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Parking Non-Stop
Parking Non-Stop (sometimes abbreviated to PN-S) is a north Wales based psychogeographical musical/artistic collective who experiment in combining soundscape and field recordings with spoken word and music. The group consist of the poet Zoë Skoulding and musicians Alan Holmes and Dewi Evans, often in collaboration with additional musicians and artists. Biography Since 1999 Zoë Skoulding, Alan Holmes and Dewi Evans have built up a body of work that explores the sonic geography of a wider Europe within the context of north Wales, where they live. The main focus of this work is a series of musical pieces that integrate field recordings they have made in various European locations with recordings made in their own home studios. These pieces generally combine an experimental soundscape approach with an aesthetic that encompasses both Europop and industrial minimalism. Their stated aim is "to achieve a distinctive north Wales sound that is based in discovering new spatial and te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglesey
Anglesey (; cy, (Ynys) Môn ) is an island off the north-west coast of Wales. It forms a principal area known as the Isle of Anglesey, that includes Holy Island across the narrow Cymyran Strait and some islets and skerries. Anglesey island, at , is the largest in Wales, the seventh largest in Britain, largest in the Irish Sea and second most populous there after the Isle of Man. Isle of Anglesey County Council administers , with a 2011 census population of 69,751, including 13,659 on Holy Island. The Menai Strait to the mainland is spanned by the Menai Suspension Bridge, designed by Thomas Telford in 1826, and the Britannia Bridge, built in 1850 and replaced in 1980. The largest town is Holyhead on Holy Island, whose ferry service with Ireland handles over two million passengers a year. The next largest is Llangefni, the county council seat. From 1974 to 1996 Anglesey was part of Gwynedd. Most full-time residents are habitual Welsh speakers. The Welsh name Ynys M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Europop
Europop (also spelled Euro pop) is a style of pop music that originated in Europe during the mid-to-late 1960s and developed to today's form throughout the late 1970s. Europop topped the charts throughout the 1980s and 1990s, with revivals and moderate degrees of appreciation also in the 2000s and the 2010s. History During the 1970s and early 1980s, such groups were primarily popular in Continental Europe, continental countries, with the exception of ABBA (1972–1983).ABBA The History', Billboard, 8 September 1979. Retrieved 3 June 2022 The Swedish four-person band achieved great success in the UK, where they scored twenty top 10 singles and nine chart-topping albums, and in North America and Australia. In the late 1980s and early 1990s Europop became very popular. Throughout the late 1990s and early 2000s, the Italian dance group Eiffel 65 were highly active in this genre. In the 2000s, one of the most popular representatives of Europop music was Swedish pop group Alcazar (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Herbert
Matthew Herbert (born 1972), also known as Herbert, Doctor Rockit, Radio Boy, Mr. Vertigo, Transformer, and Wishmountain, is a British electronic musician. He often takes sounds from everyday items to produce electronic music. Career Matthew Herbert released his first album, ''100 Lbs'', in 1996, which “gathers early 12″s from a time when Herbert was very much a ‘dance music’ producer”. In 1998, Herbert issued ''Around the House'' with Dani Siciliano, which mixed dance beats, sounds generated by everyday kitchen objects, and vocals. By the late 90's, Herbert was remixing tracks for dance artists like Moloko, Motorbass, Alter Ego, and others. (Many of these were later collected on ''Secondhand Sounds: Herbert Remixes''.) He also recorded singles, EPs, and albums under a variety of aliases (Doctor Rockit, Radio Boy, Mr. Vertigo, and Transformer) as well as his own name. In 2001, Herbert issued '' Bodily Functions''. Similar in structure to ''Around the House,'' it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The KLF
The KLF (also known as the Justified Ancients of Mu Mu, the JAMs, the Timelords and other names) are a British electronic band formed in London in 1987. Bill Drummond (alias King Boy D) and Jimmy Cauty (alias Rockman Rock) began by releasing hip hop-inspired and sample-heavy records as the JAMs. As the Timelords, they recorded the British number-one single "Doctorin' the Tardis", and documented the process of making a hit record in a book '' The Manual (How to Have a Number One the Easy Way)''. As the KLF, Drummond and Cauty pioneered stadium house (rave music with a pop-rock production and sampled crowd noise) and, with their 1990 LP ''Chill Out'', the ambient house genre. The KLF released a series of international hits on their own KLF Communications record label and became the biggest selling singles act in the world in 1991. From the outset, the KLF adopted the philosophy espoused by esoteric novels ''The Illuminatus! Trilogy'', making anarchic situationist manifestatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Throbbing Gristle
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter (British musician), Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition ''Prostitution'', and released their debut single "United/Zyklon B Zombie" and debut album ''The Second Annual Report'' the following year. Lyrical themes mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language. The band released several subsequent studio and live albums—including ''D.o.A: The Third and Final Report of Throbbing Gristle'' (1978), ''20 Jazz Funk Greats'' (1979), and ''Heathen Earth'' (1980)—on their own record label Industrial Records, buildin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast (band)
Broadcast were an English indietronica band formed in Birmingham in 1995 by Trish Keenan (vocals, keyboards, guitar) and James Cargill (bass). Their musical style blended elements of 1960s psychedelia with early electronic music and samples from esoteric sources; it earned the band a cult following. Broadcast released three studio albums—''The Noise Made by People'' (2000), '' Haha Sound'' (2003), and '' Tender Buttons'' (2005)—on Warp Records, as well as several EPs and a collaborative album with the Focus Group titled ''Broadcast and The Focus Group Investigate Witch Cults of the Radio Age'' (2009). Their final release was the soundtrack album ''Berberian Sound Studio'' (2013). Aside from founding members Keenan and Cargill, Broadcast experienced regular lineup changes. The band has included Roj Stevens (keyboards), Tim Felton (guitar), and Steve Perkins (drums). Keith York, Phil Jenkins, Jeremy Barnes, Neil Bullock and Ash Sheehan have also featured in the band as tou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereolab
Stereolab are an Anglo- French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier, the group's music combines influences from krautrock, lounge and 1960s pop music, often incorporating a repetitive motorik beat with heavy use of vintage electronic keyboards and female vocals sung in English and French. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist movements. On stage, they play in a more feedback-driven and guitar-oriented style. The band also draw from funk, jazz and Brazilian music, and were one of the first artists to be dubbed "post-rock". They are regarded among the most innovative and influential groups of the 1990s. Stereolab were formed by Gane (guitar and keyboards) and Sadier (vocals, keyboards and guitar) after the break-up of McCarthy. The two were romantically involved for fourteen years and are the group's only consistent members. Other longtime members included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with ... that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, avant-garde music, avant-garde composition, and electronic music, among other eclectic sources. These artists incorporated hypnotic rhythms, extended musical improvisation, improvisation, musique concrète techniques, and early synthesizers, while generally moving away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can (band), Can, Faust (band), Faust, Tangerine Dream, Kraftwerk, Cluster (band), Cluster, Ash Ra Tempel, Pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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