Paul Owens (gospel Singer)
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Paul Owens (gospel Singer)
Paul Owens (July 27, 1924 – October 17, 2002) was one of the foremost artists in African American gospel music, performing with The Dixie Hummingbirds, the Swan Silvertones and the Sensational Nightingales. Born in Greensboro, North Carolina, he started as a soloist with the Israelite Gospel Singers, the Baystate Gospel Singers and the Evangelist Singers, then joined a group known as the Nightingales (later the Sensational Nightingales, which featured Julius "June Cheeks") before moving to the Hummingbirds in 1948. Paired with Ira Tucker, they adopted a daring style, which they called "trickeration", in which they would mix melisma with intricate harmonies, sharing the lead while often improvising phrases. Owens left the group in 1952 to join the Swan Silvertones, to whose aggressive shouting style he added the smooth harmonies and melodious tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice t ...
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African American
African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of enslaved Africans who are from the United States. While some Black immigrants or their children may also come to identify as African-American, the majority of first generation immigrants do not, preferring to identify with their nation of origin. African Americans constitute the second largest racial group in the U.S. after White Americans, as well as the third largest ethnic group after Hispanic and Latino Americans. Most African Americans are descendants of enslaved people within the boundaries of the present United States. On average, African Americans are of West/ Central African with some European descent; some also have Native American and other ancestry. According to U.S. Census Bureau data, African immigrants generally do not s ...
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Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ...
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The Dixie Hummingbirds
The Dixie Hummingbirds are an influential American gospel music group, spanning more than 80 years from the jubilee quartet style of the 1920s, through the "hard gospel" quartet style of gospel's golden age in the 1940s and 1950s, to the eclectic pop-tinged songs of today. The Hummingbirds inspired a number of imitators, such as Jackie Wilson and James Brown, who adapted the shouting style and enthusiastic showmanship of hard gospel to secular themes to help create soul music in the 1960s. History 1928–1938 The group formed in 1928 in Greenville, South Carolina, by James B. Davis and his classmate Barney Parks under the name the Sterling High School Quartet. After seeing the success of other quartet groups and realizing that there was not much work for African Americans in the South outside of low-paying labor jobs, the quartet decided to leave school and pursue their dream of being professional spiritual entertainers. By making this move, they had to change the name of th ...
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Swan Silvertones
The Swan Silvertones are an American gospel music group that first achieved popularity in the 1940s and 1950s under the leadership of Claude Jeter. Jeter formed the group in 1938 as the "Four Harmony Kings" while he was working as a coal miner in West Virginia, United States. After moving to Knoxville, Tennessee and obtaining their own radio show, the group changed its name to the Silvertone Singers in order to avoid confusion with another ensemble known as the "Four Kings of Harmony." They added the name Swan shortly thereafter, since Swan Bakeries sponsored their show. Their wide exposure through radio brought them a contract in 1946 with King Records. Career At this early stage, the Silvertones already embodied an amalgam of two styles: the close barbershop harmony that they had featured when starting out in West Virginia, and virtuoso leads supplied by Jeter and Solomon Womack. The group later lost Womack, but added Paul Owens in 1952 and Louis Johnson in 1955. Claude Jete ...
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Sensational Nightingales
The Sensational Nightingales are a traditional black gospel quartet that reached its peak of popularity in the 1950s, when it featured Julius Cheeks as its lead singer. The Nightingales, with several changes of membership, continue to tour and record. John Fogerty's goal for the line, "rollin', rollin', rollin' on the river", in the song "Proud Mary" was to evoke male gospel harmonies, as exemplified by groups such as the Swan Silvertones, the Sensational Nightingales, and the Five Blind Boys of Mississippi.Fogerty, John (2015). Fortunate Son: My Life, My Music', . Little, Brown. . Musical career The group was founded in 1942 by Barney Parks, who had formerly sung with the Dixie Hummingbirds The Dixie Hummingbirds are an influential American gospel music group, spanning more than 80 years from the jubilee quartet style of the 1920s, through the "hard gospel" quartet style of gospel's golden age in the 1940s and 1950s, to the eclecti .... Julius "June" Cheeks joined the grou ...
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Greensboro, North Carolina
Greensboro (; formerly Greensborough) is a city in and the county seat of Guilford County, North Carolina, United States. It is the third-most populous city in North Carolina after Charlotte and Raleigh, the 69th-most populous city in the United States, and the largest city in the Piedmont Triad metropolitan region. At the 2020 census, its population was 299,035. Three major interstate highways (Interstate 40, Interstate 85, and Interstate 73) in the Piedmont region of central North Carolina were built to intersect at this city. In 1808, Greensborough (the spelling before 1895) was planned around a central courthouse square to succeed Guilford Court House as the county seat. The county courts were thus placed closer to the county's geographical center, a location more easily reached at the time by the majority of the county's citizens, who traveled by horse or on foot. In 2003, the previous Greensboro–Winston-Salem– High Point metropolitan statistical area was redefin ...
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Julius Cheeks
Rev. Julius "June" Cheeks (August 7, 1929January 27, 1981) was an American gospel singer, who enjoyed the majority of his success with The Sensational Nightingales. Biography In 1954, he became a preacher but continued performing full-time until 1960. His children are Rae-Sheaun Cheeks, June Cheeks and his daughter is singer Judy Cheeks. Musical career Cheeks began singing in the second grade, quitting school to pick cotton and work service stations. He joined a local gospel group dubbed the Baronets and in 1946 he was spotted by the Rev. B.L. Parks, a former Dixie Hummingbird and tapped to join a group called the Nightingales. At the height of their popularity they cut several sides for Decca Records. To make ends meet Cheeks briefly joined the Soul Stirrers, rejoining the Nightingales during the early 1950s. During the 1950s, the Nightingales had a number of hits including "Somewhere to Lay My Head" and "The Last Mile of the Way". Due to popularity, they rechristened themsel ...
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Ira Tucker
Ira B. Tucker (May 17, 1925June 24, 2008) was the lead singer with the American gospel group The Dixie Hummingbirds. He was with The Dixie Hummingbirds for 70 years, from 1938, when he joined at the age of 13, until his death from cardiovascular disease on June 24, 2008. Ira is the father of Sundray Tucker, Ira Tucker Jr., and Lynda Laurence, formerly of The Supremes. Tucker – whose middle initial "stood for nothing" – was born in Spartanburg, South Carolina, and died in Philadelphia Philadelphia, often called Philly, is the List of municipalities in Pennsylvania#Municipalities, largest city in the Commonwealth (U.S. state), Commonwealth of Pennsylvania, the List of United States cities by population, sixth-largest city i .... References External links *CMT.com : Ira Tucker 1925 births 2008 deaths American gospel singers 20th-century American singers Musicians from Spartanburg, South Carolina {{US-singer-stub ...
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Melisma
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular music ...
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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