Pepe Ébano
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Pepe Ébano
José Luis Ganoza Barrionuevo (December 12, 1935 – July 8, 2022), known as Pepe Ébano, was a Peruvian-Spanish percussionist who accompanied the main figures of Spanish music. He was the lead percussionist, playing the Bongo on the single Entre dos aguas, a flamenco rumba created by guitarist Paco de Lucía and considered a flamenco masterpiece. He was one of the introducers of the Cajón in flamenco music. Biography José Luis Ganoza Barrionuevo, known as Pepe Ébano, was born in Lima, Peru on December 12, 1935, son of Valentina Barrionuevo, owner of "La Peña Valentina", in Lima, where he promoted Peruvian Creole music, and in his honor the dance contest "La Valentina de Oro" was organized. Pepe Ébano arrived in Spain in 1956 with singer Alberto Cortez 'El Original', who has played in the TVE orchestra and with the most important Spanish and Latin American musicians. He is mistakenly identified as 'José Sánchez' and is sometimes attributed with Cuban or Puerto Rican na ...
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Lima
Lima ( ; ), founded in 1535 as the Ciudad de los Reyes (, Spanish for "City of Biblical Magi, Kings"), is the capital and largest city of Peru. It is located in the valleys of the Chillón River, Chillón, Rímac River, Rímac and Lurín Rivers, in the desert zone of the central coastal part of the country, overlooking the Pacific Ocean. The city is considered the political, cultural, financial and commercial center of Peru. Due to its geostrategic importance, the Globalization and World Cities Research Network has categorized it as a "beta" tier city. Jurisdictionally, the metropolis extends mainly within the province of Lima and in a smaller portion, to the west, within the Constitutional Province of Callao, where the seaport and the Jorge Chávez Airport are located. Both provinces have regional autonomy since 2002. The 2023 census projection indicates that the city of Lima has an estimated population of 10,092,000 inhabitants, making it the List of cities in the Americas b ...
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La Leyenda Del Tiempo
''La leyenda del tiempo'' is the tenth album by Spanish flamenco singer Camarón de la Isla, and the first one not to feature his long-time collaborator, guitarist Paco de Lucía. It is regarded as a turning point in the history of flamenco, contributing to the popularization of ''nuevo flamenco'' (new flamenco). A commercial failure due to its departure from traditional flamenco, which "scandalised purists", the album has received widespread critical acclaim. Reception Upon release, the album divided the public "between partisans and critics of Camarón's new flamenco schemes". By the time of Camarón's death, the album began to garner universal critical acclaim. In his review for AllMusic, Don Snowden praised the album describing it as "a bona fide before/after landmark in the flamenco world". Both the title track and especially "Volando voy", a rumba composed by Kiko Veneno, are among Camarón's most popular songs. The album was included in Tom Moon's ''1,000 Recordings to Hear ...
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Peruvian Percussionists
Peruvians (''/peruanas'') are the citizens of Peru. What is now Peru has been inhabited for several millennia by cultures such as the Caral before the Spanish conquest in the 16th century. Peruvian population decreased from an estimated 5–9 million in the 1520s to around 600,000 in 1620 mainly because of infectious diseases carried by the Spanish. Spaniards and Africans arrived in large numbers in 1532 under colonial rule, mixing widely with each other and with Native Peruvians. During the Republic, there has been a gradual immigration of European people (especially from Spain and Italy, and to a lesser extent from Germany, France, Croatia, and the British Isles). Chinese and Japanese arrived in large numbers at the end of the 19th century. With 31.2 million inhabitants according to the 2017 Census. Peru is the fourth most populous country in South America. Its demographic growth rate declined from 2.6% to 1.6% between 1950 and 2000, and its population is expected to reach a ...
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Flamenco Musicians
Flamenco () is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, the term is used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' (The Moroccan Letters) by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of dances, and '' ...
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Catalan Rumba
The Catalan rumba (, ) is a genre of music that developed in Barcelona's Romani community beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian flamenco rumba, with influences from Cuban music and rock and roll. The Catalan rumba originated in the Romani communities in the Gràcia, ''carrer (street) de la Cera del Raval'' and Hostafrancs neighborhoods. The Romani community in those neighborhoods is long-established and bilingual in Catalan and were influenced by the heavy Andalusian immigration to Barcelona during this period. The genre is based in a fusion of Catalan-Andalusian flamenco singing and the Afro-Cuban claves. It is in time, and consists of vocalists and handclaps, accompanied by guitar, bongos, and güiro; later groups also incorporate timbales, conga drums, small percussion instruments, piano, wind instruments, electric bass, and electric keyboard. Among the most important early artists in the genre were Antonio González " ...
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Rosendo Mercado
Rosendo Mercado Ruiz (born 23 February 1954, Madrid, Spain) is a Spanish rock singer and songwriter. He was a member of bands Ñu and Leño, and is a prominent exponent of the so-called urban rock in Spain. Biography First steps His family was from Bolaños de Calatrava, in the province of Ciudad Real, but he was raised in Carabanchel, where he still resides (as of 2005). After dropping out of ICAI engineering school, he joined the band Fresa as a guitarist, in 1972. Fresa usually played covers of hits of the time, and sometimes they also backed other soloists and singers. Following some changes, including singer José Carlos Molina joining the band, this changed its name to Ñu. In 1974 Rosendo discovered Rory Gallagher's music, who became one of his main influences, together with other bands such as Jethro Tull, Canned Heat, Cream, Deep Purple and Black Sabbath. Leño period After being discharged from the compulsory military service in 1975, he took part in the ...
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Tito Duarte
Ernesto Duarte Hernández known as Tito Duarte (born Havana, Cuba, August 7, 1946 - died Córdoba, Spain, July 14, 2003), was a Cuban musician, instrumentalist and arranger. Artistic career Tito Duarte was the son of composer and director Ernesto Duarte Brito, who worked with artists such as Benny Moré and Celia Cruz, as well as working as a director in record companies in the middle of the 20th century. The Duartes left Cuba and settled in Madrid after Fidel Castro's revolution. His father worked for the RCA label, while he, who had already played with his father's orchestra in Cuba, revealed himself as an instrumentalist and arranger. Tito Duarte played percussions, sax, flutes, keyboards, bass, and was also an arranger for songs of various bands, such as Barrabás (founded by Fernando Arbex), and Miguel Ríos' band (''Concierto de Rock y Amor'', 1972). His musical interest led him to later share the stage with jazz musicians such as Carles Benavent, Josep Mas "Kitflus", J ...
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María Dolores Pradera
María Dolores Fernández Pradera (29 August 1924 – 28 May 2018) was a Spanish melodic singer and actress, and one of the most famous voices in Spain and Latin America. She started her career as an actress and during the 1950s she started singing professionally, eventually abandoning her career as an actress in the 1960s. She released more than 35 records. As a singer, she specialized in traditional Spanish and Latin American music: bolero, copla, ballad, ronda, vals, and folk music (Peruvian, Argentine, Mexican, and Venezuelan). Her contralto voice had a deep resonance and sure melodic footing which must stem from classical training. Her pronunciation was pure Castilian, and her music pure Latin American. She typically sang accompanied by guitars, requintos, and drums. She sang for close to 30 years with the same group, Los Gemelos, formed by twin brothers, Santiago and Julián López Hernández, until the death of Santiago in the early 1990s. Honours * Gold Medal of Me ...
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Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a '' lirico-spinto'' tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, including '' Simon Boccanegra''. As of 2020, he has performed 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platin ...
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Descanso Dominical
''Descanso dominical'' (Spanish for ''Sunday Break'') is the fifth studio album by Spanish pop band Mecano. It was released on May 24, 1988, in Spain and Spanish America, 1989 in Italy and 1990 in France under Ariola Records. This was the album that reaffirmed their stardom as worldwide artists. Before its release, this album was intended to be a 2-disc album due to the large amount of material, but that intent was cancelled. The album is also known in France as ''Une Femme Avec Une Femme'' and as ''Figlio della Luna'' in Italy. The title of the album was taken from a line in the fifth single " El blues del eslavo". After gaining success and global recognition with their fourth studio album '' Entre el Cielo y el Suelo'' (1986) with characterized ballads and low-rhythm songs that tell stories, Mecano changed their sound and recuperated their new wave textures from their first two records, ''Mecano'' and '' ¿Dónde está el país de las hadas?''. The album spawned 6 singles, " No ...
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Entre El Cielo Y El Suelo
''Entre el cielo y el suelo'' (Spanish for ''Between the Sky and the Ground'') is the fourth studio album by the Spanish synth-pop band Mecano, released on June 16, 1986 by Ariola. The album's title is taken from one of the lines of the single "Me cuesta tanto olvidarte". ''Entre el cielo y el suelo'' was the first studio album by the Spanish band to be released under the Ariola label after CBS cancelled their contracts due to the fear on the band's decreasing record selling. With the release of the singles "Ay qué pesado...", "Me cuesta tanto olvidarte", "Cruz de navajas" and "Hijo de la Luna" Mecano started to be recognized internationally in both sides of the western hemisphere. The first one receiving notably success in Hispanic America, while "Cruz de navajas" and "Hijo de La Luna" were better received in Europe; the latter one reaching the best positions of the chart in some countries. Nationally "Cruz de navajas" and "Hijo de la luna" did well both on selling and airplay ...
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Mecano
Mecano was a Spanish pop band formed in 1981 and active until 1992. Mecano became one of the most successful Spanish pop bands of all time. The band is still the best-selling Spanish band, with over 20 million records worldwide. They were considered by some to be avant-garde for their time and part of la Movida Madrileña countercultural movement. They had a brief comeback in 1998. The band's line-up consisted of singer Ana Torroja and brothers Nacho and José María Cano, who worked alongside session musicians such as Arturo Terriza, Manolo Aguilar, Nacho Mañó, Javier Quílez, Ángel Celada and Óscar Astruga. The trio's musical career spanned two distinct stages. The first, up to 1985, was essentially as a synthpop band, while in the second stage Mecano followed a more acoustic pop rock direction, with elements of ballad, dance, flamenco, bossa nova, tango, salsa, rumba flamenca, bolero, pasodoble, and even reggae. The unprecedented success also hit Hispanic America. ...
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