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Perrot De Neele
Perrot (Peron, Peros, or Pierrot) de Neele (''fl.'' mid–late 13th century) was an Artesian trouvère and ''littérateur''. He composed four ''jeux partis'' in collaboration with Jehan Bretel (died 1272): "Amis Peron de Neele"; "Jehan Bretel, respondés"; "Pierrot de Neele, amis"; and "Pierrot, li ques vaut pis a fin amant". Perrot also composed one song in praise of the Virgin Mary, "Douce vierge, röine nete et pure", with a melody that is in bar form. Finally, there survives in manuscript B.N. fr. 375 a collection of narrative verse (or "classic literary works") entitled ''Sommaires en vers de poèmes'' and compiled by Perrot, who identifies himself in a colophon at the end of the work: ''Ce fist Peros de Neele, qui en trover tos s'escrevele''. Peros de Neele made this, who nearly broke down in tears while writing. This manuscript has sometimes been dated to 1288 because of a colophon to the copy of the ''Roman de Troie'' which it contains. This copy was finished in 1288 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arras
Arras ( , ; pcd, Aro; historical nl, Atrecht ) is the prefecture of the Pas-de-Calais Departments of France, department, which forms part of the regions of France, region of Hauts-de-France; before the regions of France#Reform and mergers of regions, reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of the Artois region, with a Baroque town square, Arras is in Northern France at the confluence of the rivers Scarpe (river), Scarpe and Crinchon. The Arras plain is on a large chalk plateau bordered on the north by the Marqueffles fault, on the southwest by the Artois and Ternois hills, and on the south by the slopes of Beaufort-Blavincourt. On the east it is connected to the Scarpe valley. Established during the Iron Age by the Gauls, the town of Arras was first known as ''Nemetocenna'', which is believed to have originated from the Celtic word ''nemeton'', meaning 'sacred space.' Saint Vedast (or St. Vaast) was the first Catholic bishop in the year 499 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeux Partis
The ''jeu-parti'' (plural ''jeux-partis'', also known as ''parture'') is a genre of French lyric poetry composed between two ''trouvères''. It is a cognate of the Occitan partimen (also known as ''partia'' or ''joc partit''). In the classic type, one poet poses a dilemma question in the opening stanza, his or her partner picks a side (the 'part') in the second stanza, which replicates the versification of the first and is sung to the same melody. Typically, the jeu-parti has six stanzas, with the two interlocutors alternating stanza by stanza. Many jeux-partis also have final partial stanzas in which one or both of the interlocutors appoint judges and call for judgement. The outcome, however, is virtually never given within the jeu-parti itself and would have been the subject of audience discussion after the jeu-parti's performance. The form was particularly associated with the Puy d'Arras. Over 200 examples survive, of which around 180 are in the classic form. Chief exponents ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan Bretel
Jehan Bretel (''c''.1210 – 1272) was a trouvère. Of his known oeuvre of probably 97 songs, 96 have survived. Judging by his contacts with other trouvères he was famous and popular. Seven works by other trouvères ( Jehan de Grieviler, Jehan Erart, Jaques le Vinier, Colart le Boutellier, and Mahieu de Gant) are dedicated to Bretel and he was for a time the "Prince" of the Puy d'Arras. Bretel held the hereditary post of sergeant at the Abbey of Saint Vaast in Arras, in which capacity he oversaw the rights of the abbacy on the river Scarpe. He is referred to as ''sergens iretavles de la riviere Saint-Vaast'' in a document of 1256. His father, Jehan, had held this same post from 1241 (at the latest) until his death in 1244. His grandfather, Jacques, was described as ''sergent héréditaire'' around the turn of the century, when there were eight such officials associated with the abbey. The trouvère and his brother were modestly wealthy property owners near Arras, where Jeha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colophon (publishing)
In publishing, a colophon () is a brief statement containing information about the publication of a book such as an "imprint" (the place of publication, the publisher, and the date of publication). A colophon may include the device (logo) of a printer or publisher. Colophons are traditionally printed at the ends of books (see History below for the origin of the word), but sometimes the same information appears elsewhere (when it may still be referred to as colophon) and many modern (post-1800) books bear this information on the title page or on the verso of the title-leaf, which is sometimes called a "biblio-page" or (when bearing copyright data) the " copyright-page". History The term ''colophon'' derives from the Late Latin ''colophōn'', from the Greek κολοφών (meaning "summit" or "finishing touch"). The term colophon was used in 1729 as the bibliographic explication at the end of the book by the English printer Samuel Palmer in his ''The General History of Printing, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman De Troie
(''The Romance of Troy'') by Benoît de Sainte-Maure, probably written between 1155 and 1160,Roberto Antonelli "The Birth of Criseyde - An Exemplary Triangle: 'Classical' Troilus and the Question of Love at the Anglo-Norman Court" in Boitani, P. (ed) ''The European Tragedy of Troilus'' (Oxford: Clarendon Press) 1989 pp.21-48. is a 30,000 line epic poem, a medieval retelling of the theme of the Trojan War. It inspired a body of literature in the genre called the , loosely assembled by the poet Jean Bodel as the Matter of Rome. The Trojan subject itself, for which de Sainte-Maure provided an impetus, is referred to as the Matter of Troy. ''Le Roman de Troie'' influenced the works of many in the West, including Chaucer and Shakespeare. In the East it was translated into Greek as ''The War of Troy'' (), by far the longest medieval Greek romance. Of medieval works on this subject, only Guido delle Colonne's ''Historia destructionis Troiae'' was adapted as frequently. Benoît's source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan Madot
Jehan is a male given name. It is the old orthography of Jean in Old French, and is rarely given anymore. It is also a variant of the Persian name Jahan in some South Asian languages. People with the given name Jehan * Jehan Adam (15th century), French mathematician * Jehan Titelouze (c. 1562/63–1633), French organist and composer * Jehan Alain (1911–1940), French organist and composer * Jehan Sadat (1933–2021), first lady of Egypt * Jahanara Begum (17th century), Indian royalty * Jehan Ara Saeed (1926–2007), radio newsreader * Jehan Cousin the younger (circa 1522-1595), French artist * Jehan Cauvin (1509–1564), French theologian * Jehan de Lescurel (died 1304), medieval poet and composer * Jehan de Waurin (died circa 1474), French chronicler * Jehan Fresneau (15th century), French composer * Jehan Frollo, a character in Victor Hugo's ''The Hunchback of Notre Dame'' * Jehan Georges Vibert (1840–1902), French academic painter * Jehan Mubarak (born 1981), American-bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
