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Paolo Bianchi (basketball)
Paolo Bianchi was an Italian engraver of the Baroque, chiefly employed in engraving portraits for the booksellers, active c. the year 1670. He engraved some of the portraits for Priorato's ''History of Leopold'', among which are : Cardinal Flavio Chigi, nephew of Pope Alexander VII, and Luigi do Benevides Carillio. Life and Work He was born, according to A. Zanetti, in Milan around 1590 and here he worked as an engraver, draftsman and, perhaps, a painter. He was also cartographic engraver and editor "in the name of Balla"; active in 1617 and again in 1654. Bianchi is registered in 1620 as engraver at the Academy of Fine Arts at the Ambrosiana in Milan. He then worked, almost exclusively, for the most famous Milanese printers and publishers, especially for GB Bidelli, Malatesta, Ponzio: his engravings were accurate and diligent, even if the incisor sign is often uncertain, lists twenty-four of them, drawn from drawings by Domenico Fiasella, Bernardo Castello, Andrea Lanzani, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Alexander VII
Pope Alexander VII ( it, Alessandro VII; 13 February 159922 May 1667), born Fabio Chigi, was head of the Catholic Church and ruler of the Papal States from 7 April 1655 to his death in May 1667. He began his career as a vice- papal legate, and he held various diplomatic positions in the Holy See. He was ordained as a priest in 1634, and he became bishop of Nardo in 1635. He was later transferred in 1652, and he became bishop of Imola. Pope Innocent X made him secretary of state in 1651, and in 1652, he was appointed a cardinal. Early in his papacy, Alexander, who was seen as an anti-nepotist at the time of his election, lived simply; later, however, he gave jobs to his relatives, who eventually took over his administration. His administration worked to support the Jesuits. However, his administration's relations with France were strained due to his frictions with French diplomats. Alexander was interested in architecture and supported various urban projects in Rome. He als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Maria Zanetti
Count Anton oMaria Zanetti (1689–1767) was a Venetian artist, engraver, art critic, art dealer and connoisseur. He formed a collection of engraved gems, of which he published a lavish catalogue. Life Zanetti spent his early manhood making wise investments in marine insurance, accumulating sufficient capital to support his true vocation, as a writer and artist, and as an art dealer, doing much of his business with the English aristocrats who passed through Venice on the Grand Tour. He acted as paintings agent for Philippe d'Orléans in forming the Orléans collection, Paris, and Joseph Wenzel I, Prince of Liechtenstein, in expanding the Liechtenstein collection, Vienna. Pierre Crozat, being in Venice in 1715, persuaded Zanetti and his protégé Rosalba Carriera to go to Paris. Zanetti also visited London, where he purchased Jan Petersen Zoomer's three large volumes containing 428 Rembrandt etchings in outstanding impressions of the various states. He formed a collection o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Fiasella
Domenico Fiasella (12 August 1589 – 19 October 1669) was an Italian painter of the Baroque period, mainly active in Genoa. He was nicknamed ''Il Sarzana'', after his birthplace. Biography He was born in c, the son of Giovanni Fiasella, a silversmith, who, noting his skills apprenticed him as a boy of 11 years to work with Aurelio Lomi in Genoa, and from there he moved to work with Giovanni Battista Paggi. Around 1607 he left for Rome, where he frequented the ''Accademia del Nudo''. His ability was first recognized by Guido Reni and Ciriaco Mattei, which led Domenico Passignano and Cavalier D'Arpino to employ him. The Marchese Vincenzo Giustiniani commissioned paintings from him, including ''Christ Healing the Blind'' and ''Christ Raising the Son of the Widow of Nain'' (both of which were ultimately purchased by John Ringling and bequeathed to the John and Mable Ringling Museum of Art upon his death). During his stay in Rome, he also completed ''The Flight into Egypt'' (now in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Castello
Bernardo Castello (or Castelli) (1557–1629) was an Italian painter of the late-Mannerist style, active mainly in Genoa and Liguria. He is mainly known as a portrait painter, portrait and historical painter.He needs to be distinguished from Giovanni Battista Castello, (called ''Il bergamasco''), who was an elder friend of and collaborator with Luca Cambiaso. Biography Bernardo Castello was born in , now a quarter of Genoa. He was apprenticed under Andrea Semino and Luca Cambiaso, then travelled throughout Italy, meeting other painters and creating his own particular style. During his career he painted many works and was appreciated by famous poets with whom he had friendships. Amongst these were Gabriello Chiabrera and Torquato Tasso, and Castello was the illustrator for ''Jerusalem Delivered'' by Tasso, published in 1590 (and also for a further edition, published in 1617). Some of these illustrations were engraved by Agostino Carracci. Beside working in Genoa, Castello was emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Lanzani
Andrea Lanzani (c.1645 – 30 May 1712) was an Italian painter of the Baroque period. Biography Born in Milan in 1641, Lanzani initially apprenticed in the workshop of Luigi Scaramuccia, where he met Andrea Pozzo, a marked influence on his early work. An immediate result of his enrolment at the reopened Ambrosian Academy 1669 was a large-scale depiction of the translation of the remains of Saint Calimerus, painted in 1670 and today in the Ambrosian Library. He made his first trip to Rome in 1674 where he studied under Carlo Maratta, but ten years later returned to Milan. He left Milan in 1697 to spend a year in Vienna, where he returned at the beginning of the new century and stayed for eight years. He had the opportunity during the latter period to work at the most illustrious courts of Central Europe for clients such as Prince Eugene of Savoy, Prince Adam von Liechtenstein and Count Kaunitz, as attested by major works such the frescoes in the Castle of Slavkov near Sla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Piola
Domenico Piola (1627 – 8 April 1703) was a Genoese painter of the Baroque period. He was the leading artist in Genoa in the second half of the 17th century, working on ceiling frescoes for many Genoese churches and palaces and canvas paintings for private collectors. His family studio was highly prolific and frequently collaborated with other artists.Fausta Franchini Guelfi. "Piola." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 March 2016 Biography Piola was an Italian painter, draughtsman, printmaker and designer. He was the leading artist in Genoa in the second half of the 17th century, working for both public and private collectors. His first teacher was his 17-year older brother-in-law Stefano Camogli. Stefano Camogli, ''Still life with monkey, basin and stagnara''] at ART Casa d'Aste Piola was further trained by his older brother Pellegrino Piola, Pellegro and then studied under Pellegro's teacher, Giovanni Domenico Cappellino (1580–1651). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Engravers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Engravers
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
