Perizoma Group
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Perizoma Group
The term Perizoma Group describes a group of Attic black-figure vase painters and a type of vase. They were active approximately 520–510 BC. The group is named after the perizoma (loincloth) worn by many figures on vases painted by it, especially athletes, armed dancers and symposiasts. The group often painted '' stamnoi'', a vase shape introduced to Athens around 520 BC. The drawing style of the small group is considered as highly distinctive. Its figures, especially athletes, often appear rather weak. Apart from ''stamnoi'', they painted single-handled '' kantharoi'', resembling Etruscan shapes and likely aimed for export to that area. Bibliography * John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the Un ...: ''Attic Black-Figure Vase-Painters'', Oxford 1956, p. * John ...
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Stamnos With Chariot Races, Perizoma Group (Michigan Painter), Attic, C
A stamnos (plural stamnoi) is a type of Greek pottery used to store liquids. Stamnoi had a foot, wide mouths, lids and handles on their shoulders. The earliest known examples come from archaic Archaic is a period of time preceding a designated classical period, or something from an older period of time that is also not found or used currently: *List of archaeological periods **Archaic Sumerian language, spoken between 31st - 26th cent ... Laconia and Etruria, and they began to be manufactured in Athens around 530 BC. References Works cited * * External links {{AncientGreece-archaeology-stub Ancient Greek pot shapes ...
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Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ...
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Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ...
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Perizoma (loincloth)
Perizoma (from Greek language, Greek , from ''peri'' "around, about" and ''zoma'' "loin-cloth, drawers, band, belt") is a type of loincloth that originated with the Minoan civilization in Crete. Surviving depictions show it being worn by male and female acrobats (for example, in the ''Bull-Leaping Fresco''). A perizoma was possibly worn by Jesus during his crucifixion. It is a standard feature of the crucifixion in the arts. However, Roman custom was to crucify victims naked, and there is no evidence to suggest that Jesus was an exception. Perizoma was likely added by later artists to preserve modesty (see fig leaf) and first appeared in the 8th century. Aachen Cathedral claims to have the actual relic of the perizoma, preserved inside the Marienschrein reliquary. See also * Subligaculum * Kaupinam References {{reflist, refs= {{cite book , first=Larissa , last=Bonfante , title=Etruscan Dress , url=https://books.google.com/books?id=CILWtN-fSG8C&pg=PA19 , publisher=JHU Press , year ...
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Symposion
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's ''Symposium'' and Xenophon's ''Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a Greek ...
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Stamnos
A stamnos (plural stamnoi) is a type of Greek pottery Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exe ... used to store liquids. Stamnoi had a foot, wide mouths, lids and handles on their shoulders. The earliest known examples come from archaic Laconia and Etruria, and they began to be manufactured in Athens around 530 BC. References Works cited * * External links {{AncientGreece-archaeology-stub Ancient Greek pot shapes ...
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Athens
Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates and is the capital of the Attica region and is one of the world's oldest cities, with its recorded history spanning over 3,400 years and its earliest human presence beginning somewhere between the 11th and 7th millennia BC. Classical Athens was a powerful city-state. It was a centre for the arts, learning and philosophy, and the home of Plato's Academy and Aristotle's Lyceum. It is widely referred to as the cradle of Western civilization and the birthplace of democracy, largely because of its cultural and political influence on the European continent—particularly Ancient Rome. In modern times, Athens is a large cosmopolitan metropolis and central to economic, financial, industrial, maritime, political and cultural life in Gre ...
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Kantharos
A ''kantharos'' ( grc, κάνθαρος) or cantharus is a type of ancient Greek cup used for drinking. Although almost all surviving examples are in Greek pottery, the shape, like many Greek vessel types, probably originates in metalwork. In its iconic "Type A" form, it is characterized by its deep bowl, tall pedestal foot, and pair of high-swung handles which extend above the lip of the pot. The Greek words ''kotylos'' (κότῦλος, masculine) and ''kotyle'' (κοτύλη, feminine) are other ancient names for this same shape. The ''kantharos'' is a cup used to hold wine, possibly for drinking or for ritual use or offerings. The ''kantharos'' seems to be an attribute of Dionysos, the god of wine, who was associated with vegetation and fertility. As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection, the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man to t ...
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Etruscan Civilization
The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania. The earliest evidence of a culture that is identifiably Etruscan dates from about 900BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region. Etruscan civilization endured until it was assimilated into Roman society. Assimilation began in the late 4thcenturyBC as a result of the Roman–Etruscan Wars; it accelerated with the grant of Roman citizenship in 90 BC, and became complete in 27 BC, when the Etr ...
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John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ...
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John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ...
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