Piano Sonata No. 3 (Chávez)
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Piano Sonata No. 3 (Chávez)
Piano Sonata No. 3 is a solo piano work written in 1928 by the Mexican composer Carlos Chávez. History Chávez composed his Third Piano Sonata in New York during January and February 1928, and dedicated the score to Aaron Copland. The composer himself gave the first performance at the Edyth Totten Theatre in New York on 22 April 1928, on the first of the Copland-Sessions Concerts. Although he had composed two piano sonatas previously, the score was first published simply as "Sonata for Piano" in the January 1933 issue (vol. 6, no. 2) of Henry Cowell's ''New Music Quarterly''. Analysis The sonata is in four movements: # Moderato = 88 # Un poco mosso = 138 # Lentamente = 72 # Claro y conciso = 126 Angular melodies, a percussive approach to the instrument, employment of stark and concise one- or two-measure units, abrupt changes of register, rhythmic irregularity, and a harmonic profile that blends frequent vertical seconds, sevenths, and ninths with sudden, stark octaves ar ...
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Carlos Chavez
Carlos may refer to: Places ;Canada * Carlos, Alberta, a locality ;United States * Carlos, Indiana, an unincorporated community * Carlos, Maryland, a place in Allegany County * Carlos, Minnesota, a small city * Carlos, West Virginia ;Elsewhere * Carlos (crater), Montes Apenninus, LQ12, Moon; a lunar crater near Mons Hadley People * Carlos (given name), including a list of name holders * Carlos (surname), including a list of name holders Sportspeople * Carlos (Timorese footballer) (born 1986) * Carlos (footballer, born 1995), Brazilian footballer * Carlos (footballer, born 1985), Brazilian footballer Others * Carlos (Calusa) (died 1567), king or paramount chief of the Calusa people of Southwest Florida * Carlos (DJ) (born 1966), British DJ * Carlos (singer) (1943—2008), French entertainer * Carlos the Jackal, a Venezuelan terrorist *Carlos (DJ) (born 2010) Guyanese DJ Arts and entertainment * ''Carlos'' (miniseries), 2010 biopic about the terrorist Carlos the Jackal * ' ...
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Finale (music)
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre. Michael Talbot wrote of the finales typical in sonatas: "The rondo is the form par excellence used for final movements, and ... its typical character and structural properties accord perfectly with those thought desirable in a sonata finale of the early nineteenth century." Carl Czerny (1791–1857) observed "that first movements and finales ought to—and in practice actually do—proclaim their contrasted characters already in their opening themes." In theatrical music, Christoph Willibald Gluck was an early proponent of extended finales, with multiple characters, to support the "increasingly natural and realistic" stories in his operas that "improved continuity and theatrical validity" beyond the earlier works.Koopman, John"Expressivity ...
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Compositions By Carlos Chávez
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Herbert Weinstock
Herbert Weinstock (16 November 1905 – 21 October 1971) was an American writer, music historian, editor and translator. A prolific writer on musical subjects, he was particularly known for his biographies of the bel canto opera composers Rossini, Donizetti, and Vincenzo Bellini, Bellini which he published between 1963 and 1971. Weinstock was born in Milwaukee, Wisconsin but from 1930 was based in New York City where he became the music editor of the Alfred A. Knopf publishing house in 1943. He died in New York at the age of 65, survived by his long-time companion, Ben Meiselman. Life and career Weinstock was born in Milwaukee, Wisconsin. He briefly attended the University of Chicago but left to start his own a bookstore. After running the bookstore for three years, he moved to New York City. He published his first books on music in 1939 and 1941, ''Men of Music, Men of Music: Their Lives, Times, and Achievements'' and ''The Opera, a History of its Creation and Performance'', both c ...
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Paul Rosenfeld
Paul Leopold Rosenfeld (May 4, 1890 – July 21, 1946) was an American journalist, best known as a music critic. Biography He was born in New York City into a German-Jewish family, the son of Clara (née Liebmann) and Julius Rosenfield. His mother was the granddaughter of brewer Samuel Liebmann. He studied at Riverview Military Academy, Poughkeepsie, and Yale University, graduating in 1912. After further education at the Columbia University Graduate School of Journalism, he became a prolific journalist, writing on literature and art as well as music. He was one of the Alfred Stieglitz circle, and favoured an intellectually heavyweight and quite European approach. His friend Edmund Wilson, writing two years after Rosenfeld's death, expressed the thought that his articles had become too uncompromising for the public taste, as time went by. Wilson's tribute was republished in his own book ''Classics and Commercials'' in 1950. Magazines which published Rosenfeld's writing included ...
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Israel Citkowitz
Israel Citkowitz (6 February 1909 – 4 May 1974) was a composer and piano teacher. Citkowitz was born in Skierniewice, Poland. He was the second husband of Caroline Blackwood and died in Westminster, London, in 1974 at the age of 65. Citkowitz formerly taught composition at the Dalcroze School of Music there. His compositions included ''Song Cycle to Words of Joyce'', String Quartet and the choral music, ''The Lamb''. Early life He studied composition with Roger Sessions and Aaron Copland and counterpoint with Nadia Boulanger Juliette Nadia Boulanger (; 16 September 188722 October 1979) was a French music teacher and conductor. She taught many of the leading composers and musicians of the 20th century, and also performed occasionally as a pianist and organist. From a .... Personal life His marriages to Helen M. Simon and Lady Caroline Blackwood ended in divorce. Surviving are a son and daughter by his first marriage, Robert Citkowitz and Dr. Elena Citkowitz Hoffman; thr ...
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Carol J
Carol may refer to: People with the name *Carol (given name) *Henri Carol (1910–1984), French composer and organist * Martine Carol (1920–1967), French film actress * Sue Carol (1906–1982), American actress and talent agent, wife of actor Alan Ladd Arts, entertainment, and media Music * Carol (music), a festive or religious song; historically also a dance ** Christmas carol, a song sung during Christmas * ''Carol'' (Carol Banawa album) (1997) * ''Carol'' (Chara album) (2009) * "Carol" (Chuck Berry song), a rock 'n roll song written and recorded by Chuck Berry in 1958 * Carol, a Japanese rock band that Eikichi Yazawa once belonged to *"The Carol", a song by Loona from '' HaSeul'' Other uses in arts, entertainment, and media * ''Carol'' (anime), an anime OVA featuring character designs by Yun Kouga * ''Carol'', the title of a 1952 novel by Patricia Highsmith better known as ''The Price of Salt'' * ''Carol'' (film), a 2015 British-American film starring Cate Blanchett an ...
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Roberto García Morillo
Roberto García Morillo (January 22, 1911 – October 26, 2003) was an Argentine composer, musicologist, music professor and music critic. Biography García Morillo was born in Buenos Aires, Argentina, where he studied at the Conservatorio Nacional de Música "Carlos López Buchardo" (with José André, Floro M. Ugarte, José Gil, and Constantino Gaito), and in Paris studied piano with Yves Nat . Morillo died on October 26, 2003. He worked as a music critic for the newspaper ''La Nación'' starting in 1938, and subsequently published in many Argentine and North American periodicals. He was appointed to joint positions as professor of composition in both the national and the municipal conservatories in Buenos Aires in 1942 . Curriculum: *Director of the Conservatorio Nacional de Música "Carlos López Buchardo" (1972–79) *Professor of Composition at the Conservatorio Municipal de Música and at the Antiguo Conservatorio "Beethoven" *Music critic of the newspaper ''La Nación ...
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Olin Downes
Edwin Olin Downes, better known as Olin Downes (January 27, 1886 – August 22, 1955), was an American music critic, known as "Sibelius's Apostle" for his championship of the music of Jean Sibelius. As critic of ''The New York Times'', he exercised considerable influence on musical opinion, although many of his judgments have not stood the test of time. Life and works Downes was born in Evanston, Illinois, USA. In New York he studied piano at the National Conservatory of Music of America, and in Boston he studied the piano with Carl Baermann and a range of music subjects with Louis Kelterborn (history and analysis), Homer Norris and Clifford Heilman (music theory) and John P. Marshall (music criticism).Slonimsky, p. 928 It was in those two cities that he made his career as a music critic – first with ''The Boston Post'' (1906–1924) and then with ''The New York Times'' (1924–1955), where he succeeded Richard Aldrich. The most conspicuous of Downes's topics ...
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Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ...
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Absolute Music
Absolute music (sometimes abstract music) is music that is not explicitly 'about' anything; in contrast to program music, it is non- representational.M. C. Horowitz (ed.), ''New Dictionary of the History of Ideas'', , vol.1, p. 5 The idea of absolute music developed at the end of the 18th century in the writings of authors of early German Romanticism, such as Wilhelm Heinrich Wackenroder, Ludwig Tieck and E. T. A. Hoffmann but the term was not coined until 1846 where it was first used by Richard Wagner in a programme to Beethoven's Ninth Symphony. The aesthetic ideas underlying absolute music derive from debates over the relative value of what was known in the early years of aesthetic theory as the fine arts. Kant, in his '' Critique of Judgment'', dismissed music as "more a matter of enjoyment than culture" and "less worth in the judgement of reason than any other of the fine arts" because of its lack of conceptual content, thus treating as a deficit the very feature of music ...
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