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Peter Schacht
Peter Schacht (1 July 1901 – 25 January 1945) was a German composer. Life Born in Bremen, Schacht came from a wealthy Bremen merchant family. In his hometown he attended the humanistic Gymnasium, being particularly interested in mathematical questions. Peter Gradenwitz: ''Arnold Schönberg und seine Meisterschüler. Berlin 1925-1933''. Zsolnay, Vienna 1998, , Early on he also received piano, violin and clarinet lessons. Later (1931) he took a course in Baden-Baden taught by violinist Carl Flesch. After the in 1920, he began to study medicine at the Albert-Ludwigs-Universität Freiburg at the request of his father. In addition, he received composition lessons from the late Romantic Julius Weismann. In Freiburg, he joined the Corps Suevia Freiburg in 1921,''Kösener Senioren-Convents-Verband'' 1930, 36, 755. which he left again in 1934 in protest against the exclusion of the so-called " Jüdisch versippt". From 1921 to 1926 he went to the University of Music and Theatre Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bremen
Bremen (Low German also: ''Breem'' or ''Bräm''), officially the City Municipality of Bremen (german: Stadtgemeinde Bremen, ), is the capital of the German state Free Hanseatic City of Bremen (''Freie Hansestadt Bremen''), a two-city-state consisting of the cities of Bremen and Bremerhaven. With about 570,000 inhabitants, the Hanseatic city is the 11th largest city of Germany and the second largest city in Northern Germany after Hamburg. Bremen is the largest city on the River Weser, the longest river flowing entirely in Germany, lying some upstream from its mouth into the North Sea, and is surrounded by the state of Lower Saxony. A commercial and industrial city, Bremen is, together with Oldenburg and Bremerhaven, part of the Bremen/Oldenburg Metropolitan Region, with 2.5 million people. Bremen is contiguous with the Lower Saxon towns of Delmenhorst, Stuhr, Achim, Weyhe, Schwanewede and Lilienthal. There is an exclave of Bremen in Bremerhaven, the "Citybremian Overseas Port ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machtergreifung
Adolf Hitler's rise to power began in the newly established Weimar Republic in September 1919 when Hitler joined the '' Deutsche Arbeiterpartei'' (DAP; German Workers' Party). He rose to a place of prominence in the early years of the party. Being one of its best speakers, he was made the party leader after he threatened to otherwise leave. In 1920, the DAP renamed itself to the ''Nationalsozialistische Deutsche Arbeiterpartei'' – NSDAP (National Socialist German Workers' Party, commonly known as the Nazi Party). Hitler chose this name to win over German workers. Despite the NSDAP being a right-wing party, it had many anti-capitalist and anti-bourgeois elements. Hitler later initiated a purge of these elements and reaffirmed the Nazi Party's pro-business stance. By 1922 Hitler's control over the party was unchallenged. In 1923, Hitler and his supporters attempted a coup to remove the government via force. This seminal event was later called the Beer Hall Putsch. Upon its fai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komponisten Der Gegenwart
The ''Komponisten der Gegenwart'' (KDG) is a music encyclopedia in German language about composers of the 20th and 21st century. It is a looseleaf service with information on currently about 900 composers. Editors Hanns-Werner Heister and Walter-Wolfgang Sparrer founded the encyclopaedia ''Komponisten der Gegenwart (KDG)'' in 1992 and since then publish it in the publishing house . The loose-leaf work now comprises some 12,250 pages in 10 folders (63rd supplement, January 2018) and is updated and supplemented two to three times a year. It is available online for a fee. Structure In alphabetically order, the articles are divided into biographies and work overviews. The biograms give an overview of the lives and awards of the composers. In the presentation of the works, and particular aesthetics and compositional technique are reflected historically as well as musically-analytically. In addition, more than 200 composers are covered in more detail, with lists of works, selected di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Holtmeier
Ludwig Holtmeier (born in 1964) is a German music theorist and piano player. Life Holtmeier studied piano at the Hochschule für Musik Detmold and at the Conservatoire de musique de Genève and Conservatoire de musique de Neuchâtel and passed the concert exam in 1992. In addition to piano he also studied music theory, musicology, school music, history and German studies in Freiburg and Berlin. In 2010 he collected his doctorate at the Technical University of Berlin with a thesis on the reception of Jean-Philippe Rameau's music theory writings. He taught as a music theorist at the Hochschule für Musik Freiburg and as a musicologist at the Hochschule für Musik "Hanns Eisler" in Berlin. From 2000 to 2003 he was professor of music theory at the Hochschule für Musik Carl Maria von Weber in Dresden, and since 2003 he has held a professorship at the Freiburg University of Music, where he also held the office of prorector from 2012 to 2017. Since 1 October 2017 he has been rect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-tone Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categoric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Poznań (1945)
The Battle of Poznań (Battle of Posen) during World War II in 1945 was an assault by the Soviet Union's Red Army that had as its objective the elimination of the Nazi German garrison in the stronghold city of Poznań (Posen) in occupied Poland. The defeat of the German garrison required a month-long reduction of fortified positions, urban combat, and a final assault on the city's citadel by the Red Army, complete with medieval touches. Background The city of Poznań (called ''Posen'' in German) lay in the western part of Poland which had been annexed by Nazi Germany following its invasion of Poland in 1939 and was the chief city of Reichsgau Wartheland. By 1945, the Red Army advances on the Eastern Front had driven the Germans out of eastern Poland as far as the Vistula River. The Red Army launched the Vistula–Oder offensive on 12 January 1945, inflicted a huge defeat on the defending German forces, and advanced rapidly into western Poland and eastern Germany. Certain citi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poznań
Poznań () is a city on the River Warta in west-central Poland, within the Greater Poland region. The city is an important cultural and business centre, and one of Poland's most populous regions with many regional customs such as Saint John's Fair (''Jarmark Świętojański''), traditional Saint Martin's croissants and a local dialect. Among its most important heritage sites are the Renaissance Old Town, Town Hall and Gothic Cathedral. Poznań is the fifth-largest and one of the oldest cities in Poland. As of 2021, the city's population is 529,410, while the Poznań metropolitan area (''Metropolia Poznań'') comprising Poznań County and several other communities is inhabited by over 1.1 million people. It is one of four historical capitals of medieval Poland and the ancient capital of the Greater Poland region, currently the administrative capital of the province called Greater Poland Voivodeship. Poznań is a center of trade, sports, education, technology and touri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prisoner Of War
A prisoner of war (POW) is a person who is held captive by a belligerent power during or immediately after an armed conflict. The earliest recorded usage of the phrase "prisoner of war" dates back to 1610. Belligerents hold prisoners of war in custody for a range of legitimate and illegitimate reasons, such as isolating them from the enemy combatants still in the field (releasing and repatriating them in an orderly manner after hostilities), demonstrating military victory, punishing them, prosecuting them for war crimes, exploiting them for their labour, recruiting or even conscripting them as their own combatants, collecting military and political intelligence from them, or indoctrinating them in new political or religious beliefs. Ancient times For most of human history, depending on the culture of the victors, enemy fighters on the losing side in a battle who had surrendered and been taken as prisoners of war could expect to be either slaughtered or enslaved. Ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wehrmacht
The ''Wehrmacht'' (, ) were the unified armed forces of Nazi Germany from 1935 to 1945. It consisted of the ''Heer'' (army), the ''Kriegsmarine'' (navy) and the ''Luftwaffe'' (air force). The designation "''Wehrmacht''" replaced the previously used term and was the manifestation of the Nazi regime's efforts to rearm Germany to a greater extent than the Treaty of Versailles permitted. After the Nazi rise to power in 1933, one of Adolf Hitler's most overt and audacious moves was to establish the ''Wehrmacht'', a modern offensively-capable armed force, fulfilling the Nazi régime's long-term goals of regaining lost territory as well as gaining new territory and dominating its neighbours. This required the reinstatement of conscription and massive investment and defense spending on the arms industry. The ''Wehrmacht'' formed the heart of Germany's politico-military power. In the early part of the Second World War, the ''Wehrmacht'' employed combined arms tactics (close-cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winfried Zillig
Winfried Zillig (1 April 1905 – 18 December 1963) was a German composer, music theorist, and conductor. Zillig was born in Würzburg. After leaving school, Zillig studied law and music. One of his teachers there was Hermann Zilcher. In Vienna he was a private pupil of Arnold Schönberg, later following him to Berlin. His first compositions date from this time. In 1927 he became the assistant of Erich Kleiber at the Berlin State Opera. A short time later he became repetiteur to the Oldenburg Opera. In the years 1932 to 1937, he acted as repetiteur and Kapellmeister at the Düsseldorf Opera. Positions followed as Kapellmeister in Essen and at the beginning of the 1940s as the musical leader of the Posen Opera. After the end of World War II he became the first Kapellmeister of the Düsseldorfer Oper. In the years 1947 to 1951 he occupied the position of conductor at the HR-Sinfonieorchester. He also acted as guest conductor of the Radio Éireann Symphony Orchestra in the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Society For New Music
International is an adjective (also used as a noun) meaning "between nations". International may also refer to: Music Albums * ''International'' (Kevin Michael album), 2011 * ''International'' (New Order album), 2002 * ''International'' (The Three Degrees album), 1975 *''International'', 2018 album by L'Algérino Songs * The Internationale, the left-wing anthem * "International" (Chase & Status song), 2014 * "International", by Adventures in Stereo from ''Monomania'', 2000 * "International", by Brass Construction from ''Renegades'', 1984 * "International", by Thomas Leer from ''The Scale of Ten'', 1985 * "International", by Kevin Michael from ''International'' (Kevin Michael album), 2011 * "International", by McGuinness Flint from ''McGuinness Flint'', 1970 * "International", by Orchestral Manoeuvres in the Dark from '' Dazzle Ships'', 1983 * "International (Serious)", by Estelle from '' All of Me'', 2012 Politics * Political international, any transnational organization of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
