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Parvo (camera)
The Parvo was a 35mm motion picture camera developed in France by André Debrie. The patent was registered in 1908 by his father, Joseph Dules Debrie. The camera was relatively compact for its time. It was hand-cranked, as were its predecessors. To aid the camera operator in cranking at the correct speed, the camera had a built in tachometer. The Parvo held up to of film inside without the need for an external film magazine, yielding almost 6 minutes of film when cranked at the standard 16 frames per second silent film rate. It allowed the camera operator to focus the camera lens but – as all other cine cameras of its era – had a side optical viewfinder to be used during actual filming. The Parvo was immensely popular in Europe during the silent film era, straight through the 1920s. Directors who relied on the camera included Dziga Vertov, Abel Gance, Leni Riefenstahl, and Sergei Eisenstein. The latter's cinematographer, Eduard Tisse, would use the camera into the sound er ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Debrie Parvo 35mm Movie Camera
Debrie was a French manufacturer of cinema cameras and projectors, founded in 1900. Joseph Jules Debrie and later his son André Debrie André Victor Léon Clément Debrie (28 January 1891 - 28 May 1967) was a French manufacturer of cinema cameras, and head of Debrie from 1919. He was the son of Joseph Jules Debrie, who founded La Société Debrie. The cameras quickly became one ... developed a range of cinema cameras and projectors, starting with the Parvo, which Joseph patented on 19 September 1908. André Debrie took over control of the company from 1919. References {{Reflist Manufacturing companies of France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastman. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Camera
A movie camera (also known as a film camera and cine-camera) is a type of photographic camera that rapidly takes a sequence of photographs, either on an image sensor or onto film stock, in order to produce a moving image to project onto a movie screen. In contrast to the still camera, which captures a single image at a time, by way of an intermittent mechanism, the movie camera takes a series of images; each image is a ''frame'' of film. The strips of frames are projected through a movie projector at a specific frame rate (number of frames per second) to show a moving picture. When projected at a given frame rate, the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture. History An interesting forerunner to the movie camera was the machine invented by Francis Ronalds at the Kew Observatory in 1845. A photosensitive surface was drawn slowly past the aperture diaphragm of the camera by a clockwork mechanism to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Debrie
André Victor Léon Clément Debrie (28 January 1891 - 28 May 1967) was a French manufacturer of cinema cameras, and head of Debrie from 1919. He was the son of Joseph Jules Debrie Joseph Jules Debrie was a French manufacturer of cinema camera and projectors, who founded Debrie. His 1908 Parvo of 1908 was considered to be state-of-the-art at the time. References 20th-century French inventors Cinema pioneers Frenc ..., who founded La Société Debrie. The cameras quickly became one of the most popular movie cameras used around the world. References {{DEFAULTSORT:Debrie, Andre 1891 births 1967 deaths French chief executives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Jules Debrie
Joseph Jules Debrie was a French manufacturer of cinema camera and projectors, who founded Debrie Debrie was a French manufacturer of cinema cameras and projectors, founded in 1900. Joseph Jules Debrie and later his son André Debrie developed a range of cinema cameras and projectors, starting with the Parvo (camera), Parvo, which Joseph pate .... His 1908 Parvo of 1908 was considered to be state-of-the-art at the time. References 20th-century French inventors Cinema pioneers French cinema pioneers Year of birth missing Year of death missing {{France-business-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tachometer
A tachometer (revolution-counter, tach, rev-counter, RPM gauge) is an instrument measuring the rotation speed of a shaft or disk, as in a motor or other machine. The device usually displays the revolutions per minute (RPM) on a calibrated analogue dial, but digital displays are increasingly common. The word comes from Greek ''τάχος'' (''táchos'' "speed") and ''μέτρον'' (''métron'' "measure"). Essentially the words tachometer and speedometer have identical meaning: a device that measures speed. It is by arbitrary convention that in the automotive world one is used for engine revolutions and the other for vehicle speed. In formal engineering nomenclature, more precise terms are used to distinguish the two. History The first tachometer was described by an Donkin in a paper to the Royal Society of Arts in 1810 for which he was awarded the Gold medal of the society. This consisted of a bowl of mercury constructed in such a way that centrifugal force caused the level ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dziga Vertov
Dziga Vertov (russian: Дзига Вертов, born David Abelevich Kaufman, russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; – 12 February 1954) was a Soviet Union, Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman. In the 2012 ''Sight & Sound'' poll, critics voted Vertov's ''Man with a Movie Camera'' (1929) the eighth-greatest film ever made. Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. Biography Early years Vertov was born David Abelevich Kaufman into a Jewish family in Białystok, Congress Poland, Poland, then a part of the Russian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abel Gance
Abel Gance (; born Abel Eugène Alexandre Péréthon; 25 October 188910 November 1981) was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: ''J'accuse'' (1919), ''La Roue'' (1923), and ''Napoléon'' (1927). Early life Born in Paris in 1889, Abel Gance was the illegitimate son of a prosperous doctor, Abel Flamant, and a working-class mother, Françoise Péréthon (or Perthon). Initially taking his mother's name, he was brought up until the age of eight by his maternal grandparents in the coal-mining town of Commentry in central France. He then returned to Paris to rejoin his mother, who had by then married Adolphe Gance, a chauffeur and mechanic, whose name Abel then adopted. Although he later fabricated the history of a brilliant school career and middle-class background, Gance left school at the age of 14, and the love of literature and art which sustained him throughout his l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leni Riefenstahl
Helene Bertha Amalie "Leni" Riefenstahl (; 22 August 1902 – 8 September 2003) was a German film director, photographer and actress known for her role in producing Nazi propaganda. A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film ''Mountain of Destiny'', she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, ''Das Blaue Licht'' ("The Blue Light"). In the 1930s, she directed the Nazi propaganda films ''Triumph des Willens'' ("Triumph of the Will") and '' Olympia'', resulting in worldwide attention and acclaim. The films are widely considered two of the most effective and technically innovative propaganda films ever made. Her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Eisenstein
Sergei Mikhailovich Eisenstein (russian: Сергей Михайлович Эйзенштейн, p=sʲɪrˈɡʲej mʲɪˈxajləvʲɪtɕ ɪjzʲɪnˈʂtʲejn, 2=Sergey Mikhaylovich Eyzenshteyn; 11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. He was a pioneer in the theory and practice of montage. He is noted in particular for his silent films ''Strike'' (1925), ''Battleship Potemkin'' (1925) and ''October'' (1928), as well as the historical epics ''Alexander Nevsky'' (1938) and ''Ivan the Terrible'' (1944, 1958). In its 2012 decennial poll, the magazine ''Sight & Sound'' named his ''Battleship Potemkin'' the 11th greatest film of all time. Early life Sergei Eisenstein was born on 22 January 1898 in Riga, Latvia (then part of the Russian Empire in the Governorate of Livonia), to a middle-class family. His family moved frequently in his early years, as Eisenstein continued to do throughout his life. His father, the architect Mikhail Osipov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Tisse
Eduard Kazimirovich Tisse (russian: Эдуа́рд Казими́рович Тиссэ́, lv, Eduards Tisē; 13 April 1897 – 18 November 1961) was a Soviet cinematographer. Early life and career He was born to an Estonian Swedish father and Russian mother in Liepāja; he grew up in Liepāja and studied both painting and photography. Tisse started his career as a newsreel cameraman working under difficult conditions. From 1916 to 1918, he worked as a military cameraman. In 1921, Tisse became a professor at Gerasimov Institute of Cinematography. His career did not take off until he worked with director Sergei Eisenstein on the film ''Strike''. Tisse would become Eisenstein's standard cinematographer for the next twenty years. Tisse, along with Eisenstein and Grigori Alexandrov went on a trip in 1929. They traveled to Europe and the United States with the intent of finding new sound equipment and creating connections between Hollywood and the Soviet film industry. Eisenste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
