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Philippe Dumanoir
Philippe François Pinel, known as Dumanoir (31 July 1806 – 16 November 1865), was a French playwright and librettist. Biography Dumanoir was born in Capesterre-Belle-Eau, Guadeloupe. He was the son of Mrs. Pinel-Dumanoir, whose family planted the palm trees lining the ''Allée Dumanoir'' in Guadeloupe. He left Guadeloupe in 1816. Dumanoir wrote in the theatrical genre of Comédie en vaudevilles. He was director of the Théâtre des Variétés from 1837 to 1839. In 1844, he wrote in collaboration with Adolphe d'Ennery, an eponymous drama about Don César de Bazan, one of the characters in ''Ruy Blas'' by Victor Hugo. He died in Pau. List of major works Plays * 1842: ''Le Chevalier d'Éon'', comedy in 3 acts, (with Jean-François Bayard), Théâtre des Variétés * 1839: ''Les Premières Armes de Richelieu'' (with Jean-François Bayard), Théâtre du Palais Royal * 1840: ''Indiana et Charlemagne'' (with Jean-François Bayard), Théâtre du Palais Royal * 1842: ''Ma ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capesterre-Belle-Eau
Capesterre-Belle-Eau is a commune in the French overseas region and department of Guadeloupe, in the Lesser Antilles. It is located in the south-east of Basse-Terre Island. Capesterre-Belle-Eau covers an area of 103.3 km2 (39.884 sq mi). The 1999 population was 19,568. The population density is 189 persons per km2. The inhabitants are called ''Capesterriens''. Etymology Its name comes from an expression of the navy of the 17th century: cab-be-ground, which indicates a ground exposed to the east wind. The abundance of the cascades, the rivers and the water levels led to the addition of the phrase Belle Eau, hence the name Capesterre-Belle-Eau. History Petroglyphs discovered in the rivers of Peru and Bananier show the presence of Native Americans. On 4 November 1493, Christopher Columbus's second voyage unloaded there. Columbus would have met Amerindians. To commemorate this event, a bust of the navigator was raised in 1916 at the entry of Sainte-Marie. In the 17th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Gymnase Marie Bell
The Théâtre du Gymnase or Théâtre du Gymnase Marie Bell, is a theatre in Paris, at 38 Boulevard Bonne-Nouvelle in the 10th arrondissement of Paris, 10th arrondissement (métro : Bonne Nouvelle (Paris Métro), Bonne Nouvelle). History Inaugurated on December 23, 1820 by Charles-Gaspard Delestre-Poirson, Delestre-Poirson, the théâtre du Gymnase came to serve as a training-theatre for students of the conservatoire national supérieur d'art dramatique, conservatoire, where they could appear solely in one-act plays or adaptations of longer plays into one-act plays. Poirson quickly added two-act plays to the theatre's repertoire, then 3-act plays, and drew up an exclusive contract with Eugène Scribe to supply them. He installed gas lighting in 1823 and in the following year, with the permission of the Caroline Ferdinande Louise, duchesse de Berry, duchesse de Berry, the theatre was granted the title of ''théâtre de Madame''. Closed for renovation in 1830, the theatre reopen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Fleck
Jacob Fleck (8 November 1881 in Vienna as Jacob Julius Fleck – 19 September 1953, also in Vienna) was an Austrian film director, screenwriter, film producer and cameraman. He is noted for his long-standing professional partnership with his wife Luise Fleck who co-directed his films with him. Biography In 1910, together with Anton Kolm, Kolm's wife Luise (who later married Fleck), and her brother Claudius Veltée, Jacob Fleck established the film production company ''Erste Österreichische Kinofilms-Industrie'' in Wien-Alsergrund. The company changed its name only a year later to ''Wiener Kunstfilm-Industrie'', in which Fleck worked partly as a cameraman, but principally as a producer and director together with Luise Kolm in making numerous films. Anton Kolm died in 1922. In 1923 Fleck moved with Luise Kolm to Berlin, where they married in 1924: Luise was known from then on as Luise Fleck. Both of them worked for Hegewald-Film and UFA. In the 1920s they were known as the "direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luise Fleck
Luise Fleck, also known as Luise Kolm or Luise Kolm-Fleck, née Louise or Luise Veltée (1 August 1873–15 March 1950), was an Austrian film director, and has been considered the second ever female feature film director in the world, after Alice Guy-Blaché. Her son, Walter Kolm-Veltée, was also a noted film director. Technically, however, the second female feature film director in the world after Alice Guy-Blaché was chronologically Ebba Lindkvist, having debuted as a film maker one year before Luise Fleck. Life Austria, Wiener Kunstfilm and Vita-Film: to 1926 Luise was born in Vienna, the daughter of Louis Veltée, proprietor of the city panopticon, descended from a family originating in Lyon, who had settled in Austria in the early 19th century. Her brother was Claudius Veltée, also later known as a film director. Even in her childhood she helped her father in his business by working on the till. In January 1910, she and her first husband, Anton Kolm, along with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Cesar, Count Of Irun
'' Don Cesar, Count of Irun'' (German: ''Don Cäsar, Graf von Irun'') is a 1918 Austrian silent historical film directed by Jacob Fleck and Luise Fleck and starring Max Neufeld, Grit Haid and Karl Ehmann.Von Dassanowsky p.23 It is based on the opera '' Don César de Bazan'' by Philippe Dumanoir and Adolphe d'Ennery, based on an earlier work by Victor Hugo. It was made and released during the closing stages of the First World War. Cast * Max Neufeld as Don Cäsar * Grit Haid * Karl Ehmann as König * Rosa Günther as Queen * Egon Brecher Egon Brecher (18 February 1880 – 12 August 1946) was an Austria-Hungary-born actor and director, who also served as the chief director of Vienna's Stadttheater, before entering the motion picture industry. Early years The son of a professor, ... as Don Jose * Eduard Sekler as Lazarillo References Bibliography * Robert Von Dassanowsky. ''Austrian Cinema: A History''. McFarland, 2005. External links * Austro-Hungarian films 1918 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert G
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Massé
Victor Massé (born ''Félix-Marie Massé''; 7 March 1822 – 5 July 1884) was a French composer. Biography Massé was born in Lorient (Morbihan) and studied at the Paris Conservatoire, winning the Prix de Rome in 1844 for his cantata ''Le Rénégat de Tanger'' before turning his attention to opera. While at the Conservatoire, Massé studied with Jaques Halévy. He wrote some twenty operas, including ''La Chanteuse voilée'' (1850), followed by the more ambitious ''Galathée'' (1852) and ''Paul et Virginie'' (1876). His best-known and most successful work was the ''opéra comique'' ''Les Noces de Jeannette'' (1853). His last work, ''Une Nuit de Cléopâtre'', was performed posthumously in April 1885. Massé died in Paris and is buried in Montmartre Cemetery. in the 9th arrondissement of Paris is named after him. Operas * ''La Chambre gothique'', opéra (1849) * ''La Chanteuse voilée'' (1850, text by Eugène Scribe and Adolphe de Leuven) * ''Galathée'' (1852, text by Jules Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Grisar
Albert Grisar (25 December 1808 – 15 June 1869) was a Belgian composer, mainly active in Paris. Career Born in Antwerp, Grisar's family had intended for him to pursue a tradesman's career, but he defied their wishes to devote himself to music. He studied in Antwerp with Joseph Janssens, in Paris under Anton Reicha, and in the mid-1840s in Naples with Saverio Mercadante. Grisar was a successful comic opera composer, first winning success in Brussels in 1833 and in Paris later in the decade. He collaborated with Flotow on ''L'Eau merveilleuse'' (1839), with Flotow and Auguste Pilati in ''Le Naufrage de la Méduse'' (1839), and with François-Adrien Boieldieu on ''L'Opéra à la cour'' (1840). When he received a grant from the Belgian government in 1840 to study music of Belgian composers in Italy, he instead used his time in Rome and Naples to study compositional techniques of the comic opera. His Parisian works of the late 1840s and early 1850s were particularly well received by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Vincent Wallace
William Vincent Wallace (11 March 1812 – 12 October 1865) was an Irish composer and pianist. In his day, he was famous on three continents as a double virtuoso on violin and piano. Nowadays, he is mainly remembered as an opera composer of note, with key works such as ''Maritana'' (1845) and '' Lurline'' (1847/60), but he also wrote a large amount of piano music (including some virtuoso pieces) that was much in vogue in the 19th century. His more modest output of songs and ballads, equally wide-ranging in style and difficulty, was also popular in his day, some numbers being associated with famous singers of the time. Early life Wallace was born at Colbeck Street, Waterford, Ireland. Both of his parents were Irish; his father, Spencer Wallace of County Mayo, one of four children, who was born in Killala, County Mayo in 1789, became a regimental bandmaster with the North Mayo Militia based in Ballina. William was born while the regiment was stationed for one year in Waterfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maritana
''Maritana'' is a three-act opera including both spoken dialogue and some recitatives, composed by William Vincent Wallace, with a libretto by Edward Fitzball (1792–1873). The opera is based on the 1844 French play ''Don César de Bazan'' by Adolphe d'Ennery and Philippe François Pinel (Dumanoir), which was also the source material for Jules Massenet's opéra comique ''Don César de Bazan'' (the character of Don César de Bazan first appeared in Victor Hugo's ''Ruy Blas''). The opera premiered at the Theatre Royal, Drury Lane on 15 November 1845. The first of six operas by Wallace, the work is often cited as an inspiration for a plot device in Gilbert and Sullivan's comic opera ''The Yeomen of the Guard'' in which a man weds a woman while awaiting execution in prison, escapes and, while he is disguised, the couple fall in love. Performance history ''Maritana'' was first produced at the Theatre Royal, Drury Lane under Alfred Bunn's management on 15 November 1845, conducted fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Adam
Adolphe Charles Adam (; 24 July 1803 – 3 May 1856) was a French composer, teacher and music critic. A prolific composer for the theatre, he is best known today for his ballets ''Giselle'' (1841) and '' Le corsaire'' (1856), his operas ''Le postillon de Lonjumeau'' (1836) and ''Si j'étais roi'' (1852) and his Christmas carol "Minuit, chrétiens!" (Midnight, Christians, 1844, known in English as "O Holy Night"). Adam was the son of a well-known composer and pianist, but his father did not wish him to pursue a musical career. Adam defied his father, and his many operas and ballets earned him a good living until he lost all his money in 1848 in a disastrous bid to open a new opera house in Paris in competition with the Opéra and Opéra-Comique. He recovered, and extended his activities to journalism and teaching. He was appointed as a professor at the Paris Conservatoire, France's principal music academy. Together with his older contemporary Daniel Auber and his teacher Adrien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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