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Panorama Mesdag
''Panorama Mesdag'' is a panorama by Hendrik Willem Mesdag. Housed in a purpose-built museum in The Hague, the panorama is a cylindrical painting (also known as a Cyclorama) more than 14 metres high and about 40 metres in diameter (120 metres in circumference). From an observation gallery in the centre of the room the cylindrical perspective creates the illusion that the viewer is on a high sand dune overlooking the sea, beaches and village of Scheveningen in the late 19th century. A foreground of fake terrain around the viewing gallery hides the base of the painting and makes the illusion more convincing. History Mesdag was a marine painter of the Hague School; in 1880 he was engaged by a Belgian company to paint the panorama, which with the assistance of his wife Sientje Mesdag-van Houten and some student painters (including George Hendrik Breitner), was completed by 1881. However, the vogue for panoramas was coming to an end, and the company went bankrupt in 1886. Mesdag purcha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panorama
A panorama (formed from Greek πᾶν "all" + ὅραμα "view") is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images, or 3D modeling. The word was originally coined in the 18th century by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term ''panning'' is derived from ''panorama''. A panoramic view is also purposed for multimedia, cross-scale applications to an outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale. History The device of the panorama existed in painting, particularly in murals, as early as 20 A.D., in those found in Pompeii, as a means of generating an immersive "panoptic" experience of a vista. Cartographic experiments during the Enlightenment era prec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrik Willem Mesdag
Hendrik Willem Mesdag (23 February 1831 – 10 July 1915) was a Dutch marine painter. Biography He was born in Groningen, the son of the banker Klaas Mesdag and his wife Johanna Wilhelmina van Giffen. Mesdag was encouraged by his father, an amateur painter, to study art. He married Sina van Houten in 1856, and when they inherited a fortune from her father, Mesdag retired from banking at the age of 35 to pursue a career as a painter. He studied in Brussels with Willem Roelofs and in 1868 moved to The Hague to paint the sea. In 1870 he exhibited at the Paris Salon and won the gold medal for ''The Breakers of the North Sea''. In 1880 he received a commission from a Belgian company to paint a panorama giving a view over the village of Scheveningen on the North Sea coast near The Hague. With the help of Sina and students he completed the enormous painting, '' Panorama Mesdag,''— 14 m high and 120 m around — by 1881. However, the vogue for panoramas was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hague
The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital of the Netherlands is Amsterdam, The Hague has been described as the country's de facto capital. The Hague is also the capital of the province of South Holland, and the city hosts both the International Court of Justice and the International Criminal Court. With a population of over half a million, it is the third-largest city in the Netherlands, after Amsterdam and Rotterdam. The Hague is the core municipality of the Greater The Hague urban area, which comprises the city itself and its suburban municipalities, containing over 800,000 people, making it the third-largest urban area in the Netherlands, again after the urban areas of Amsterdam and Rotterdam. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.6&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyclorama
A cyclorama is a panoramic image on the inside of a cylindrical platform, designed to give viewers standing in the middle of the cylinder a 360° view, and also a building designed to show a panoramic image. The intended effect is to make viewers, surrounded by the panoramic image, feel as if they were standing in the midst of the place depicted in the image. Background Panoramas were invented by Irish painter Robert Barker, who wanted to find a way to capture the panoramic view from Calton Hill in central Edinburgh, Scotland. He subsequently opened his first cyclorama building in Edinburgh in 1787. Cycloramas were very popular in the late 19th century. The most popular traveled from city to city to provide local entertainment – much like a modern movie. As the viewers stood in the center of the painting, there would often be music and a narrator telling the story of the event depicted. Sometimes dioramas were constructed in the foreground to provide additional realism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hague School
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the Realism (visual arts), realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the ''Gray School''. Precursors After the great periods of Dutch art in the Dutch Golden Age painting, Golden Age of the 17th century, there were economic and political problems which diminished activity in art. The fine arts in the Netherlands enjoyed a revival around 1830, a time now referred to as the Romanticism, Romantic period in Dutch painting. The style was an imitation of the great 17th-century artists. The most widely accepted paintings of this period were landscapes and paintings which reflected national history. Andreas Schelfhout was a painter of landscapes, especially winter scenes, but also woodlands and the dunes between The Hague ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sina Mesdag-van Houten
Sina (Sientje) van Houten (23 December 1834 Groningen – 20 March 1909 The Hague) was the wife of Hendrik Willem Mesdag, the Dutch marine painter of the Hague School, and a painter herself. Biography She was the eldest of seven children of Derk van Houten and Barbara Elisabeth Meihuizen. One of her brothers was later Minister Samuel van Houten. Her father had a large sawmill on the Damsterdiep. She married Mesdag on 23 April 1856. Sientje was a strong moral support to her husband, especially when she enthusiastically supported him in 1866, when he gave up his business profession solely for painting. She began to paint in 1871, after she lost her only child, the 8-year-old Klaas. Gerkens Arnaud helped her drawing, while her painting was aided by her husband and her cousin Lawrence Alma-Tadema. She specialized in landscapes and still lifes, but also painted portraits. In 1874, together with Gerardina Jacoba van de Sande Bakhuyzen, Kate Bisschop-Swift and Margaretha Roosenboom, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Hendrik Breitner
George Hendrik Breitner (12 September 1857 – 5 June 1923) was a Dutch painter and photographer. An important figure in Amsterdam Impressionism, he is noted especially for his paintings of street scenes and harbours in a realistic style. He painted en plein air, and became interested in photography as a means of documenting street life and atmospheric effects – rainy weather in particular – as reference materials for his paintings. Biography George Hendrik Breitner was born in Rotterdam, Netherlands. From 1876 to 1880 he attended the Art Academy in The Hague where his extraordinary talent was rewarded on various occasions. From October 1878 till April 1879 he worked as an art teacher at the Leiden academy Ars Aemula Naturae. In 1880 he was expelled from the Art Academy of The Hague for misconduct, because he had destroyed the regulations-board. In the same year he lived at landscapist Willem Maris's place at Loosduinen and was accepted as a member of Pulchri Studio, an imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panoramic Painting
Panoramic paintings are massive artworks that reveal a wide, all-encompassing view of a particular subject, often a landscape, military battle, or historical event. They became especially popular in the 19th century in Europe and the United States, inciting opposition from some writers of Romantic poetry. A few have survived into the 21st century and are on public display. Typically shown in rotundas for viewing, panoramas were meant to be so lifelike they confused the spectator between what was real and what was image. In China, panoramic paintings are an important subset of handscroll paintings, with some famous examples being ''Along the River During the Qingming Festival'' and ''Ten Thousand Miles of the Yangtze River''. History The word " panorama", a portmanteau of the Greek words ‘''pano''’ (all) and ‘''horama''’ (view), was coined by the Irish painter Robert Barker in 1787. While walking on Calton Hill overlooking Edinburgh, the idea struck him and he obt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Panorama Council
The International Panorama Council (IPC) is a nongovernmental, not-for-profit organization, subject to Swiss law. It is a global network involving museum directors, managers, artists, restorers and historians who deal with the historical or the contemporary art and media forms of the panorama. The organization comprises members from all over the world who are either representatives of museums and research institutes or private researchers and enthusiasts. The organization was founded in 1992 as the ''European Panorama Conference'' in Szeged, Hungary, and renamed in 1998 in Altoetting, Germany, at the ''International Panorama Conference''. Since 2003 the organization is called International Panorama Council. IPC has been a Membership Association since 2010. It is governed by a member-elected Executive Board whose Secretary-General acts as the operational center for the Board’s members. Main goals The purpose of the International Panorama Council is to stimulate worldwide research ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Mesdag
The Mesdag Collection is an art museum in The Hague, Netherlands. It is managed by the Van Gogh Museum. The museum is housed next to the former house of the Dutch painter Hendrik Willem Mesdag and shows the art Mesdag and his wife Sina van Houten collected from 1866 to 1903. It features work of the painters of the Hague School like Willem Roelofs and Anton Mauve and work of the French Barbizon School (Jean-Baptiste Camille Corot, Théodore Rousseau, Jean-François Millet, Charles-François Daubigny and Eugène Delacroix and paintings of Lawrence Alma-Tadema. There is also a large collection of Japanese art and Japanese craftwork (pottery) on show. This all is shown in a typical 19th-century setting. The museum was closed for renovation until Spring 2011. On 14 May 2011 it was re-opened and renamed from "Museum Mesdag" to "The Mesdag Collection". The Panorama Mesdag is housed in different premises within walking distance from The Mesdag Collection. History In 1887, Hen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
