|
Piano Trio No. 3 (Dvořák)
The Piano Trio No. 3 in F minor, Op. 65 (B. 130), is a piano trio by Antonín Dvořák. As with the ''Scherzo capriccioso'', the Hussite Overture, the Ballade in D minor, and the Seventh Symphony, composed in the same period, the work is written in a more dramatic, dark and aggressive style that supersedes the carefree folk style of Dvořák's "Slavonic period". Structure The composition consists of four movements in the classical tradition: A typical performance takes approximately 39 minutes. History Dvořák began writing out the piano trio in February 1883 and completed it on 31 March. The premiere was held on 27 October 1883 at a concert in Mladá Boleslav; Dvořák himself played the piano part. The piece was published shortly after by Simrock. Reception Eduard Hanslick wrote in the ''Neue Freie Presse'' on 13 February 1884: "The most valuable gem brought to us amid the plethora of concerts in recent weeks is undeniably Dvorak’s new Piano Trio in F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Minor
F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it impractical to use. The F natural minor scale is : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are : : Music in F minor Famous pieces in the key of F minor include Beethoven's ''Appassionata Sonata'', Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, ''La Passione'' and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliquen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mladá Boleslav
Mladá Boleslav (; german: Jungbunzlau) is a city in the Central Bohemian Region of the Czech Republic. It has about 42,000 inhabitants. Mladá Boleslav is the second most populated city in the region and a major centre of the Czech automotive industry (Škoda Auto) and therefore the Czech industry as a whole. The historic city centre is well preserved and is protected by law as an urban monument zone. Administrative parts Mladá Boleslav is made up of city parts and villages of Mladá Boleslav I (locally called ''Staré Město'', i.e. "Old Town"), Mladá Boleslav II (locally called ''Nové Město'', i.e. "New Town"), Mladá Boleslav III (locally called ''Podolec''), Mladá Boleslav IV (locally called ''Pták''), Bezděčín, Čejetice, Čejetičky, Chrást, Debř, Jemníky, Michalovice, Podchlumí and Podlázky. Etymology Mladá Boleslav was named after its founder, Duke Boleslaus II, who was called "The Young One" to distinguish him from his father. Because there already was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trio
A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musicians who regularly play this repertoire together; for a number of well-known piano trios, see below. The term "piano trio" is also used for jazz trios, where it most commonly designates a pianist accompanied by bass and drums, though guitar or saxophone may figure as well. Form Works titled "Piano Trio" tend to be in the same overall shape as a sonata. Initially this was in the three movement form, though some of Haydn's have two movements. Mozart, in five late works, is generally credited with transforming the accompanied keyboard sonata, in which the essentially optional cello doubles the bass of the keyboard left hand, into the balanced trio which has since been a central form of chamber music. With the early 19th century, particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo Capriccioso (Dvořák)
The ''Scherzo capriccioso'' in D major, Op. 66 (B. 131), is an orchestral work by Antonín Dvořák. Composed in 1883, it was premiered the same year at the National Theatre under Adolf Čech. A typical performance takes approximately 14 minutes. As with the third piano trio, the Hussite Overture, the Ballade in D minor, and the seventh symphony, composed in the same period, the work is written in a more dramatic, dark and aggressive style that supersedes the carefree folk style of Dvořák's "Slavonic period". It also bears other notable features, including development occurring in the exposition, counterpoint creating dense structure, and the sound of the orchestra often being punctuated by the distinctive use of the cor anglais and bass clarinet. References External links * * , performed by the Berlin Philharmonic under Herbert von Karajan Herbert von Karajan (; born Heribert Ritter von Karajan; 5 April 1908 – 16 July 1989) was an Austrian conductor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hussite Overture
The Hussite Overture ( cs, Husitská, dramatická ouvertura), Op. 67, B. 132, was written by Antonín Dvořák in 1883 for the gala opening of the Prague National Theater. The composition was originally intended as a part of a dramatic trilogy on the Bohemian religious leader Jan Hus. As with the third piano trio, the ''Scherzo capriccioso'', the Ballade in D minor, and the seventh symphony, composed in the same period, the work is written in a more dramatic, dark and aggressive style that supersedes the carefree folk style of Dvořák's "Slavonic period". The overture is scored for piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion (bass drum, cymbals, triangle), harp, and strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''String ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (Dvořák)
The Ballade in D minor, Op. 15 (B. 139), is a ballade for violin and piano, composed by Antonín Dvořák in 1884. As with the third piano trio, the ''Scherzo capriccioso'', the Hussite Overture The Hussite Overture ( cs, Husitská, dramatická ouvertura), Op. 67, B. 132, was written by Antonín Dvořák in 1883 for the gala opening of the Prague National Theater. The composition was originally intended as a part of a dramatic tri ..., and the seventh symphony, composed in the same period, the work is written in a more dramatic, dark and aggressive style that supersedes the carefree folk style of Dvořák's "Slavonic period". A typical performance lasts 6 minutes. References External links * * , performed by Josef Suk and Josef Hála 1884 compositions Compositions in D minor Chamber music by Antonín Dvořák Compositions for violin and piano Ballades (music) {{chamber-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Hanslick
Eduard Hanslick (11 September 18256 August 1904) was an Austrian music critic, aesthetician and historian. Among the leading critics of his time, he was the chief music critic of the ''Neue Freie Presse'' from 1864 until the end of his life. He was a conservative critic and championed absolute music over programmatic music for much of his career. As such, he sided with and promoted the faction of Robert Schumann and Johannes Brahms in the so-called "War of the Romantics", often deriding the works of composers such as Franz Liszt and Richard Wagner. His best known work, the 1854 treatise ''Vom Musikalisch-Schönen'' (''On the Musically Beautiful''), was a landmark in the aesthetics of music and outlines much of his artistic and philosophical beliefs on music. Biography Hanslick was born in Prague (then in the Austrian Empire), the son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of Hanslik's piano pupils, the daughter of a J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.svg "Click for more on -> Munich")
