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Parables Of Jesus
The parables of Jesus are found in the Synoptic Gospels and some of the non-canonical gospels. They form approximately one third of his recorded teachings. Christians place great emphasis on these parables, which they generally regard as the words of Jesus. Jesus's parables are seemingly simple and memorable stories, often with imagery, and all teach a lesson in our daily lives. Scholars have commented that although these parables seem simple, the messages they convey are deep, and central to the teachings of Jesus. Christian authors view them not as mere similitudes that serve the purpose of illustration, but as internal analogies in which nature becomes a witness for the spiritual world. Many of Jesus's parables refer to simple everyday things, such as a woman baking bread (the parable of the Leaven), a man knocking on his neighbor's door at night (the parable of the Friend at Night), or the aftermath of a roadside mugging (the parable of the Good Samaritan); yet they deal ...
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Guercino Return Of The Prodigal Son
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia-Romagna, Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being Strabismus, cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun ''wikt:guercio, guercio'', meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School (painting), Bolognese School. An early commission was for the ...
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Dream
A dream is a succession of images, ideas, emotions, and sensations that usually occur involuntarily in the mind during certain stages of sleep. Humans spend about two hours dreaming per night, and each dream lasts around 5 to 20 minutes, although the dreamer may perceive the dream as being much longer than this. The content and function of dreams have been topics of scientific, philosophical and religious interest throughout recorded history. Dream interpretation, practiced by the Babylonians in the third millennium BCE and even earlier by the ancient Sumerians, figures prominently in religious texts in several traditions, and has played a lead role in psychotherapy. The scientific study of dreams is called oneirology. Most modern dream study focuses on the neurophysiology of dreams and on proposing and testing hypotheses regarding dream function. It is not known where in the brain dreams originate, if there is a single origin for dreams or if multiple regions of the brain are i ...
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Gospel Of Matthew
The Gospel of Matthew), or simply Matthew. It is most commonly abbreviated as "Matt." is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells how Israel's Messiah, Jesus, comes to his people and forms a community of disciples, of how he taught the people through such events as the Sermon on the Mount and its Beatitudes, and how Israel becomes divided and how Jesus condemns this hostile Israel. This culminates in his departure from the Temple and his execution. At this point many people reject Jesus, and on his resurrection he sends the disciples to the gentiles. Matthew seems to emphasize that the Jewish tradition should not be lost in a church that was increasingly becoming gentile. The gospel reflects the struggles and conflicts between the evangelist's community and the other Jews, particularly with its sharp criticism of the scribes and Pharisees with the position that through their rejection of Christ, the Kingdom of God h ...
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Gospel Of Luke
The Gospel of Luke), or simply Luke (which is also its most common form of abbreviation). tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus Christ. Together with the Acts of the Apostles, it makes up a two-volume work which scholars call Luke–Acts, accounting for 27.5% of the New Testament. The combined work divides the history of first-century Christianity into three stages, with the gospel making up the first two of these – the life of Jesus the Messiah from his birth to the beginning of his mission in the meeting with John the Baptist, followed by his ministry with events such as the Sermon on the Plain and its Beatitudes, and his Passion, death, and resurrection. Most modern scholars agree that the main sources used for Luke were a), the Gospel of Mark, b), a hypothetical sayings collection called the Q source, and c), material found in no other gospels, often referred to as the L (for Luke) source. The author is anonymous; the tr ...
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Catholic Encyclopedia
The ''Catholic Encyclopedia: An International Work of Reference on the Constitution, Doctrine, Discipline, and History of the Catholic Church'' (also referred to as the ''Old Catholic Encyclopedia'' and the ''Original Catholic Encyclopedia'') is an English-language encyclopedia published in the United States and designed to serve the Catholic Church. The first volume appeared in March 1907 and the last three volumes appeared in 1912, followed by a master index volume in 1914 and later supplementary volumes. It was designed "to give its readers full and authoritative information on the entire cycle of Catholic interests, action and doctrine". The ''Catholic Encyclopedia'' was published by the Robert Appleton Company (RAC), a publishing company incorporated at New York in February 1905 for the express purpose of publishing the encyclopedia. The five members of the encyclopedia's Editorial Board also served as the directors of the company. In 1912 the company's name was changed to ...
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Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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Good Shepherd
The Good Shepherd ( el, ποιμὴν ὁ καλός, ''poimḗn ho kalós'') is an image used in the pericope of , in which Jesus Christ is depicted as the Good Shepherd who lays down his life for his sheep. Similar imagery is used in Psalm 23 and Ezekiel 34:11–16. The Good Shepherd is also discussed in the other gospels, the Epistle to the Hebrews, the First Epistle of Peter and the Book of Revelation. Biblical references In the Gospel of John, Jesus states "I am the good shepherd" in two verses, and . This passage is one of several sections of John's Gospel which generate division among Jews. Jesus Christ is also compared to a shepherd in , , , , , , , , , , and . Parable or metaphor? Several authors such as Barbara Reid, Arland Hultgren or Donald Griggs comment that "parables are noticeably absent from the Gospel of John". According to the ''Catholic Encyclopedia'' article on Parables: "There are no parables in St. John's Gospel" and according to the ''Encyclopædia ...
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Gospel Of John
The Gospel of John ( grc, Εὐαγγέλιον κατὰ Ἰωάννην, translit=Euangélion katà Iōánnēn) is the fourth of the four canonical gospels. It contains a highly schematic account of the ministry of Jesus, with seven "signs" culminating in the raising of Lazarus (foreshadowing the resurrection of Jesus) and seven "I am" discourses (concerned with issues of the Split of early Christianity and Judaism, church–synagogue debate at the time of composition) culminating in Doubting Thomas, Thomas' proclamation of the risen Jesus as "my Lord and my God". The gospel's concluding verses set out its purpose, "that you may believe that Jesus is the Christ, the Son of God, and that believing you may have life in his name." John reached its final form around AD 90–110, although it contains signs of origins dating back to AD 70 and possibly even earlier. Like the three other gospels, it is anonymous, although it identifies an unnamed "disciple whom Jesus loved" as t ...
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Synoptic Gospels
The gospels of Gospel of Matthew, Matthew, Gospel of Mark, Mark, and Gospel of Luke, Luke are referred to as the synoptic Gospels because they include many of the same stories, often in a similar sequence and in similar or sometimes identical wording. They stand in contrast to Gospel of John, John, whose content is largely distinct. The term ''synoptic'' ( la, synopticus; ) comes via Latin from the Greek , ''synopsis'', i.e. "(a) seeing all together, synopsis"; the sense of the word in English, the one specifically applied to these three gospels, of "giving an account of the events from the same point of view or under the same general aspect" is a modern one. , , , , , . This strong Parallel passage, parallelism among the three gospels in content, arrangement, and specific language is widely attributed to literary interdependence. The question of the precise nature of their literary relationship—the #The synoptic problem, synoptic problem—has been a topic of lively deba ...
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Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different" ...
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Tertium Comparationis
''Tertium comparationis'' (Latin for "the third artof the comparison") is the quality that two things which are being compared have in common. It is the point of comparison which prompted the author of the comparison in question to liken someone or something to someone or something else in the first place. If a comparison visualizes an action, state, quality, object, or a person by means of a parallel which is drawn to a different entity, the two things which are being compared do not necessarily have to be identical. However, they must possess at least one quality in common. This common quality has traditionally been referred to as ''tertium comparationis''. The most common devices used to achieve this are metaphors and similes, especially, but by no means exclusively, in poetic language. In many cases one aspect of the comparison is implied rather than made explicit. The New Testament scholar, Adolf Jülicher, applied the concept of tertium comparationis to the parables of Jes ...
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Adolf Jülicher
Adolf Jülicher (26 January 1857 – 2 August 1938) was a German scholar and biblical exegete. Specifically, he was the Professor of Church History and New Testament Exegesis, at the University of Marburg. He was born in Falkenberg near Berlin and died in Marburg. Jülicher differentiated between Jesus' parables and allegories. His "one-point' analysis identified parables as having a single point of reference to the real world, rather than several, as in an allegory. His approach has not held up completely to later research, but it remains foundational to all investigations of parables and allegories. Ideas The Messianic Secret Jülicher, along with Johannes Weiss, was instrumental in forging a consensus position on the new theory of "Messianic Secret" motif in the Gospel of Mark. Before Jülicher, William Wrede had theorized that the historical Jesus had not claimed to be the Messiah, but that the early church had claimed that he was. According to this theory, the author of Mar ...
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