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Phillip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His finely plotted plays, including ''A New Way to Pay Old Debts'', ''The City Madam'', and ''The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His finely plotted plays, including ''A New Way to Pay Old Debts'', ''The City Madam'', and '' The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Daborne
Robert Daborne (c. 1580 – 23 March 1628) was an English dramatist of the Jacobean era. His father was also Robert Daborne, heir to family property in Guildford, Surrey and other places, including London, and a wealthy haberdasher by trade. He is now thought to have been a "sizar"—an undergraduate exempt from fees—at King's College, Cambridge in 1598. His marriage record suggests that he was a Gent. and member of the Inner Temple. Daborne was married to Anne Younger in 1602 at St Mary's Church in South Walsham by the local cleric, who was nephew to Anne's father, Robert Younger, the owner of Old Hall in South Burlingham; they had at least one child, a daughter, but his wife Anne died in childbirth. He was living with his father-in-law in Shoreditch by 1609, but his father-in-law died and there was a bitter dispute among the family members subsequently regarding the inheritance. A 1608 document show that Daborne owed £50 to Robert Keysar, one of the managers of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Maid Of Honour
''The Maid of Honour'' is a Jacobean era stage play, a tragicomedy written by Philip Massinger, first published in 1632. It may be Massinger's earliest extant solo work. Performance Firm data on the play's date of authorship and initial theatrical production have not survived; scholars estimate a date in the early 1620s, perhaps 1621–23. The title page of the earliest edition states that the play was acted by Queen Henrietta's Men at the Cockpit Theatre—though that company did not exist under that name prior to 1625. The title page may refer to performances in the 1625–32 period rather than the work's debut. John Philip Kemble, an admirer of Massinger's dramas, staged an adaptation of the play called ''Camiola, or The Maid of Honour,'' at Drury Lane in 1785. It starred his sister Sarah Siddons; but it was not a success, and lasted only three performances. Publication The 1632 quarto, published by the bookseller Robert Allot, bore a commendatory poem by Massinger's fri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Henrietta's Men
Queen Henrietta's Men was an important playing company or troupe of actors in Caroline era in London. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men. Beginnings The company was formed in 1625, at the start of the reign of King Charles I, by theatrical impresario Christopher Beeston under royal patronage of the new queen, Henrietta Maria of France. They were sometimes called the Queen's Majesty's Comedians or other variations on their name. The company was founded after an eight-month closure of the London theatres due to bubonic plague (March to October, 1625). The Lady Elizabeth's Men, then called the Queen of Bohemia's Men, had been resident at Beeston's Cockpit Theatre up to the plague closing, and provided the foundation of the new organization. Success Theatre manager Beeston had had several different companies acting in his Cockpit Theatre since he started it in 1617; it was with Queen Henrietta's Men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Duke Of Florence
''The Great Duke of Florence'' is an early Caroline era stage play, a tragicomedy written by Philip Massinger, and first published in 1636. It has been called "one of Massinger's best dramas," and "a masterpiece of dramatic construction." A play titled ''The Great Duke'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 5 July 1627; the scholarly consensus interprets this as referring to Massinger's play. Topical allusions in the text have been read as indicating a date of authorship between October 1623 and March 1625. The play was acted by Queen Henrietta's Men at the Cockpit Theatre, and was published in quarto in 1636 by the bookseller John Marriot; Massinger dedicated the work to one of his patrons, Sir Robert Wiseman, in gratitude for his "supportment and protection." The quarto includes two commendatory poems, one by John Ford. Massinger is thought to have based his plot on the traditional story of Ethelwald and Elfrida, available to him in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Renegado
''The Renegado, or The Gentleman of Venice'' is a late Literature in English#Jacobean literature, Jacobean stage play, a tragicomedy written by Philip Massinger and first published in 1630 in literature, 1630. The play has attracted critical attention for its treatment of cultural conflict between Christian Europe and Muslim North Africa. Massinger based the plot of his play on a novel by Miguel de Cervantes titled ''Los Baños de Argel,'' which had been printed in 1615 in literature, 1615. Performance and publication ''The Renegado'' was licensed for performance by Sir Henry Herbert (Master of the Revels), Henry Herbert, the Master of the Revels, on 17 April 1624 in literature, 1624. It was acted at the Cockpit Theatre by the Lady Elizabeth's Men; when that troupe was merged or re-organized into Queen Henrietta's Men in the following year, 1625 in literature, 1625, the play remained in their repertory. The 1630 book size, quarto was printed by Augustine Matthews for the booksell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bondman
''The Bondman'' is a later Jacobean era stage play, a tragicomedy written by Philip Massinger, first published in 1624. The play has been called "the finest of the more serious tragicomedies" of Massinger. Performance and publication ''The Bondman'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 3 December 1623, as ''The Noble Bondman,'' and was acted by the Lady Elizabeth's Men at the Cockpit Theatre, and also performed for the Court at Whitehall Palace. The play was entered into the Stationers' Register on 12 March the following year, 1624, and published soon after in a quarto printed by Edward Allde for the booksellers John Harrison and Edward Blackmore. A second quarto appearing in 1638. Massinger dedicated the play to Philip Herbert, then the Earl of Montgomery and later Earl of Pembroke and Lord Chancellor. Massinger had an important and long-standing connection with the Herbert family through his father. (The play was a "modest success ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Parliament Of Love
''The Parliament of Love'' is a late Jacobean era stage play, a comedy written by Philip Massinger. The play was never printed in the seventeenth century, and survived only in a defective manuscript – making it arguably the most problematical work in the Massinger canon. ''The Parliament of Love'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 3 November 1624. Herbert's entry indicates that the play was to be performed at the Cockpit Theatre. The play was entered into the Stationers' Register on 29 June 1660, but no publication ensued. The manuscript A manuscript of the play was in the collection belonging to John Warburton that was destroyed by Warburton's cook; that manuscript reportedly attributed the play to William Rowley. Scholars who have studied the authorship question have generally dismissed the Rowley attribution; the play as it exists is widely assigned to Massinger alone. (It is possible, though perhaps unlikely, that there were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cockpit Theatre
The Cockpit was a theatre in London, operating from 1616 to around 1665. It was the first theatre to be located near Drury Lane. After damage in 1617, it was named The Phoenix. History The original building was an actual cockpit; that is, a staging area for cockfights. Most likely a round building with a peaked roof, about in diameter, it was erected under Henry VIII, c. 1530-32, as part of a gaming complex. Records indicate a major restoration in 1581-82 and renovations in 1589-90, 1602-3, and 1608-9 (the latter under the supervision of John Best, "cockmaster" to Henry Frederick, Prince of Wales, King James I of England, James I's eldest son and heir). In August 1616, Christopher Beeston acquired the lease to the building and converted it to an indoor playhouse. In March 1617, rioting apprentices attempted to destroy the playhouse, probably out of anger that their favorite plays had been removed from the Red Bull outdoor amphitheater, which charged only one penny for admissio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Elizabeth's Men
The Lady Elizabeth's Men, or Princess Elizabeth's Men, was a company of actors in Jacobean London, formed under the patronage of King James I's daughter Princess Elizabeth. From 1618 on, the company was called The Queen of Bohemia's Men, after Elizabeth and her husband the Elector Palatine had their brief and disastrous flirtation with the crown of Bohemia. (In the winter of 1618–19, the two had their brief reign as the King and Queen of Bohemia, to start the Thirty Years' War.) The company received its royal patent on 27 April 1611; it is thought to have been composed largely of former child actors from the children's troupes – the Children of the Chapel and the Children of Paul's — who were now grown to manhood. They may have started out playing at the Swan Theatre. On 29 August 1611, the company signed a bond with Philip Henslowe; they would rely on Henslowe for financing and would in the future act at Henslowe's new theatre, the Hope. Soon after their inception, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King's Men (playing Company)
The King's Men is the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession. Chronologically typed To 1610 In their first winter season, between December 1603 and February 1604 the company performed eight times at Court and eleven times in their second, from N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humphrey Moseley
Humphrey Moseley (died 31 January 1661) was a prominent London publisher and bookseller in the middle seventeenth century. Life Possibly a son of publisher Samuel Moseley, Humphrey Moseley became a "freeman" (a full member) of the Stationers Company, the guild of London booksellers, on 7 May 1627; he was selected a Warden of the company on 7 July 1659. His shop was located at the sign of the Prince's Arms in St Paul's Churchyard. One of the most productive publishers of his era, Moseley's imprint exists on 314 surviving books. Drama and poetry Moseley is best known for the first Beaumont and Fletcher folio of 1647, which he published in partnership with stationer Humphrey Robinson. Moseley partnered with Robinson on other projects too, and also with Nicholas Fussell (to 1635) and Francis Constable. Moseley issued a range of important Jacobean and Caroline playwrights, including Thomas Middleton, Philip Massinger, James Shirley, Richard Brome, and Sir William D'Avenant. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
