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Debrie Parvo 35mm Movie Camera
Debrie was a French manufacturer of cinema cameras and projectors, founded in 1900. Joseph Jules Debrie and later his son André Debrie developed a range of cinema cameras and projectors, starting with the Parvo, which Joseph patented on 19 September 1908. André Debrie took over control of the company from 1919. References {{Reflist Manufacturing companies of France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Debrie Parvo 35mm Movie Camera
Debrie was a French manufacturer of cinema cameras and projectors, founded in 1900. Joseph Jules Debrie and later his son André Debrie developed a range of cinema cameras and projectors, starting with the Parvo, which Joseph patented on 19 September 1908. André Debrie took over control of the company from 1919. References {{Reflist Manufacturing companies of France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Jules Debrie
Joseph Jules Debrie was a French manufacturer of cinema camera and projectors, who founded Debrie. His 1908 Parvo of 1908 was considered to be state-of-the-art at the time. References 20th-century French inventors Cinema pioneers French cinema pioneers Year of birth missing Year of death missing {{France-business-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Debrie
André Victor Léon Clément Debrie (28 January 1891 - 28 May 1967) was a French manufacturer of cinema cameras, and head of Debrie from 1919. He was the son of Joseph Jules Debrie, who founded La Société Debrie. The cameras quickly became one of the most popular movie cameras used around the world. References {{DEFAULTSORT:Debrie, Andre 1891 births 1967 deaths French chief executives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvo (camera)
The Parvo was a 35mm motion picture camera developed in France by André Debrie. The patent was registered in 1908 by his father, Joseph Dules Debrie. The camera was relatively compact for its time. It was hand-cranked, as were its predecessors. To aid the camera operator in cranking at the correct speed, the camera had a built in tachometer. The Parvo held up to of film inside without the need for an external film magazine, yielding almost 6 minutes of film when cranked at the standard 16 frames per second silent film rate. It allowed the camera operator to focus the camera lens but – as all other cine cameras of its era – had a side optical viewfinder to be used during actual filming. The Parvo was immensely popular in Europe during the silent film era, straight through the 1920s. Directors who relied on the camera included Dziga Vertov, Abel Gance, Leni Riefenstahl, and Sergei Eisenstein. The latter's cinematographer, Eduard Tisse, would use the camera into the sound er ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
