Phil Nyokai James
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Phil Nyokai James
Phil Nyokai James is a professional shakuhachi ( Japanese bamboo flute) teacher and performer as well as avant-garde composer. Born in New York City in 1954, James studied shakuhachi with Ronnie Nyogetsu Reishin Seldin and Yodo Kurahashi. After receiving his master's license ('' shihan'' level), he began teaching and performing throughout the United States. His shakuhachi ''dojo'' is centered in Portland, Maine. James' performances often juxtapose traditional Japanese meditative pieces ( honkyoku) with electronic noise music. He frequently works with postmodern choreographers and butoh dancers. Discography * ''dreaming of waking up''. Phil James (solo shakuahchi), 2008. * ''First Places''. Phil James (solo shakuahchi), 2001. * ''Already Gone''. Phil James, 1999. For shakuhachi, Native American flute, pedal steel guitar, shakuhachi, drums, turntables, and electronics. Selected Compositions * ''Loudmouths'', 2009, for four tenor saxophones. * ''Simple Song'', 2009, for flute w ...
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Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi.
The Asahi Shimbun
Kotobank, Shakuhachi.
The Asahi Shimbun
A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century.
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Turntablism
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system (for live events) and/or broadcasting equipment (if the DJ is performing on radio, TV or Internet radio) so that a wider audience can hear the turntablist's music. Turntablists atypically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is a key part of hip hop music), all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphon ...
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21st-century American Composers
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius ( AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman emper ...
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American Male Composers
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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Shakuhachi Players
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi.
The Asahi Shimbun
Kotobank, Shakuhachi.
The Asahi Shimbun
A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century.
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Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ...
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Carole Maso
Carole Maso is a contemporary American novelist and essayist, known for her experimental, poetic and fragmentary narratives which are often called postmodern. She is a recipient of a 1993 Lannan Literary Award for Fiction. Biography Maso was born in Paterson, New Jersey in 1955, the child of her jazz musician father and her emergency department nurse mother. She received a B.A. in English from Vassar College in 1977. Maso initially wanted to be a journalist when she entered Vassar, but she later decided to focus on creative writing instead. She began working on her novel ''Ghost Dance'' while she was still a student. During her senior year at Vassar, she submitted about 50 pages of prose poems as her senior honors thesis. It is at this point that she knew she wanted to be a writer. Maso eschewed the traditional path to teaching and never studied formally beyond her Vassar B.A., despite having been offered a graduate fellowship at Boston University. Rather, she devoted 9 years to ...
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Koto (musical Instrument)
The is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese and , and similar to the Mongolian , the Korean and , the Vietnamese , the Sundanese and the Kazakhstan . Koto are roughly in length, and made from Paulownia wood (''Paulownia tomentosa'', known as ). The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. 17-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks (), worn on the first three fingers of the right hand. Names and types The character for ''koto'' is , although is often used. However, (''koto'') is the general term for all string instruments in the Japanese language,(jaKotobank koto/ref> including instruments such as the , , , , , and so on. When read as , it indicates the Chinese instrument . The term is used today in the same way. The term ...
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Kokyū
The is a traditional Japanese string instrument, the only one played with a bow. A variant of the instrument also exists in Okinawa, called in Okinawan. The , like the , has its origins in Okinawa. Although it is similar to Chinese , it actually came to Okinawa via the from Indonesia and Malaysia. The instrument is similar in construction to the , appearing as a smaller version of that instrument. It is tall, with a neck made of ebony and a hollow body made of coconut or ''Styrax japonicus'' wood, covered on both ends with cat skin (or snakeskin in Okinawa). In Okinawa, the body is round, while in mainland Japan, it is square like a . It has three (or, more rarely, four) strings and is played upright, with a horsehair-strung bow bowing the strings. It is often tuned the same as a but an octave higher. In central Japan, the was formerly used as an integral part of the ensemble, along with the and , but beginning in the 20th century the began to play the role previous ...
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Shō (instrument)
The is a Japanese free reed aerophone, free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese ''Sheng (instrument), sheng'', of the Tang Dynasty era, although the ''shō'' tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape. The instrument's sound is said to imitate the call of a Phoenix (mythology), phoenix, and it is for this reason that the two silent pipes of the ''shō'' are kept—as an aesthetic element, making two symmetrical "wings". Similar to the Chinese Sheng (instrument), sheng, the pipes are tuned carefully with a drop of a dense resin ...
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