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Piano Sonata In A Minor, D. 845 (Schubert)
The Piano Sonata in A minor D. 845 ( Op.42) by Franz Schubert is a sonata for solo piano. Composed in May 1825 and entitled ''Premiere Grande Sonata,'' it is the first of three sonatas published during the composer's lifetime, the others being D.850 and D.894. Conceived as a set, these works were composed during what was reportedly a period of relatively good health and spirits for Schubert, and are praised for their quality and ambition. This first sonata in particular marks a significant step toward the composer’s mature piano sonata style; the format and several characteristic stylistic elements continue through the last. Movements I. Moderato A minor; Alla breve The first movement is composed in an atypical sonata form. A plaintive, somewhat ominous pianissimo unison octave phrase ornamented with a mordent opens the work, with a contrasting chordal consequent. The rhythmically similar first and second subjects of the exposition are not clearly separated structurally, ...
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Schubert Thematic Catalogue
''Schubert: Thematic Catalogue of all his Works in Chronological Order'', also known as the Deutsch catalogue, is a numbered list of all compositions by Franz Schubert compiled by Otto Erich Deutsch. Since its first publication in 1951, Deutsch (abbreviated as D or D.) numbers are used for the unique identification of Schubert's compositions. 1951 edition The Deutsch catalogue was first published in London in 1951 by J. M. Dent & Sons, as ''Schubert: Thematic Catalogue of all his Works in Chronological Order, compiled by O. E. Deutsch, in collaboration with Donald R. Wakeling.'' 1978 edition: NSE VIII/4 In 1978, as part VIII Supplement / Volume 4 of the New Schubert Edition (NSE), an updated version of the catalogue was published in German. A few compositions that had been undated in the first edition received a new number (usually followed by a letter), e.g. was renumbered to . Later versions The original 1951 edition (in English) was re-issued several times, for instance ...
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Dissonance (music)
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance''. Def ...
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List Of Solo Piano Compositions By Franz Schubert
The following is a list of the complete output of solo piano works composed by Franz Schubert. Quick reference ''Legend to the table:''✍indicates a direct link to the manuscript at the Schubert-''Autographs'' website by the Austrian Academy of Sciences ♫ indicates a direct link to the score at International Music Score Library Project (IMSLP) For the Piano Sonatas: there is no uniform numbering of the sonatas. The Deutsch catalogue does not number the sonatas. In the Neue Schubert-Ausgabe the sonatas are also not numbered. There are several issues which make the numbering difficult: e.g. which of the incomplete sketches are to be included?... in what order are they to be presented?... The current list retains the following numbering systems: *numbering of the piano sonatas according to Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe – ''Serie 10: Sonaten für Pianoforte''. Leipzig: Breitkopf & Härtel, 1888. 15 sonatas — numbering of the piano sonata ...
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Piano Sonata In C Major D
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gre ...
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Piano Sonata In A Major D
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Franz Schubert's Works
Franz Schubert's Works: Complete and Authoritative Edition (german: Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe), also known as the Collected Edition, is a late 19th-century publication of Franz Schubert's compositions.Deutsch 1951, p. xiii The publication is also known as the Alte Gesamt-Ausgabe ("the former complete edition"), abbreviated as AGA, for instance in the 1978 edition of the Deutsch catalogue, in order to distinguish it from the New Schubert Edition. Publication The twenty-two series (some in several volumes) were published from 1884 to 1897 by Breitkopf & Härtel. Eusebius Mandyczewski was one of the main editors. From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website. Content I. Symphonien (Nos. 1-8) Editor: Johannes Brahms. Issued 1884. Two volumes (Symphonies 1–3; Symphonies 4–6/8–9). Reprinted: Dover Publications, 1978. II. Overtüren und Andere Orchesterwerke Editor: Johann ...
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Piano Sonata In A Minor D
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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List Of Compositions By Franz Schubert By Genre
Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers ...
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Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. A $10 million reward for information leading to the art's recovery remains in place. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace. It ...
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Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ...
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845 M4
__NOTOC__ Year 845 ( DCCCXLV) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. Events By place Byzantine Empire * Byzantine–Arab War: A prisoner exchange occurs between the Byzantine Empire and the Abbasid Caliphate, at the River Lamos in Cilicia (modern Turkey). The exchanges last for 10 days, and the Byzantines recover 4,600 prisoners. Europe * March 28 or 29 (Easter) – Siege of Paris: Viking forces under the Norse chieftain Ragnar Lodbrok enter the River Seine, with a fleet of 120 longships (5,000 men). They pass through the city of Rouen and plunder the countryside. King Charles the Bald assembles an army and sends it to protect Paris, the capital of the West Frankish Kingdom. Ragnar routs the enemy forces, and hangs 111 of their prisoners in honour of Odin. Charles — to keep them from plundering his kingdom — pays a large tribute of 7,000 livres (pounds) of silver or gold, in exchange for the ...
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Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's ''St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might be stif ...
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