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Papunya
Papunya (Pintupi-Luritja: ''Warumpi'') is a small Indigenous Australian community roughly northwest of Alice Springs (Mparntwe) in the Northern Territory, Australia. It is known as an important centre for Contemporary Indigenous Australian art, in particular the style created by the Papunya Tula artists in the 1970s, referred to colloquially as dot painting. Its population in 2016 was 404. History Pintupi and Luritja people were forced off their traditional country in the 1930s and moved into Hermannsburg (Ntaria) and Haasts Bluff, where there were government ration depots. There were often tragic confrontations between these people, with their nomadic hunter-gathering lifestyle, and the cattlemen who were moving into the country and over-using the limited water supplies of the region for their cattle. The Australian Government built a water bore and some basic housing at Papunya in the 1950s to provide room for the increasing populations of people in the already-established A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dot Painting
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as "dot painting". Credited with bringing contemporary Aboriginal art to world attention, its artists inspired many other Australian Aboriginal artists and styles. The company operates today out of Alice Springs and its artists are drawn from a large area, extending into Western Australia, west of Alice Springs. Background In the late 1960s, the Australian Government moved several different groups living in the Western Desert region to Papunya, north-west of Alice Springs in the Northern Territory, to remove them from cattle lands and assimilate them into western culture. These displaced groups were primarily Pintupi, Luritja, Walpiri, Arrernte, and Anmatyerre peoples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papunya Tula
Papunya Tula, registered as Papunya Tula Artists Pty Ltd, is an artist cooperative formed in 1972 in Papunya, Northern Territory, owned and operated by Aboriginal people from the Western Desert of Australia. The group is known for its innovative work with the Western Desert Art Movement, popularly referred to as "dot painting". Credited with bringing contemporary Aboriginal art to world attention, its artists inspired many other Australian Aboriginal artists and styles. The company operates today out of Alice Springs and its artists are drawn from a large area, extending into Western Australia, west of Alice Springs. Background In the late 1960s, the Australian Government moved several different groups living in the Western Desert region to Papunya, north-west of Alice Springs in the Northern Territory, to remove them from cattle lands and assimilate them into western culture. These displaced groups were primarily Pintupi, Luritja, Walpiri, Arrernte, and Anmatyerre people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Indigenous Australian Art
Contemporary Indigenous Australian art (also known as contemporary Aboriginal Australian art) is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west. Contemporary Indigenous artists ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Indigenous Australian Art
Contemporary Indigenous Australian art (also known as contemporary Aboriginal Australian art) is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west. Contemporary Indigenous artists ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaapa Tjampitjinpa
Kaapa Mbitjana Tjampitjinpa ( 1920 – 1989) was a contemporary Indigenous Australian artist of Anmatyerre, Warlpiri and Arrernte heritage. One of the earliest and most significant artists at Papunya in Australia's Northern Territory in the early 1970s, he was a founding member and inaugural chairman of the Papunya Tula artists company, and pivotal to the establishment of modern Indigenous Australian painting. Life Kaapa was born west of Napperby Station in the 1920s. His father was Kwalapa Tjangala, a senior Aboriginal man who had ritual responsibility for a site known as Warlugulong, which would subsequently be portrayed by several different artists in major paintings such as ''Warlugulong'' (1976) and ''Warlugulong'' (1977). Kaapa was initiated on Napperby Station, and was a stockman at nearby Mount Riddock Station. Kaapa later worked on a station at Haasts Bluff. While he moved to Papunya in the 1960s, he also was present during the town's construction in the late 1950s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warumpi Band
Warumpi Band () were an Australian country and Aboriginal rock group which formed in the outback settlement of Papunya, Northern Territory, in 1980. The original line-up was George Burarrwanga on vocals and didgeridoo, Gordon Butcher Tjapanangka on drums, his brother Sammy Butcher Tjapanangka on guitar and bass guitar, and Neil Murray on rhythm guitar and backing vocals. Their songs are in English, Luritja and Gumatj. Their key singles are " Jailanguru Pakarnu" (1983), "Blackfella/Whitefella" (1985), "Sit Down Money" (1986), " My Island Home" (1987) and "No Fear" (1987). The group released three albums, ''Big Name, No Blankets'' (1985), ''Go Bush!'' (1987) and ''Too Much Humbug'' (1996). From late 1987 to mid-1995 the group rarely performed as Murray focused on his solo career. In early 1995, Christine Anu (former backing singer in Murray's touring group, The Rainmakers), issued a cover version of "My Island Home". Warumpi Band regrouped before disbanding in 2000. Burarrwan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Stockman Tjapaltjarri
__NOTOC__ Billy Stockman Tjapaltjarri, (c. 1927, in Ilpitirri near Mount Denison,- September 2015) was one of Australia's best-known artists of the Western Desert Art Movement, Papunya Tula. Tjapaltjarri's mother was killed in the Coniston Massacre in the year 1928 and his father was away from the camp hunting and survived. Billy was raised on Napperby Station by his auntie, the mother of Clifford Possum Tjapaltjarri. In the 1960s he was working as a cook at Papunya when many of the Pintupi people were brought in from the west. Like Clifford, he began his artistic career carving wooden animals for the arts and crafts marketplace. He is credited with being one of the men who painted the Honey Ant Dreaming on the wall of the Papunya School at Geoff Bardon's request. He was, in the 1970s, one of the first chairmen of Papunya Tula Pty Ltd. Tjapaltjarri later moved west to Ilili, a pioneer in the country camp movement, although in his later years he has spent much time in Alice Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pintupi-Luritja
Pintupi () is an Australian Aboriginal language. It is one of the Wati languages of the large Pama–Nyungan family. It is one of the varieties of the Western Desert Language (WDL). Pintupi is a variety of the Western Desert Language spoken by indigenous people whose traditional lands are in the area between Lake Macdonald and Lake Mackay, stretching from Mount Liebig in the Northern Territory to Jupiter Well (west of Pollock Hills) in Western Australia. These people moved (or were forced to move) into the indigenous communities of Papunya and Haasts Bluff in the west of the Northern Territory in the 1940s–1980s. The last Pintupi people to leave their traditional lifestyle in the desert came into Kiwirrkura in 1984. Over recent decades they have moved back into their traditional country, setting up the communities of Kintore (in Pintupi known as ) in the Northern Territory, Kiwirrkura and Jupiter Well (in Pintupi ) in Western Australia. Children who were born in Papu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kintore, Northern Territory
Kintore (Pintupi: ''Walungurru'') is a remote settlement in the Kintore Range of the Northern Territory of Australia about west of Alice Springs and from the border with Western Australia. It is also known as Walungurru, Walangkura, and Walangura. History The Kintore Range was named by William Tietkens during his expedition of 1889 after the Governor of South Australia, Algernon Keith-Falconer, 9th Earl of Kintore. In 1979 and 1980 satisfactory water was found in four bores sunk at and near the Kintore Range. In mid-1981 an outstation (homeland) was established there and developed as a resource centre for camps elsewhere in the region, allowing the reoccupation of at least some of the Pintupi country. The community was founded in 1981, when many Pintupi people who lived in the community of Papunya (about from Alice Springs) became unhappy with their circumstances in what they saw as foreign country, and decided to move back to their own country, from which they had been for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pintupi
The Pintupi are an Australian Aboriginal group who are part of the Western Desert cultural group and whose traditional land is in the area west of Lake Macdonald and Lake Mackay in Western Australia. These people moved (or were moved) into the Aboriginal communities of Papunya and Haasts Bluff in the west of the Northern Territory in the 1940s–1980s. The last Pintupi to leave their traditional lifestyle in the desert, in 1984, are a group known as the Pintupi Nine, also sometimes called the "lost tribe". Over recent decades groups of Pintupi have moved back to their traditional country, as part of what has come to be called the outstation movement. These groups set up the communities of Kintore (''Walungurru'' in Pintupi) in the Northern Territory, Kiwirrkura and Jupiter Well (in Pintupi: ''Puntutjarrpa'') in Western Australia. There was also a recent dramatic increase in Pintupi populations and speakers of the Pintupi language. Country Pintupi lands, in Tindale's estimat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haasts Bluff
Haasts Bluff, also known as Ikuntji, is an Aboriginal Australian community in Central Australia, a region of the Northern Territory. The community is located in the MacDonnell Shire local government area, west of Alice Springs. At the 2006 census, the community, including outstations, had a population of 207. History The Haasts Bluff community takes its name from the nearby outcrop, given this name in 1872 by the explorer Ernest Giles, after the German-born New Zealand geologist, Julius von Haast. The locality was established as a Lutheran mission in 1946, and is home to Western Arrernte, Pintupi and Pitjantjatjara people. The term "Finke River Mission" was initially an alternative name for the Hermannsburg Mission, but this name was later often used to include the settlements at Haasts Bluff, Areyonga and, later, Papunya. It now refers to all Lutheran missionary activity in Central Australia since the first mission was established at Hermannsburg in 1877. Art A number of n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Possum Tjapaltjarri
Clifford Possum Tjapaltjarri AO (1932 – 21 June 2002) was an Australian painter, considered to be one of the most collected and renowned Australian Aboriginal artists. His paintings are held in galleries and collections in Australia and elsewhere, including the Art Gallery of New South Wales, the National Gallery of Australia, the Kelton Foundation and the Royal Collection. Life and painting Possum's father was Tjatjiti Tjungurrayai and his mother was Long Rose Nangala. After his father's death in the 1940s his mother married Gwoya Jungarai, better known as ''One Pound Jimmy'', whose image was used on a well known Australian postage stamp. His brother was Tim Leura Tjapaltjarri, whose artwork appeared on another stamp. His older brother Cassidy Possum Tjapaltjarri was a traditionalist who barely gone outside of the Yuelamu community and was one of the most respected elders till his passing in 2006, Clifford Possum Tjapaltjarri was the most famous of the contemporary arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
