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Pastoral Suite
The ''Pastoral Suite'' (in Swedish: ), Op. 19, is a three-movement suite for orchestra written in 1938 by Swedish composer Lars-Erik Larsson. The suite remains not only one of Larsson's most celebrated compositions, but also one of the most frequently performed pieces of Swedish art music. In particular, the Romance (No. 2) is often performed and recorded as a stand-alone concert piece. Background Beginning in 1937, the Swedish Broadcasting Corporation—the country's national, publicly-funded radio—employed Larsson as a composer-in-residence, music producer, and conductor; his main task was to write music to accompany various radio programs. One of Larsson's colleagues was the Swedish poet Hjalmar Gullberg, who had joined Swedish Radio the year before and headed its drama division. Together, the two men developed a genre of popular entertainment they called the "lyrical suite", which alternated recited poetry with musical interludes. Larsson's first commission of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lars-Erik Larsson
Lars-Erik Vilner Larsson (15 May 190827 December 1986) was a Swedish composer, conductor, radio producer, and educator. He wrote three of the most popular works (each a suite) in Swedish art music: ''A Winter's Tale'' (; 1937–1938), the ''Pastoral Suite'' (; 1938), and ''God in Disguise'' (; 1940). Other notable works by Larsson include three symphonies, a sinfonietta, and numerous concertante works. Biography Larsson was born in Åkarp in 1908, the son of a factory worker and a nurse. He studied with Ellberg at the Stockholm Conservatory (1925–1929) and with Alban Berg and Fritz Reuter in Vienna and Leipzig (1929–1930), then worked for Swedish Radio and taught at the Stockholm Conservatory (1947–1959) and Uppsala University, where he held the position as Director musices (1961–1966). His style as a composer is eclectic, ranging from the late Romantic to techniques derived from Arnold Schoenberg's twelve-note system, but original in method. He was the first Swede t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunnar Sjöberg
Gunnar Sjöberg (25 March 1909 – 8 June 1977) was a Swedish film actor. Selected filmography * '' Russian Flu'' (1937) - Delegat från Sundsvall (uncredited) * ''John Ericsson, Victor of Hampton Roads'' (1937) - Seaman * '' Styrman Karlssons flammor'' (1938) - Smuggler (uncredited) * ''A Woman's Face'' (1938) - Harald Berg * ''Variety Is the Spice of Life'' (1939) - Guest at the birthday party (uncredited) * ''Gläd dig i din ungdom'' (1939) - Helgo * '' Whalers'' (1939) - Tore, sailor (uncredited) * ''Emilie Högquist'' (1939) - Knut Almlöf * ''Stål'' (1940) - Lars Gouveng * ''June Night'' (1940) - Nils Asklund * '' With Open Arms'' (1940) - Lawyer (uncredited) * ''Gentlemannagangstern'' (1941) - Doctor (uncredited) * ''Landstormens lilla argbigga'' (1941) - Engineer * ''Första divisionen'' (1941) - Kapten Hansson * ''Goransson's Boy'' (1941) - Göran Bryhme, Pelle's father (uncredited) * ''Woman on Board'' (1941) - Blomqvist * '' Scanian Guerilla'' (1941) - Långe-Tuv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Section
The brass section of the orchestra, concert band, and jazz ensemble consist of brass instruments, and is one of the main sections in all three ensembles. The British-style brass band contains only brass and percussion instruments. They contain instruments given Hornbostel-Sachs classification 423 ( brass instruments). Orchestra The typical brass section of a modern orchestra is as follows: *4 French horns *2–3 Trumpets *2 Tenor trombones *1 Bass trombone *1 Tuba Concert band The brass section of the concert band is generally larger and more diverse than the brass section of the orchestra. The typical brass section of a concert band is as follows: *4–6 Trumpets and/or cornets *4 French horns *2–3 Tenor trombones *1 Bass trombone *2 Euphoniums and/or baritone horns *2 Tubas The brass instruments that are sometimes, but very rarely, used in the concert band: * Flugelhorn * Tenor (alto) Horn * Piccolo trumpet * Bass trumpet * Wagner tuba * Alto trombone * Contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassoon
The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet (or French) and Heckel (or German) systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodwind Section
The woodwind section, which consists of woodwind instruments, is one of the main sections of an orchestra or concert band. Woodwind sections contain instruments given Hornbostel-Sachs classifications of 421 ( edge-blown aerophones, commonly known as ''flutes'') and 422 (reed aerophones), but exclude 423 ( brass instruments, which have their own section.) Orchestra The woodwind section of a symphony orchestra typically includes flutes (sometimes with one doubling piccolo), oboes (sometimes with one doubling cor anglais), clarinets (sometimes with one doubling bass clarinet and/or another doubling E-flat clarinet), and bassoons (sometimes with one doubling contrabassoon).Apel, Willi, ed., ''Harvard Dictionary of Music'', Second Edition, pp. 604-5. The Belknap Press of Harvard University Press, Cambridge, Massachusetts, 1969. SBN 674375017. In the early part of the 20th century the woodwinds (as well as other sections) were often considerably expanded. For example, Mahler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Grosso
The concerto grosso (; Italian for ''big concert(o)'', plural ''concerti grossi'' ) is a form of baroque music in which the musical material is passed between a small group of soloists (the '' concertino'') and full orchestra (the ''ripieno'', ''tutti'' or ''concerto grosso''). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra. History The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of ten compositions published in Lucca in 1698. The first major composer to use the term ''concerto grosso'' was Arcangelo Corelli. After Corelli's death, a collection of twelve of his ''concerti grossi'' was published. Not long after, composers such as Francesco Geminiani, Pietro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism (music)
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music. In form and thematic technique, neoclassical music often drew inspiration from music of the 18th century, though the inspiring canon belonged as frequently to the Baroque and even earlier periods as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norrköping Symphony Orchestra
The Norrköping Symphony Orchestra ( sv, Norrköpings Symfoniorkester) is a Swedish professional symphony orchestra. It is based at the concert hall De Geerhallen, in the center of Norrköping. History The orchestra was founded in 1912, and currently consists of 85 musicians. The orchestra also performs several times a year in the nearby city of Linköping. Past principal conductors have included Herbert Blomstedt and Franz Welser-Möst. Michael Francis was the orchestra's most recent chief conductor, from 2012 to 2016. Past principal guest conductors have included Leif Segerstam (1995–1997), Daniel Harding, Josep Caballé-Domenech, and Stefan Solyom. In October 2019, the orchestra announced the appointment of Karl-Heinz Steffens as its next principal conductor and artistic advisor, effective with the 2020–2021 season. The orchestra has recorded for the BIS, CPO, Denon and Simax labels, including symphonies by Peterson-Berger, complete works for piano and orchestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mats Rondin
Mats Rondin (21 September 1960 – 11 October 2014) was a Swedish cellist and conductor. Rondin studied with Gunnar Norrby at the Royal College of Music in Stockholm and Erling Bengtsson Blöndal and Frans Helmerson at the Swedish Radio Music School in Edsbergsvägen. He gained a diploma in 1981 and studied further with William Pleeth in London. He also took lessons with Ralph Kirshbaum and Mstislav Rostropovich. Rondin appeared as a soloist with multiple Swedish symphony orchestras, but also with leading orchestras in Denmark, France, Germany, Czechoslovakia, Norway, Iceland, Italy and the Netherlands. He also appeared on numerous occasions on radio and television, including at the live TV concert that inaugurated the new concert hall in Malmö from 1982-1985, and was also a principal cellist in the Malmö Symphony Orchestra from 1985-1996, as well as the Swedish Radio Symphony Orchestra. From 2005 until his death in 2014, he was professor of cello at the Malmö Academy of Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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