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Panaflex
Panavision has been a manufacturer of cameras for the motion picture industry since the 1950s, beginning with anamorphic widescreen lenses. The lightweight Panaflex is credited with revolutionizing filmmaking. Other influential cameras include the Millennium XL and the digital video Genesis. Panavision Silent Reflex * Panavision Silent Reflex (1967) * Panavision Super PSR (R-200 or Super R-200) Panaflex ; Panaflex (1972): ; Panaflex-X (1974): ; Panaflex Lightweight (1975): The Panaflex Lightweight is a sync-sound 35 mm motion picture camera, stripped of all components not essential for work with "floating camera" systems such as the Steadicam. Contemporary cameras such as the Panavision Gold II can weigh as much as depending on configuration. The Panaflex Lightweight II (1993) is crystal-controlled in one-frame increments between four and 36 frames per second, and has a fixed focal-plane shutter. 200°, 180°, 172.8° or 144° shutters can be installed by Panavision prio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panaflex
Panavision has been a manufacturer of cameras for the motion picture industry since the 1950s, beginning with anamorphic widescreen lenses. The lightweight Panaflex is credited with revolutionizing filmmaking. Other influential cameras include the Millennium XL and the digital video Genesis. Panavision Silent Reflex * Panavision Silent Reflex (1967) * Panavision Super PSR (R-200 or Super R-200) Panaflex ; Panaflex (1972): ; Panaflex-X (1974): ; Panaflex Lightweight (1975): The Panaflex Lightweight is a sync-sound 35 mm motion picture camera, stripped of all components not essential for work with "floating camera" systems such as the Steadicam. Contemporary cameras such as the Panavision Gold II can weigh as much as depending on configuration. The Panaflex Lightweight II (1993) is crystal-controlled in one-frame increments between four and 36 frames per second, and has a fixed focal-plane shutter. 200°, 180°, 172.8° or 144° shutters can be installed by Panavision prio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panavision
Panavision is an American motion picture equipment company founded in 1953 specializing in cameras and lenses, based in Woodland Hills, California. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. The company introduced its first products in 1954. Originally a provider of CinemaScope accessories, the company's line of anamorphic widescreen lenses soon became the industry leader. In 1972, Panavision helped revolutionize filmmaking with the lightweight Panaflex 35 mm movie camera. The company has introduced other cameras such as the Millennium XL (1999) and the digital video Genesis (2004). Panavision operates exclusively as a rental facility—the company owns its entire inventory, unlike most of its competitors. Early history Robert Gottschalk founded Panavision in late 1953, in partnership with Richard Moore, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panavision Movie Camera
Panavision is an American motion picture equipment company founded in 1953 specializing in cameras and lenses, based in Woodland Hills, California. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. The company introduced its first products in 1954. Originally a provider of CinemaScope accessories, the company's line of anamorphic widescreen lenses soon became the industry leader. In 1972, Panavision helped revolutionize filmmaking with the lightweight Panaflex 35 mm movie camera. The company has introduced other cameras such as the Millennium XL (1999) and the digital video Genesis (2004). Panavision operates exclusively as a rental facility—the company owns its entire inventory, unlike most of its competitors. Early history Robert Gottschalk founded Panavision in late 1953, in partnership with Richard Moore, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Panavision 70
Super Panavision 70 is the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. Ultra Panavision 70 was similar to Super Panavision 70, though Ultra Panavision lenses were anamorphic, which allowed for a significantly wider aspect ratio. However, Ultra Panavision 70 was extremely rare and has only been used on a handful of films since its inception. History During the late 1950s, the Hollywood filmmaking community decided that changing from filming in the commonly accepted 35 mm format to 65 mm film would provide viewing audiences with an enhanced visual experience, compared to an anamorphic widescreen image. To this end, cameras began to be designed to handle 65 mm film stock. The first camera system to be released using this format was Todd-AO, in 1955. The second was MGM Camera 65, a system designed by Panavision, which was introduced in 1956. In 1959, Panavision introduced Super Panavision 70 to compete with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ultra Panavision 70
Ultra Panavision 70 and MGM Camera 65 were, from 1957 to 1966, the marketing brands that identified motion pictures photographed with Panavision's anamorphic movie camera lenses on 65 mm film. Ultra Panavision 70 and MGM Camera 65 were shot at 24 frames per second (fps) using anamorphic camera lenses. Ultra Panavision 70 and MGM Camera 65's anamorphic lenses compressed the image 1.25 times, yielding an extremely wide aspect ratio of 2.76:1 (when a 70 mm projection print was used). Ultra Panavision saw much less use than its sibling, the more popular Super Panavision 70, and was only used on ten films from 1957 to 1966. However, nearly fifty years later, Robert Richardson famously resurrected Ultra Panavision 70 after the lens test he came to do at the Panavision headquarters for the upcoming project with Quentin Tarantino, where he discovered that the lenses and equipment were still intact. Tarantino was fascinated by this and was able to refurbish the lenses for use in his next f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cameras
A camera is an optical instrument that can capture an image. Most cameras can capture 2D images, with some more advanced models being able to capture 3D images. At a basic level, most cameras consist of sealed boxes (the camera body), with a small hole (the aperture) that allows light to pass through in order to capture an image on a light-sensitive surface (usually a digital sensor or photographic film). Cameras have various mechanisms to control how the light falls onto the light-sensitive surface. Lenses focus the light entering the camera, and the aperture can be narrowed or widened. A shutter mechanism determines the amount of time the photosensitive surface is exposed to the light. The still image camera is the main instrument in the art of photography. Captured images may be reproduced later as part of the process of photography, digital imaging, or photographic printing. Similar artistic fields in the moving-image camera domain are film, videography, and cinematograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anamorphic Widescreen
Anamorphic widescreen (also called Full height anamorphic or FHA) is a process by which a comparatively wide widescreen image is horizontally compressed to fit into a storage medium (photographic film or MPEG-2 standard-definition frame, for example) with a narrower aspect ratio (image), aspect ratio, reducing the horizontal resolution of the image while keeping its full original vertical resolution. Compatible play-back equipment (a projector with modified lens, or a digital video player or set-top box) can then expand the horizontal dimension to show the original widescreen image. This is typically used to allow one to store widescreen images on a medium that was originally intended for a narrower ratio, while using as much of the frame – and therefore recording as much detail – as possible. The technique comes from cinema, when a film would be framed and recorded as widescreen but the picture would be "squashed together" using a special concave lens to fit into non- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genesis (camera)
The Genesis is a discontinued high-end Digital data, digital movie camera developed by Panavision, and was available solely by rental. It is based on a Property, proprietary Super 35 1.78:1 (16:9) aspect ratio (image), aspect ratio, 12.4-megapixel, RGB filtered Charge-coupled device, CCD sensor. It was first used by a feature crew to shoot Bryan Singer's ''Superman Returns,'' and was shortly followed up thereafter by the World War I film ''Flyboys (film), Flyboys''. However, the Visual effects, computer effect-heavy nature of these two movies meant that ultimately the comedy ''Scary Movie 4'' was the first theatrically released feature primarily shot with the Genesis. It was discontinued in 2012 and succeeded by the Millennium DXL line developed with Red Digital Cinema. Background Unlike the 2/3" 3-CCD imaging system used in Sony's HDW-F900 CineAlta camera (used in ''Star Wars: Episode II – Attack of the Clones, Attack of the Clones''), the Genesis uses a single 12.4 megapixel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steadicam
Steadicam is a brand of camera stabilizer mounts for Movie camera, motion picture cameras invented by Garrett Brown and introduced in 1975 by Cinema Products Corporation. It was designed to isolate the camera from the camera operator's movement, keeping the camera motion separate and controllable by a skilled operator. History Before the camera stabilizing system, a director had a number of choices for moving (or "Tracking shot, tracking") shots: # The camera could be mounted on a camera dolly, dolly, a wheeled mount that rolls on specialized tracks or a smooth surface. # The camera could be mounted on a Crane shot, crane, a counterweighted arm that could move the camera vertically and horizontally. # The camera operator shoot Hand-held camera, hand-held which would produce footage suitable mostly for documentaries, news, reportage, live action, unrehearsed footage, or the evocation of authentic immediacy or ''cinéma vérité'' during dramatic sequences. While these cinemati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G2Panaflexclosed
G, or g, is the seventh letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''gee'' (pronounced ), plural ''gees''. History The letter 'G' was introduced in the Old Latin period as a variant of ' C' to distinguish voiced from voiceless . The recorded originator of 'G' is freedman Spurius Carvilius Ruga, who added letter G to the teaching of the Roman alphabet during the 3rd century BC: he was the first Roman to open a fee-paying school, around 230 BCE. At this time, ' K' had fallen out of favor, and 'C', which had formerly represented both and before open vowels, had come to express in all environments. Ruga's positioning of 'G' shows that alphabetic order related to the letters' values as Greek numerals was a concern even in the 3rd century BC. According to some records, the original seventh letter, 'Z', had been purged from the Latin alphabet somewhat ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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