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Paul Delvaux
Paul Delvaux (; 23 September 1897 – 20 July 1994) was a Belgian painter noted for his dream-like scenes of women, classical architecture, trains and train stations, and skeletons, often in combination. He is often considered a surrealist, although he only briefly identified with the Surrealist movement. He was influenced by the works of Giorgio de Chirico and René Magritte, but developed his own fantastical subjects and hyper-realistic styling, combining the detailed classical beauty of academic painting with the bizarre juxtapositions of surrealism. Throughout his long career, Delvaux explored "Nude and skeleton, the clothed and the unclothed, male and female, desire and horror, eroticism and death – Delvaux's major anxieties in fact, and the greater themes of his later work ... Early life and education Delvaux was born on 23 September 1897 in Antheit (now part of Wanze) in the Belgian province of Liège. His parents lived in Brussels, but his mother went to her own mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Brussels Hoofdstedelijk Gewest), is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region (within which it forms an enclave) and the Walloon Region. Brussels is the most densely populated region in Belgium, and although it has the highest GDP per capita, it has the lowest available income per household. The Brussels Region covers , a relatively small area compared to the two other regions, and has a population of over 1.2 million. The five times larger metropolitan area of Brusse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Verne
Jules Gabriel Verne (;''Longman Pronunciation Dictionary''. ; 8 February 1828 – 24 March 1905) was a French novelist, poet, and playwright. His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the ''Voyages extraordinaires'', a series of bestselling adventure novels including ''Journey to the Center of the Earth'' (1864), ''Twenty Thousand Leagues Under the Seas'' (1870), and '' Around the World in Eighty Days'' (1872). His novels, always well documented, are generally set in the second half of the 19th century, taking into account the technological advances of the time. In addition to his novels, he wrote numerous plays, short stories, autobiographical accounts, poetry, songs and scientific, artistic and literary studies. His work has been adapted for film and television since the beginning of cinema, as well as for comic books, theater, opera, music and video games. Verne is considered to be an important author in France and most of Europe, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting '' The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Paul Delvaux
The Paul Delvaux Museum (french: Musée Paul Delvaux) is a private museum in Saint-Idesbald, Belgium, devoted to the life and works of the painter Paul Delvaux. It was established in 1982 by the Foundation Paul Delvaux and houses the world's largest collection of Delvaux's works. History In 1982, the Foundation Paul Delvaux took the initiative to establish the Paul Delvaux Museum, a private museum in Saint-Idesbald, Koksijde municipality, devoted to the painter Paul Delvaux (1897–1994). Delvaux had a personal connection to Saint-Idesbald and had built a house and studio in the style of a fishing cottage there in 1951. A driving force behind the museum was Delvaux's nephew Charles Van Deun, who on the foundation's behalf purchased Het Vlierhof, a former fisherman's cottage that had been enlarged into a hotel-restaurant. Transforming it into a museum took six weeks and the inauguration took place on 26 June 1982, with Delvaux and his wife Tam present. After Delvaux's death in July ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Art
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Delville
Jean Delville (19 January 1867 – 19 January 1953) was a Belgian people, Belgian symbolist painter, author, poet, polemicist, teacher, and Theosophist. Delville was the leading exponent of the Belgian Idealist movement in art during the 1890s. He held, throughout his life, the belief that art should be the expression of a higher spiritual truth and that it should be based on the principle of Ideal, or spiritual Beauty. He executed a great number of paintings during his active career from 1887 to the end of the second World War (many now lost or destroyed) expressing his Idealist aesthetic. Delville was trained at the ''Académie des Beaux-arts'' in Brussels and proved to be a highly precocious student, winning most of the prestigious competition prizes at the Academy while still a young student. He later won the Prix de Rome (Belgium), Belgian Prix de Rome which allowed him to travel to Rome and Florence and study at first hand the works of the artists of the Renaissance. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolist
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Bastien
Alfred Théodore Joseph Bastien (16 September 1873, in Ixelles – 7 June 1955, in Uccle) was a Belgian artist, academic, and soldier. He attended the Académie Royale des Beaux-Arts in Ghent, where he studied with Jean Delvin. He then enrolled in the Académie Royale des Beaux-Arts in Brussels, where he studied with Jean-François Portaels. He won the Prix Godecharle there in 1897. He traveled to Paris, where he enrolled in the École des Beaux-Arts in Paris. He was in Paris when hostilities broke out in what would become the First World War. War Artist In July/August 1918, Lieutenant Bastien was attached as a war artist to the Canadian 22nd Battalion.Some of the work he created in this period is part of the Beaverbrook Collection of War Art at the Canadian War Museum in Ottawa. In the Belgian Army, after serving in the 'Garde Civique' like many other Belgians, Bastien fled to Great Britain after the fall of Antwerp in October 1914 and despite his age (43) volunteered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puvis De Chavannes
Pierre Puvis de Chavannes (14 December 1824 – 24 October 1898) was a French painter known for his mural painting, who came to be known as "the painter for France". He became the co-founder and president of the Société Nationale des Beaux-Arts, and his work influenced many other artists, notably Robert Genin, and he aided medallists by designs and suggestions for their works. Puvis de Chavannes was a prominent painter in the early Third Republic. Émile Zola described his work as "an art made of reason, passion, and will". Early life and education Puvis de Chavannes was born Pierre-Cécile Puvis in a suburb of Lyon, France, on December 14, 1824. He was the son of a mining engineer and descended from an old noble family of Burgundy. He later added the ancestral "de Chavannes" to his name. Throughout his life, he spurned his Lyon origins, preferring to identify himself with the 'strong' blood of the Burgundians, where his father originated. Puvis de Chavannes was educat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constant Montald
Constant Montald (Ghent, 4 December 1862 – Brussels, 5 March 1944) was a Belgian painter, muralist, sculptor, and teacher. Biography Early years In 1874, while receiving an education in decorative painting at the technical school of Ghent during the day, Montald also enrolled in the evening-classes of the Royal Academy of Fine Arts in Ghent. There he won in 1885 a competition and received a grant from the city which enabled him to live and study briefly in Paris with fellow artist Henri Privat-Livemont at the École des Beaux-Arts. In Paris he painted his first monumental canvas, ''The Human Struggle'', a 5 by 10m canvas which he later donated to the city of Ghent. There, the work was displayed in the grand hall of the Palace of Justice. Since then it is on display on a wall of the hall of the Court of Appeal. In 1886, Montald went on to win the Belgian Prix de Rome for his work "Diagoras in triumph carried by his sons, victors of the Olympic Games of Ancient Greece". Mont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Courtens
Baron Franciscus Eduardus Maria (Franz) Courtens (1854–1943) was a Belgian painter. He was a leading figure in the Dendermonde School, famous for his paintings of nature and landscapes. An essay on him by Fernand Khnopff was published in '' The International Studio'' 34 (1908). Courtens was professor at the Royal Academy of Fine Arts ( NHISKA) in Antwerp from 1904 till 1924. He was a personal friend of Leopold II, who gave him the privilege of free access to the royal Parc of Laeken. Some of his paintings stil remain in the Royal collection. Family Since 1922, the family belongs to the Belgian nobility. Baron Franz Courtens:painter, member of Royal Academy of Science, Letters and Fine Arts of Belgium, 1904. ** Baron Hermann Courtens, (1884-1956): painter *** Baron Pierre Courtens, (1921-2004): artist *** Jacques Courtens, (1926-1988): painter ** Alfred Courtens, (1889-1967): sculptor ** Antoine Courtens, (1899-1969): architect, studied with Baron Victor Horta, File:D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspective Drawing
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
