Peggy Rockman Napaljarri
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Peggy Rockman Napaljarri
Peggy Rockman Napaljarri (also known as Peggy Yalurrngali Rockman Napaljarri) (born c. 1940) is a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Born on what is now Tanami Downs pastoral station in the Northern Territory, she learned English when working as a child with a white mining family; Peggy Rockman and her family were subsequently relocated by government authorities to Lajamanu, a new community west of Tennant Creek. Peggy Rockman is one of the traditional owners of Tanami Downs. Since first learning painting through an adult education course in 1986, Peggy Rockman has painted particular ' dreamings', including Ngatijirri (budgerigar), Warna (snake), Laju and Ngarlu. Her work is in the collection of the National Gallery of Victoria and the Art Gallery of New South Wales. She has co-written ''Yimikirli: Warlpiri Dreamings and Histories'', a collection of texts in the Warlpiri language with English translations. Life Peggy Rockman was born ar ...
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Biddy Rockman Napaljarri
Biddy Rockman Napaljarri (born c. 1940) is a Walpiri-speaking Indigenous artist from Australia's Western Desert region. She has been painting since 1986, and her work is in the collection of the National Gallery of Victoria. Life Biddy Rockman Napaljarri is a Walpiri-speaking Indigenous artist from the Western Desert region. Biddy Rockman Napaljarri should not be confused with artist Biddy Napaljarri White (born 1952). ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. Thus 'Biddy Rockman' is the element of the artist's name that is specifically hers. Biddy was born circa 1940 in the area o ...
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Australian Broadcasting Corporation
The Australian Broadcasting Corporation (ABC) is the national broadcaster of Australia. It is principally funded by direct grants from the Australian Government and is administered by a government-appointed board. The ABC is a publicly-owned body that is politically independent and fully accountable, with its charter enshrined in legislation, the ''Australian Broadcasting Corporation Act 1983''. ABC Commercial, a profit-making division of the corporation, also helps to generate funding for content provision. The ABC was established as the Australian Broadcasting Commission on 1 July 1932 by an act of federal parliament. It effectively replaced the Australian Broadcasting Company, a private company established in 1924 to provide programming for A-class radio stations. The ABC was given statutory powers that reinforced its independence from the government and enhanced its news-gathering role. Modelled after the British Broadcasting Corporation (BBC), which is funded by a tel ...
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Australian Institute Of Aboriginal And Torres Strait Islander Studies
The Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS), established as the Australian Institute of Aboriginal Studies (AIAS) in 1964, is an independent Australian Government statutory authority. It is a collecting, publishing and research institute and is considered to be Australia's premier resource for information about the cultures and societies of Aboriginal and Torres Strait Islander peoples. The institute is a leader in ethical research and the handling of culturally sensitive material'Aboriginal and Torres Strait Islander Library, Information and Resource Network (ATSILIRN) Protocols for Libraries, Archives and Information Services', http://atsilirn.aiatsis.gov.au/protocols.php, retrieved 12 March 2015‘'AIATSIS Collection Development Policy 2013 – 2016'’, AIATSIS website, http://aiatsis.gov.au/sites/default/files/docs/about-us/collection-development-policy.pdf, retrieved 12 March 2015 and holds in its collections many unique and irrepla ...
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Lee Cataldi
Lee Cataldi (born 1942) is a contemporary Australian poet and linguist. Biography Cataldi was born in Sydney during World War II when, owing to her Italian heritage, she was technically an 'enemy alien'. As a child she lived in Hobart, moving back to Sydney for university. Cataldi has worked as a teacher and a linguist, on Indigenous Australian languages in Halls Creek, Alice Springs and Balgo. In the late sixties she travelled to Italy and England where she became a socialist, inspired by the May 1968 uprising in France. Cataldi's first book of poems, ''Invitation to a Marxist lesbian party'', was published in 1978, winning the Anne Elder Memorial Prize in that year. ''Women who live on the ground'' (1990) received the Human Rights and Equal Opportunity Commission Poetry Award; it was also short-listed for the New South Wales Premier's Literary Awards. ''Race against time'' (1998) won the 1999 Kenneth Slessor Prize for Poetry. In 1998 Cataldi travelled to Madras, India, for ...
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Budgerigar
The budgerigar ( ; ''Melopsittacus undulatus''), also known as the common parakeet or shell parakeet, is a small, long-tailed, seed-eating parrot usually nicknamed the budgie ( ), or in American English, the parakeet. Budgies are the only species in the genus ''Melopsittacus''. Naturally, the species is green and yellow with black, scalloped markings on the nape, back, and wings. Budgies are bred in captivity with colouring of blues, whites, yellows, greys, and even with small crests. Juveniles and chicks are monomorphic, while adults are told apart by their cere colouring, and their behaviour. The species is the only member of the genus ''Melopsittacus'', which is the only genus in the Melopsittacini tribe. The origin of the budgerigar's name is unclear. First recorded in 1805, budgerigars are popular pets around the world due to their small size, low cost, and ability to mimic human speech. They are likely the third most popular pet in the world, after the domesticated d ...
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Louisa Napaljarri
Louisa Lawson Napaljarri (Pupiya) (c. 1930–2001) was a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Louisa commenced painting at Lajamanu, Northern Territory in 1986. Her work is held by the National Gallery of Victoria. Life Louisa Lawson Napaljarri was born circa 1926 or 1931. The ambiguity around the year of birth is in part because Indigenous Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events. ' Napaljarri' (in Warlpiri) or 'Napaltjarri' (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans. Thus 'Louisa Lawson' is the e ...
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Technical And Further Education
Technical and further education or simply TAFE (), is the common name in English-speaking countries in Oceania for vocational education, as a subset of tertiary education. TAFE institutions provide a wide range of predominantly vocational courses. Individual TAFE institutions (usually with numerous campuses) are known as either colleges or institutes, depending on the country, state or territory. In Australia, where the term TAFE originated, institutions usually host qualifying courses, under the National Training System/Australian Qualifications Framework/Australian Quality Training Framework. Fields covered include business, finance, hospitality, tourism, construction, engineering, visual arts, information technology and community work. TAFE colleges are owned, operated and financed by the various state/territory governments. Qualifications awarded by TAFE colleges TAFE colleges award Australian Qualifications Framework (AQF) qualifications accredited in the Vocational ...
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Outstation Movement
An outstation, homeland or homeland community is a very small, often remote, permanent community of Aboriginal Australian people connected by kinship, on land that often, but not always, has social, cultural or economic significance to them, as traditional land. The outstation movement or homeland movement refers to the voluntary relocation of Aboriginal people from towns to these locations. The outstation movement A movement arose in the 1970s and continued through the 1980s which saw the creation of very small, remote settlements of Aboriginal people who relocated themselves from the towns and settlements where they had been settled by the government's policy of assimilation. It was "a move towards reclaiming autonomy and self-sufficiency". Also known as "homelands", the term "outstation" was adopted as it "suggests a dependent relationship between the outstation and the main homestead, but with a degree of separation". Outstations were created by Aboriginal people who "sought ...
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Papunya Tula
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as "dot painting". Credited with bringing contemporary Aboriginal art to world attention, its artists inspired many other Australian Aboriginal artists and styles. The company operates today out of Alice Springs and its artists are drawn from a large area, extending into Western Australia, west of Alice Springs. Background In the late 1960s, the Australian Government moved several different groups living in the Western Desert region to Papunya, north-west of Alice Springs in the Northern Territory, to remove them from cattle lands and assimilate them into western culture. These displaced groups were primarily Pintupi, Luritja, Walpiri, Arrernte, and Anmatyerre people ...
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Geoffrey Bardon
Geoffrey Robert Bardon AM (1940, Sydney – 6 May 2003) was an Australian school teacher who was instrumental in creating the Aboriginal art of the Western Desert movement. Bardon studied law for three years at the University of Sydney, before changing to study art education at the National Art School in Sydney, graduating in 1965. He taught art at various New South Wales country high schools before taking up a posting in 1971 to teach at the primary school at Papunya, a remote Aboriginal settlement 250 km west of Alice Springs. The 18 months of his tenure there saw the beginnings of the Western Desert Painting Movement. After encouraging the children to record their sand patterns in paint, he went on to encourage the adult men of the community to paint their Honey Ant Dreaming on the school wall, preserving their traditional Dreamings, or Tjukurpa, and stories in paint. Eric Michaels comments on this in his essay ''Bad Aboriginal Art'': "... irected by Bardon, ...
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Papunya
Papunya (Pintupi-Luritja: ''Warumpi'') is a small Indigenous Australian community roughly northwest of Alice Springs (Mparntwe) in the Northern Territory, Australia. It is known as an important centre for Contemporary Indigenous Australian art, in particular the style created by the Papunya Tula artists in the 1970s, referred to colloquially as dot painting. Its population in 2016 was 404. History Pintupi and Luritja people were forced off their traditional country in the 1930s and moved into Hermannsburg (Ntaria) and Haasts Bluff, where there were government ration depots. There were often tragic confrontations between these people, with their nomadic hunter-gathering lifestyle, and the cattlemen who were moving into the country and over-using the limited water supplies of the region for their cattle. The Australian Government built a water bore and some basic housing at Papunya in the 1950s to provide room for the increasing populations of people in the already-established A ...
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