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List Of Compositions By Franz Schubert By Genre
Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions). The largest group are the lieder for piano and solo voice (over six hundred), and nearly as many piano pieces. Schubert also composed some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos. This article constitutes a complete list of Schubert's known works organized by their genre. The complete output is divided in eight series, and in principle follows the order established by the Neue Schubert-Ausgabe printed edition. The works found in each series are ordered ascendingly according to Deutsch numbers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wanderer
Wanderer, Wanderers, or The Wanderer may refer to: * Nomadism, Nomadic and/or itinerant people, working short-term before moving to other locations, who wander from place to place with no permanent home, or are vagrancy (people), vagrant * The Wanderer, an alternate name for the Wandering Jew Books Novels * The Wanderer (Burney novel), ''The Wanderer'' (Burney novel), an 1814 novel by Frances Burney * The Wanderer (Creech novel), ''The Wanderer'' (Creech novel), 2000 novel by Sharon Creech * The Wanderer (Edwards novel), ''The Wanderer'' (Edwards novel), a 1953 children's novel by Monica Edwards * The Wanderer (Leiber novel), ''The Wanderer'' (Leiber novel), a 1964 novel by Fritz Leiber * The Wanderers (Price novel), ''The Wanderers'' (Price novel), a 1974 novel by Richard Price * The Wanderers (Rimland novel), ''The Wanderers'' (Rimland novel), a 1977 novel by Ingrid Rimland * The Wanderers (Shishkov novel), ''The Wanderers'' (Shishkov novel), a 1931 novel by Vyacheslav Shishkov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass No
Mass is an intrinsic property of a body. It was traditionally believed to be related to the quantity of matter in a physical body, until the discovery of the atom and particle physics. It was found that different atoms and different elementary particles, theoretically with the same amount of matter, have nonetheless different masses. Mass in modern physics has multiple definitions which are conceptually distinct, but physically equivalent. Mass can be experimentally defined as a measure of the body's inertia, meaning the resistance to acceleration (change of velocity) when a net force is applied. The object's mass also determines the strength of its gravitational attraction to other bodies. The SI base unit of mass is the kilogram (kg). In physics, mass is not the same as weight, even though mass is often determined by measuring the object's weight using a spring scale, rather than balance scale comparing it directly with known masses. An object on the Moon would weigh less t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zauberharfe
Franz Schubert's best-known music for the theatre is his incidental music for ''Rosamunde''. Less successful were his many opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre. Incidental music and overtures for the theatre Overture for ''Der Teufel als Hydraulicus'' D 4, Overture to the vocal comedy ''Der Teufel als Hydraulicus'' for orchestra (1812?) ''Die Zauberharfe'' D 644, Music for Zauberspiel ''Die Zauberharfe'' for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: overtures to the first and third acts, and thirteen numbers; overture to the first act known as the "Rosamunde" Overture, also used in D 797) :: Act 1 ::: Overture ::: 1. Chor der Troubadours: Harfentöne laßt erklingen ::: 2. Chor der Troubadours und Ritter: Zum Saal, der goldne Becher blinkt ::: 3. Melodram ::: 4. Finale I: Ida gib ein Zeichen :: Act 2 ::: 5. Chor der Troubadours und R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Bürgschaft (Schubert)
"The Pledge" (German: "Die Bürgschaft", ) is a ballad published by the German poet Friedrich Schiller in his 1799 ''Musen-Almanach''. He took the idea out of the Ancient history, ancient legend of Damon and Pythias issuing from the Latin ''Fabulae'' by Gaius Julius Hyginus, as rendered in the medieval collection of the ''Gesta Romanorum''. It magnifies the belief in fidelity and loving friendship, and remains today one of the most famous German poems. Synopsis The ballad is set in the ancient Greece, ancient Greek polis of Syracuse, Sicily, Syracuse. After a failed attempt by Damon to kill the gruesome tyrant Dionysius I of Syracuse, Dionysius, he is caught and sentenced to death but asks for a delay to marry his sister to her designated husband. Dionysius allows him an extension of three days on condition that his friend remains with him to guarantee Damon's return. If he would not be back on time, his friend would suffer his punishment, while Damon would go with impunity. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Freunde Von Salamanka
''Die Freunde von Salamanka'' D.326 is an 1815 singspiel in two acts by Franz Schubert to a libretto by Johann Mayrhofer. The score, overture and eighteen numbers, is for three sopranos, three tenors, six basses, mixed choir and orchestra: :: Akt I ::: Ouvertüre ::: 1. Introduktion: Die Sonne zieht in goldnen Strahlen ::: 2. Arie: Man ist so glücklich und so frei ::: 3. Quartett: Morgen, wenn des Hahnes Ruf erschallt ::: 4. Arie: Einsam schleich’ ich durch die Zimmer ::: 5. Terzett: Lebensmut und frische Kühlung weht mir aus dem trauten Wald ::: 6. Terzett: Freund, wie wird die Sache enden ::: 7. Finale I: Mild senkt sich der Abend nieder :: Akt II ::: 8. Introduktion: Laßt nur alles leichtfertige Wesen ::: 9. Lied: Guerillas zieht durch Feld und Wald ::: 10. Arie: Aus Blumen deuten die Damen gern ::: 11. Duett: Ein wackres Thier, das müßt ihr sagen ::: 12. Duett: Gelagert unter’m hellen Dach der Bäume ::: 13. Arie: Wo ich weile, wo ich gehe ::: 14. Duett: Von tausend Sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudine Von Villa Bella
Franz Schubert's best-known music for the theatre is his incidental music for ''Rosamunde''. Less successful were his many opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre. Incidental music and overtures for the theatre Overture for ''Der Teufel als Hydraulicus'' D 4, Overture to the vocal comedy ''Der Teufel als Hydraulicus'' for orchestra (1812?) ''Die Zauberharfe'' D 644, Music for Zauberspiel ''Die Zauberharfe'' for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: overtures to the first and third acts, and thirteen numbers; overture to the first act known as the "Rosamunde" Overture, also used in D 797) :: Act 1 ::: Overture ::: 1. Chor der Troubadours: Harfentöne laßt erklingen ::: 2. Chor der Troubadours und Ritter: Zum Saal, der goldne Becher blinkt ::: 3. Melodram ::: 4. Finale I: Ida gib ein Zeichen :: Act 2 ::: 5. Chor der Troubadours und R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando (Schubert Opera)
Franz Schubert's best-known music for the theatre is his incidental music for ''Rosamunde''. Less successful were his many opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre. Incidental music and overtures for the theatre Overture for ''Der Teufel als Hydraulicus'' D 4, Overture to the vocal comedy ''Der Teufel als Hydraulicus'' for orchestra (1812?) ''Die Zauberharfe'' D 644, Music for Zauberspiel ''Die Zauberharfe'' for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: overtures to the first and third acts, and thirteen numbers; overture to the first act known as the "Rosamunde" Overture, also used in D 797) :: Act 1 ::: Overture ::: 1. Chor der Troubadours: Harfentöne laßt erklingen ::: 2. Chor der Troubadours und Ritter: Zum Saal, der goldne Becher blinkt ::: 3. Melodram ::: 4. Finale I: Ida gib ein Zeichen :: Act 2 ::: 5. Chor der Troubadours und R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Vierjährige Posten
', 190, is a one-act singspiel by Franz Schubert to a libretto by Theodor Körner written for 's (1784–1814) opera of the same title that premiered in 1813 in Vienna's Theater an der Wien. Elizabeth Norman McKay: ''Franz Schubert's music for the theatre'', 1991, p. 107: "The librettist was the popular young German patriotic poet, Theodor Körner (1791–1813), who was killed tragically early, at the age ... and 20 August in a musical version by Karl Steinacker at the Theater an der Wien. Schubert had met Körner socially early in 1813 ..." Written in 1815 when Schubert was 18 years old, it was first performed on 23 September 1896, 67 years after Schubert's death, at the Dresden Court Opera. The work consists of an overture and eight numbers for soprano, three tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrast
Franz Schubert's best-known music for the theatre is his incidental music for ''Rosamunde''. Less successful were his many opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre. Incidental music and overtures for the theatre Overture for ''Der Teufel als Hydraulicus'' D 4, Overture to the vocal comedy ''Der Teufel als Hydraulicus'' for orchestra (1812?) ''Die Zauberharfe'' D 644, Music for Zauberspiel ''Die Zauberharfe'' for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: overtures to the first and third acts, and thirteen numbers; overture to the first act known as the "Rosamunde" Overture, also used in D 797) :: Act 1 ::: Overture ::: 1. Chor der Troubadours: Harfentöne laßt erklingen ::: 2. Chor der Troubadours und Ritter: Zum Saal, der goldne Becher blinkt ::: 3. Melodram ::: 4. Finale I: Ida gib ein Zeichen :: Act 2 ::: 5. Chor der Troubadours und R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Des Teufels Lustschloß
Franz Schubert's best-known music for the theatre is his incidental music for ''Rosamunde''. Less successful were his many opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre. Incidental music and overtures for the theatre Overture for ''Der Teufel als Hydraulicus'' D 4, Overture to the vocal comedy ''Der Teufel als Hydraulicus'' for orchestra (1812?) ''Die Zauberharfe'' D 644, Music for Zauberspiel ''Die Zauberharfe'' for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: overtures to the first and third acts, and thirteen numbers; overture to the first act known as the "Rosamunde" Overture, also used in D 797) :: Act 1 ::: Overture ::: 1. Chor der Troubadours: Harfentöne laßt erklingen ::: 2. Chor der Troubadours und Ritter: Zum Saal, der goldne Becher blinkt ::: 3. Melodram ::: 4. Finale I: Ida gib ein Zeichen :: Act 2 ::: 5. Chor der Troubadours und R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Spiegelritter
Franz Schubert's best-known music for the theatre is his incidental music for ''Rosamunde''. Less successful were his many opera and Singspiel projects. On the other hand, some of his most popular Lieder, like "Gretchen am Spinnrade," were based on texts written for the theatre. Incidental music and overtures for the theatre Overture for ''Der Teufel als Hydraulicus'' D 4, Overture to the vocal comedy ''Der Teufel als Hydraulicus'' for orchestra (1812?) ''Die Zauberharfe'' D 644, Music for Zauberspiel ''Die Zauberharfe'' for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: overtures to the first and third acts, and thirteen numbers; overture to the first act known as the "Rosamunde" Overture, also used in D 797) :: Act 1 ::: Overture ::: 1. Chor der Troubadours: Harfentöne laßt erklingen ::: 2. Chor der Troubadours und Ritter: Zum Saal, der goldne Becher blinkt ::: 3. Melodram ::: 4. Finale I: Ida gib ein Zeichen :: Act 2 ::: 5. Chor der Troubadours und R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat (Schubert)
The Magnificat in C major, 486, is a musical setting of the hymn composed by Franz Schubert in 1816. It is scored for SATB soloists, mixed choir, 2 oboes, 2 bassoons, 2 trumpets, violin I and II, viola, timpani and basso continuo (cello, double bass and organ). The autograph score is dated 25 September 1816, and was likely to have been composed for vespers at the Lichtental Church. This composition is Schubert's only setting of the . The work is divided into three distinct movements, forming a musical triptych. This is a typical format found in Schubert's sacred music. Performances require approximately 10 minutes. # "Magnificat anima mea Dominum" , C major, common time # "Deposuit potentes de sede" , F major, 3/4 # "Gloria Patri" , C major, 3/4 Schubert used a shortened version of the hymn, omitting the lines ' to '. He also changed the line ' ("For behold, from henceforth all generations shall call me blessed") to ' ("For behold, from henceforth all nations shall call me ble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
