wings like a bird, bat or other flying creature – is a theme in artwork and legend going back to prehistory, especially Mythology, mythological depictions of big cats with eagle wings in Eurasia and North Africa. Belief in domestic cats with wings persists to the present day as an urban legend. Sightings of cats with supposed wings are easily explained by medical conditions that can result in matted hair, loose skin, or Supernumerary body part, supernumerary limbs on or near the shoulders, that flap about in a wing-like manner as the cat runs. Big cats with wings in ancient through Renaissance art Pantherinae, Pantherines with wings, especially winged lions, are a common theme in ancient religious and mythological art of the Sumerians and other Mesopotamians, Akkadian Empire, Akkadians, Ancient Persia, Persians, and Scythians, and other peoples with whom they came into contact and shared ideas in the Middle East, Near East, and Europe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seine
) , mouth_location = Le Havre/Honfleur , mouth_coordinates = , mouth_elevation = , progression = , river_system = Seine basin , basin_size = , tributaries_left = Yonne, Loing, Eure, Risle , tributaries_right = Ource, Aube, Marne, Oise, Epte The Seine ( , ) is a river in northern France. Its drainage basin is in the Paris Basin (a geological relative lowland) covering most of northern France. It rises at Source-Seine, northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and into the English Channel at Le Havre (and Honfleur on the left bank). It is navigable by ocean-going vessels as far as Rouen, from the sea. Over 60 percent of its length, as far as Burgundy, is negotiable by large barges and most tour boats, and nearly its whole length is available for recreational boating; excursion boats offer sightseeing tours of the river banks in the capital city, Paris. There are 37 bridges in P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siren (mythology)
In Greek mythology, the sirens (Ancient Greek: singular: ; plural: ) were humanlike beings with alluring voices; they appear in a scene in the Odyssey in which Odysseus saves his crew's lives. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks. Sirens continued to be used as a symbol for the dangerous temptation embodied by women regularly throughout Christian art of the medieval era. Nomenclature The etymology of the name is contested. Robert S. P. Beekes has suggested a Pre-Greek origin. Others connect the name to σειρά (''seirá'', "rope, cord") and εἴρω (''eírō'', "to tie, join, fasten"), resulting in the meaning "binder, entangler", i.e. one who binds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exposition Universelle (1889)
The Exposition Universelle of 1889 () was a world's fair held in Paris, France, from 5 May to 31 October 1889. It was the fourth of eight expositions held in the city between 1855 and 1937. It attracted more than thirty-two million visitors. The most famous structure created for the Exposition, and still remaining, is the Eiffel Tower. Organization The Exposition was held to celebrate the 100th anniversary of the Storming of the Bastille, which marked the beginning of French Revolution, and was also seen as a way to stimulate the economy and pull France out of an economic recession. The Exposition attracted 61,722 official exhibitors, of whom twenty-five thousand were from outside of France. Admission price Admission to the Exposition cost forty centimes, at a time when the price of an "economy" plate of meat and vegetables in a Paris cafe was ten centimes. Visitors paid an additional price for several of the Exposition's most popular attractions. Climbing the Eiffel Towe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
