|
Piano Concerto No. 2 (Villa-Lobos)
The Piano Concerto No. 2, W487, is a piano concerto by the Brazilian composer Heitor Villa-Lobos, written in 1948. A performance lasts about 28 minutes. History Villa-Lobos composed his Second Piano Concerto in Rio de Janeiro in 1948. The score is dedicated to , who gave the first performance on 21 April 1950 at the Theatro Municipal in Rio de Janeiro, with the Orquestra Sinfônica do Theatro Municipal, conducted by the composer. Instrumentation The work is scored for solo piano and an orchestra consisting of piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 tenor trombones, tuba, timpani, percussion (tam-tam, cymbal, bass drum), celesta, harp, and strings. Analysis The concerto has four movements: # Vivo # Lento # Quasi allegro – Cadenza # Allegro In the first movement, the solo part emphasizes parallel chord movements in both hands. The main theme has a modal colouring, and irregular metres occur throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatro Municipal (Rio De Janeiro)
The Theatro Municipal ("Municipal Theater") is an opera house in the Centro district of Rio de Janeiro, Brazil. Built in the early twentieth century, it is considered to be one of the most beautiful and important theaters in the country. The building is designed in an eclectic style, inspired by the Paris Opéra of Charles Garnier. The outside walls are inscribed with the names of classic European and Brazilian artists. It is located near the National Library and the National Fine Arts Museum, overlooking the spacious Cinelândia square. History In the second half of nineteenth century, theatrical activity was very intense in Rio de Janeiro, then capital of the country. Still, its two theaters, the Lyric and St. Peter, were criticized for their facilities, either by the public or by the companies that worked in them. After the Proclamation of the Republic (1889), in 1894 playwright Artur Azevedo launched a campaign for the building of a new theater to host a local company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto
A piano concerto is a type of concerto, a solo composition in the classical music genre which is composed for a piano player, which is typically accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuoso showpieces which require an advanced level of technique on the instrument. These concertos are typically written out in music notation, including sheet music for the pianist (which they typically memorize for a more virtuosic performance), orchestra parts for the orchestra members, and a full score for the conductor, who leads the orchestra in the accompaniment of the soloist. Depending on the era in which a piano concerto was composed, the orchestra parts may provide a fairly subordinate accompaniment role, setting out the bassline and chord progression over which the piano plays solo parts (more typical during the Baroque music era, from 1600 to 1750 and the Classical period, from 1730 to 1800), or the orchestra may be given an almost equal ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatro Municipal
Teatro Municipal, Theatro Municipal, Théâtre Municipal or Teatro Municipale (= Municipal theatre) may refer to: * Théâtre municipal d'Albi * Teatro Municipal de Caracas * Teatro Municipal de Chacao * Théâtre municipal de Grenoble * Théâtre municipal du Mans * Théâtre municipal de Mont-de-Marsan * Théâtre municipal d'Orange * Teatro Municipal de Puerto Cabello * Teatro Municipal de Valencia * Teatro Municipal (Lima) *Theatro Municipal (Rio de Janeiro) *Teatro Municipal (Santiago) *Theatro Municipal (São Paulo) Municipal Theatre of São Paulo is a theatre in São Paulo, Brazil. It is regarded as one of the landmarks of the city, significant both for its architectural value as well as for its historical importance, having been the venue for the Week of ... * Teatro Municipal (San Nicolás de los Arroyos) * Teatro Municipale (Piacenza) * Teatro Municipale (Reggio Emilia) {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvisation, improvised or written-out ornament (music), ornamental passage (music), passage played or sung by a solo (music), soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuoso, virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over the final or penultimate note in a piece, the lead-in (german: Eingang, link=no) or over the final or penultimate note in an important subsection of a piece. It can also be found before a final coda (music), coda or ritornello. In concerti The term ''cadenza'' often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (music), free time (without a strict, regular pulse) and can be wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modinha
Modinha is the affectionate (grammatically called 'diminutive') form of the Portuguese noun "moda", meaning "fashion". The word "moda" is also used in Portugal, today, generally referring to traditional regional songs. In Portugal, "modinha" was, from the last third part of the 18th to the beginning of the 19th century, a general term designating sentimental songs in Portuguese. Under this designation were referred, in fact, in this time (from the last third part of the 18th to the beginning of 19th century), musical realities of very diversified characteristics, with grade of very variable poetic and musical complexities and cultivated in also very different social circuits. They designated 'modinhas' (aristocrats') salon songs of academic composers, many times with texts of Portuguese Arcadia poets, sometimes with one vocal line, others two voices in counterpoint, in both cases with a more or less elaborated accompaniment of a harmonic instrument, generally harpsichord. But the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cristina Ortiz
Cristina Ortiz (born April 17, 1950, in Bahia) is a Brazilian pianist. Biography Born in Bahia, Brazil, Cristina Ortiz began her studies in her home country before moving to France with Magda Tagliaferro. Soon after finishing her studies in Paris, she won the first prize of the third edition of the Van Cliburn International Piano Competition. She continued her study with Rudolf Serkin in Philadelphia at the Curtis Institute of Music and later moved to London, where she currently lives. Cristina Ortiz has performed in most of the major concert halls around the world and invited to be soloist by the Berlin Philharmonic, Vienna Philharmonic Orchestra, Philharmonia, Chicago Symphony Orchestra, Sydney Symphony Orchestra, Philadelphia Orchestra, Royal Concertgebouw Orchestra, Cleveland Orchestra, WDR Symphony Orchestra Cologne, Deutsches Symphonie-Orchester Berlin, Valencia Orchestra, Iceland Symphony Orchestra and the NHK Symphony Orchestra among others, with conductors such as Vladim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Philharmonic Orchestra
The Royal Philharmonic Orchestra (RPO) is a British symphony orchestra based in London, that performs and produces primarily classic works. The RPO was established by Thomas Beecham in 1946. In its early days, the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961, the RPO's fortunes declined steeply. The RPO battled for survival until the mid-1960s, when its future was secured after a report by the Arts Council of Great Britain recommended that it should receive public subsidy. A further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn. In 2004, the RPO acquired its first permanent London base, at Cadogan Hall in Chelsea. The RPO also gives concerts at the Royal Festival Hall, the Royal Albert Hall and venues around the UK and other countries. The current music dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (journal)
''Tempo'' is a quarterly peer-reviewed academic journal that specialises in music of the 20th century and contemporary music. It was established in 1939 as the 'house magazine' of the music publisher Boosey & Hawkes. ''Tempo'' was the brain-child of Arnold Schoenberg's pupil Erwin Stein, who worked for Boosey & Hawkes as a music editor. The journal's first editor was Ernest Chapman and it was intended to be a bi-monthly publication. Issues 1 to 4 appeared from January to July 1939; but owing to the outbreak of World War II there was a hiatus in publication until August 1941, when issue 5 appeared, and another until February 1944, when regular publication resumed with issue 6 on a roughly quarterly basis. Meanwhile, the New York City office of Boosey & Hawkes set up a separate American edition which produced six issues in 1940–1942 (numbered 1–6, independent of the UK numbering) and an unnumbered 'wartime edition' in February 1944. In 1946, the journal was enlarged and r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1948 Compositions
Events January * January 1 ** The General Agreement on Tariffs and Trade (GATT) is inaugurated. ** The Constitution of New Jersey (later subject to amendment) goes into effect. ** The railways of Britain are nationalized, to form British Railways. * January 4 – Burma gains its independence from the United Kingdom, becoming an independent republic, named the ''Union of Burma'', with Sao Shwe Thaik as its first President, and U Nu its first Prime Minister. * January 5 ** Warner Brothers shows the first color newsreel (''Tournament of Roses Parade'' and the ''Rose Bowl Game''). ** The first Kinsey Reports, Kinsey Report, ''Sexual Behavior in the Human Male'', is published in the United States. * January 7 – Mantell UFO incident: Kentucky Air National Guard pilot Thomas Mantell crashes while in pursuit of an unidentified flying object. * January 12 – Mahatma Gandhi begins his fast-unto-death in Delhi, to stop communal violence during the Partition of India. * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
