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Paris (actor Under Domitian)
Paris was an actor in Rome in the 1st century AD. Born in Egypt, he came to Rome in the reign of Domitian, where his skills as a pantomimus won him popular favour, noblewomen as lovers, influence within the imperial court and the power to promote his favourites within the court. That influence would seem to be demonstrated by the story of Juvenal's banishment to Egypt for attacking Paris. His affair with Domitian's wife Domitia Longina led Domitian to divorce her and murder Paris, and even to kill one of Paris' pupils merely for looking like Paris and ordinary people for mourning Paris' death by placing flowers and perfumes on the site where he was murdered. Martial composed ''Epigram'' xi.13 in Paris' honour, calling him ''sales Nili'' (wit of the Nile) and ''Romani decus et dolor theatri'' (ornament and grief of the Roman theatre-world). He is also recorded in Juv. vi.82-87"When Eppia, the senator's wife, ran off with a gladiator to Pharos and the Nile and the ill-famed city ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucius Domitius Paris
Paris was a slave of Domitia Lepida Minor who became wealthy enough to buy his freedom from her, adding her praenomen and cognomen to his own name to make his citizen name Lucius Domitius Paris. In return, she influenced him via Atimetus (another of her freedmen) to use his favour with Nero Nero Claudius Caesar Augustus Germanicus ( ; born Lucius Domitius Ahenobarbus; 15 December AD 37 – 9 June AD 68), was the fifth Roman emperor and final emperor of the Julio-Claudian dynasty, reigning from AD 54 un ... himself to convince him of her fabrication that his influential and popular mother Agrippina was plotting to depose him. However, Paris stood so high in the theatre-loving Nero's favour that, even when the plot failed, he alone among the conspirators was not punished and was even declared freeborn (''ingenuus'') by the emperor soon afterwards, forcing Domitia to hand back the sum she had accepted to free him. However, Nero later saw Paris as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domitian
Domitian (; la, Domitianus; 24 October 51 – 18 September 96) was a Roman emperor who reigned from 81 to 96. The son of Vespasian and the younger brother of Titus, his two predecessors on the throne, he was the last member of the Flavian dynasty. Described as "a ruthless but efficient autocrat", his authoritarian style of ruling put him at sharp odds with the Senate, whose powers he drastically curtailed. Domitian had a minor and largely ceremonial role during the reigns of his father and brother. After the death of his brother, Domitian was declared emperor by the Praetorian Guard. His 15-year reign was the longest since that of Tiberius. As emperor, Domitian strengthened the economy by revaluing the Roman coinage, expanded the border defenses of the empire, and initiated a massive building program to restore the damaged city of Rome. Significant wars were fought in Britain, where his general Agricola attempted to conquer Caledonia (Scotland), and in Dacia, where Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantomimus
A mime artist, or simply mime (from Greek , , "imitator, actor"), is a person who uses ''mime'' (also called ''pantomime'' outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound. Jacques Copeau, strongly influenced by Commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juvenal
Decimus Junius Juvenalis (), known in English as Juvenal ( ), was a Roman poet active in the late first and early second century CE. He is the author of the collection of satirical poems known as the ''Satires''. The details of Juvenal's life are unclear, although references within his text to known persons of the late first and early second centuries CE fix his earliest date of composition. One recent scholar argues that his first book was published in 100 or 101. A reference to a political figure dates his fifth and final surviving book to sometime after 127. Juvenal wrote at least 16 poems in the verse form dactylic hexameter. These poems cover a range of Roman topics. This follows Lucilius—the originator of the Roman satire genre, and it fits within a poetic tradition that also includes Horace and Persius. The ''Satires'' are a vital source for the study of ancient Rome from a number of perspectives, although their comic mode of expression makes it problematic to acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna
Fortuna ( la, Fortūna, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La eafortuna è cieca" ( latin ''Fortuna caeca est''; "Luck oddessis blind"). Fortuna is often depicted with a gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a balance. Fortuna came to represent life's capriciousne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domitia Longina
Domitia Longina ( 50–55 – 126–130s AD) was a Roman empress and wife to the Roman emperor Domitian. She was the youngest daughter of the general and consul Gnaeus Domitius Corbulo. Domitia divorced her first husband, Lucius Aelius Lamia Plautius Aelianus in order to marry Domitian in AD 71. The marriage produced only one son, whose early death is believed to have been the cause of a temporary rift between Domitia and her husband in 83. She became the empress upon Domitian's accession in 81, and remained so until his assassination in 96. She is believed to have died sometime between AD 126 and 130. Early life Born sometime between the years 50 and 55, Domitia Longina was the second daughter of Gnaeus Domitius Corbulo and Cassia Longina. Through her mother she was descended from Augustus, the first Roman emperor, and her paternal aunt Milonia Caesonia, wife of Caligula. Her father, Corbulo, was one of Rome's most esteemed citizens, both in the Roman Senate and the army. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial
Marcus Valerius Martialis (known in English as Martial ; March, between 38 and 41 AD – between 102 and 104 AD) was a Roman poet from Hispania (modern Spain) best known for his twelve books of ''Epigrams'', published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan. In these short, witty poems he cheerfully satirises city life and the scandalous activities of his acquaintances, and romanticises his provincial upbringing. He wrote a total of 1,561 epigrams, of which 1,235 are in elegiac couplets. Martial has been called the greatest Latin epigrammatist, and is considered the creator of the modern epigram. Early life Knowledge of his origins and early life are derived almost entirely from his works, which can be more or less dated according to the well-known events to which they refer. In Book X of his ''Epigrams'', composed between 95 and 98, he mentions celebrating his fifty-seventh birthday; hence he was born during March 38, 39, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire 6
Satire VI is the most famous of the sixteen ''Satires'' by the Roman author Juvenal written in the late 1st or early 2nd century. In English translation, this satire is often titled something in the vein of ''Against Women'' due to the most obvious reading of its content. It enjoyed significant social currency from late antiquity to the early modern period, being read as a proof-text for a wide array of misogynistic beliefs. Its current significance rests in its role as a crucial body of evidence on Roman conceptions of gender and sexuality. The overarching theme of the poem is a dissuasion of the addressee Postumus from marriage; the narrator uses a series of acidic vignettes on the degraded state of (predominantly female) morality to bolster his argument. At c. 695 lines of Latin hexameter, this satire is nearly twice the length of the next largest of the author's sixteen known satires; ''Satire VI'' alone composes Book II of Juvenal's five books of satire. ''Satir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His finely plotted plays, including ''A New Way to Pay Old Debts'', ''The City Madam'', and '' The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Roman Actor
''The Roman Actor'' is a Caroline era stage play, a tragedy written by Philip Massinger. It was first performed in 1626, and first published in 1629. A number of critics have agreed with its author, and judged it one of Massinger's best plays. Performance The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 11 October 1626, and performed later that year by the King's Men at the Blackfriars Theatre. Joseph Taylor, then the company's leading man, played the role of Paris, the title character. There is no record of another production of the play till 1692, when Thomas Betterton played Paris in a production by the United Company. The play was performed again in 1722 at Lincoln's Inn Fields. After that date the complete play fell out of fashion, though many actors, starting with John Philip Kemble in 1781, performed Paris's defense of the acting profession in Act I, scene 3 "as a short dramatic show-piece". Kemble also cut Massinger's text down t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Roman Actors
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
