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Paul Bilhaud
Paul Bilhaud (31 December 1854 – 8 January 1933) was a French playwright and librettist. An old friend of the author Alphonse Allais, he is remembered along his friend as a forerunner of minimalism with his painting ''Combat de nègres pendant la nuit'' ("(Battle of negroes during the night"), displayed for the first time in 1882, more than thirty years before the « ''Black Square'' » by Kazimir Malevich. Missing since 1882, this painting was found by expert Johann Naldi in 2017–2018 in a private collection. It has been classified as a National Treasure by the French state. However, Bilhaud was not the first to create an all-black artwork: for example, Robert Fludd published an image of "Darkness" in his 1617 book on the origin and structure of the cosmos; and Bertall published his black ''Vue de La Hogue (effet de nuit)'' in 1843.) Inspired by Bilhaud, Alphonse Allais proposed other monochrome paintings, published in his '' Album primo-avrilesque'' in 1897. Works Theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruère-Allichamps
Bruère-Allichamps () is a commune in the Cher department, Centre-Val de Loire, France. Geography An area of forestry, farming and a little light industry comprising the village and a couple of hamlets in the Cher valley south of Bourges at the junction of the D2144 with the D92 and D35 roads. The A71 autoroute runs through the northern part of the commune's territory. The village is one of seven places claiming to be the geographical centre of France (excluding Corsica and Overseas France). Population Sights * The abbey of Noirlac, dating from the twelfth century. * A stone marking the village as the geographic centre of France. * The twelfth century priory church of Saint-Étienne. * The Château de Châteaufer, built in 1670. See also *Communes of the Cher department The following is a list of the 287 communes of the Cher department of France. The communes cooperate in the following intercommunalities (as of 2020): [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Hennequin
Maurice Hennequin (10 December 1863 – 3 September 1926) was a French-naturalized Belgian playwright. Biography A great-grandson of the painter Philippe-Auguste Hennequin, Maurice Hennequin was the son of Alfred Hennequin (1842–1887), himself a playwright, who created a kind of vaudeville, with a complex plot but rigorously structured, nicknamed "hennequinade" The young Maurice began in the world of theater at the age of 19 in 1882, sometimes helped by his father during his early years. In a 45-year long career, he gave nearly a hundred plays, mostly comedies and vaudevilles, written either alone or in collaboration. Many of these works experienced vivid success, such as ''Le Système Ribadier'', written in collaboration with Georges Feydeau, or ''Vous n'avez rien à déclarer ?'', quoted by one character in the play ''A Flea in Her Ear'' by Feydeau, and twice adapted for film. Some of his plays even experienced real triumph, like ''Le Monsieur de cinq heures'' with 568 per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Pessard
Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a French composer. Pessard was born and died in Paris. He studied at the Conservatoire de Paris, where he won 1st prize in Harmony. In 1866 he won the Grand Prix de Rome with his cantata ''Dalila'' which was performed at the Paris Opera on February 21, 1867. From 1878 to 1880 he was inspector of singing at Paris Schools, in 1881 he became professor of Harmony at the Paris Conservatory. His students included Maurice Ravel, Jacques Ibert, William Molard, Albert Seitz and Justin Élie. After 1895 he was a critic and director. He composed many comic operas and operettas, as well as masses. Works *''Dalila'' (cantata, 1866) Prix de Rome.Annegret Fauser, Mark Everist ''Music, Theater, and Cultural Transfer: Paris, 1830-1914'' 2009 Page 136 "(Its final round required the contestants to compose a lyric scene, an unstaged mini-opera referred to as a cantata.) ... Théodore Dubois (1861), Charles Ferdinand Lenepveu ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lecocq (composer)
Alexandre Charles Lecocq (3 June 183224 October 1918) was a French composer, known for his opérettes and opéra comique, opéras comiques. He became the most prominent successor to Jacques Offenbach in this sphere, and enjoyed considerable success in the 1870s and early 1880s, before the changing musical fashions of the late 19th century made his style of composition less popular. His few serious works include the opera ''Plutus (opera), Plutus'' (1886), which was not a success, and the ballet ''Le Cygne (ballet), Le cygne'' (1899). His only piece to survive in the regular modern operatic repertory is his 1872 opéra comique ''La fille de Madame Angot'' (Mme Angot's Daughter). Others of his more than forty stage works receive occasional revivals. After study at the Conservatoire de Paris, Paris Conservatoire, Lecocq shared the first prize with Georges Bizet in an operetta-writing contest organised in 1856 by Offenbach. Lecocq's next successful composition was an opéra-bouffe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Banès
Antoine Banés, real name Antoine Anatole, (8 June 1856 – 9 January 1924) was a French composer of operettas and ballets. Biography Antoine Banes studied music under the direction of Émile Durand, professor of harmony at the Paris Conservatoire. Early on, he thought to appear in the theater. He enjoyed light music and represented various successful comic operas or operettas. After trying his hand in various musical pochades at the Eldorado, he represented works including, among others, ''la Nuit de noce'' (1881) ; ''les Délégués'' (1887) ; ''Toto'' (1892)... Main works Operas and operettas *1881: ''La Nuit de noce'' *1883: ''La Cadiguette'', operetta in 1 act, libretto by Louis Péricaud and Lemoine (Eldoradp) *1884: ''L'Escargot'', operetta in 1 act, libretto by Albert Barré and Paul Adely (Eldorado, 19 April) *1885: ''Les Délégués'', vaudeville-operetta in 3 acts, libretto by Fabrice Carré and Émile Blavet (Théâtre des Nouveautés, 28 November) *1892: ''Tot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Vaudeville
The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camélias'' by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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