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Pan Asian Repertory Theatre
The Pan Asian Repertory Theatre is a New York City-based theatre group that explores the Asian-American experience and provides professional opportunities for Asian-American artists to collaborate. Pan-Asian was founded by Tisa Chang and Ernest Abuba in 1977, and Chang remains artistic director.Harry Haun"40 Years On, Pan Asian Rep Still Uses Art as Protest" Playbill, June 16th, 2017 Chang established the Pan Asian Repertory Theatre as a resident company at La MaMa Experimental Theatre Club in 1977, with the intention of popularizing Asian-American theater and leading to other similar theatre companies in cities with an Asian disaporic population.Mel Gussow"A Stage for All the World of Asian-Americans" New York Times, April 22nd, 1997. Specializing in intercultural productions of new Asian-American plays, Asian classics in translation, and innovative adaptations of Western classics, some of the works Pan Asian has presented included: *''Empress of China'' - featuring Tina Chen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Teahouse Of The August Moon (play)
''The Teahouse of the August Moon'' is a 1953 play written by John Patrick adapted from the 1951 novel by Vern Sneider. The play was later adapted for film in 1956, and the 1970 Broadway musical ''Lovely Ladies, Kind Gentlemen''. The play opened on Broadway in October 1953. It was a Broadway hit, running for 1,027 performances and winning awards including the New York Drama Critics Circle Award for Best American Play of the Year, the Pulitzer Prize in Drama, and the Tony Award. The play, well regarded for several decades, came to seem old-fashioned with increased understanding and sensitivity of racial issues. The portrayals of the Okinawa characters in the play were seen as offensive, and the generational humor began to lose its impact in the 1970s. Plot summary In the aftermath of World War II, the island of Okinawa was occupied by the American military. Captain Fisby, a young army officer, is transferred to a tiny Okinawa island town called Tobiki by his commanding officer, Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asian-American Theatre
Asian American theatre is theatre written, directed or acted by Asian Americans. From initial efforts by four theatre companies in the 1960s, Asian-American theatre has grown to around forty groups today. Early productions often had Asian themes or settings; "yellowface" was a common medium for displaying the perceived exoticism of the East in American performance. With the growing establishment of second-generation Asian-Americans in the 21st century, it is becoming more common today to see Asian-Americans in roles that defy historical stereotypes in the United States. Background Asian-American theatre emerged in the 1960s and the 1970s with the foundation of four theatre companies: East West Players in Los Angeles, Asian American Theatre Workshop (later renamed Asian American Theater Company) in San Francisco, Theatrical Ensemble of Asians (later renamed Northwest Asian American Theatre) in Seattle, and Pan Asian Repertory Theatre in New York City. The Northwest Asian Americ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Off-Broadway Theaters
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asian American Theatre
Asian American theatre is theatre written, directed or acted by Asian Americans. From initial efforts by four theatre companies in the 1960s, Asian-American theatre has grown to around forty groups today. Early productions often had Asian themes or settings; "yellowface" was a common medium for displaying the perceived exoticism of the East in American performance. With the growing establishment of second-generation Asian-Americans in the 21st century, it is becoming more common today to see Asian-Americans in roles that defy historical stereotypes in the United States. Background Asian-American theatre emerged in the 1960s and the 1970s with the foundation of four theatre companies: East West Players in Los Angeles, Asian American Theatre Workshop (later renamed Asian American Theater Company) in San Francisco, Theatrical Ensemble of Asians (later renamed Northwest Asian American Theatre) in Seattle, and Pan Asian Repertory Theatre in New York City. The Northwest Asian Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Henry Hwang
David Henry Hwang (born August 11, 1957) is an American playwright, librettist, screenwriter, and theater professor at Columbia University in New York City. He has won three Obie Awards for his plays '' FOB'', '' Golden Child'', and '' Yellow Face''. Three of his works—''M. Butterfly'', ''Yellow Face'', and ''Soft Power''—have been finalists for the Pulitzer Prize for Drama. Early life He was born in 1957 in Los Angeles, California, to Henry Yuan Hwang, the founder of Far East National Bank, and Dorothy Hwang, a piano teacher. The oldest of three children, he has two younger sisters. He received a bachelor's degree in English from Stanford University in 1979 and attended the Yale School of Drama between 1980 and 1981, taking literature classes. He left once workshopping of new plays began, since he already had a play being produced in New York. His first play was produced at the Okada House dormitory (named Junipero House at the time) at Stanford University after he briefl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rick Shiomi
Rick Shiomi (born May 25, 1947)Biography and Genealogy Master Index. Farmington Hills, Mich.: Gale, Cengage Learning. 1980- 2009. is an internationally recognized, award-winning Japanese Canadian playwright, stage director, artistic director and taiko artist, and a major player in the Asian American/Canadian theatre movement. He is best known for his groundbreaking play ''Yellow Fever,'' which earned him the Bay Area Theater Circle Critics Award and “Bernie” Award. Over the last couple decades, Shiomi has also become a notable artistic and stage director. He directed the world premiere of the play ''Caught'' by Christopher Chen for which he received the Philadelphia Barrymore Award Nomination for Outstanding Direction. He is currently the Co-Artistic Director of Full Circle Theater Company. Career Shiomi's ''Yellow Fever'' premiered at the Asian American Theater Company in 1982, winning awards, and leading to Pan Asian Repertory Theatre's New York production, garnering rave r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wakako Yamauchi
Wakako Yamauchi (October 23, 1924 – August 16, 2018) was a Japanese American writer. Her plays are considered pioneering works in Asian-American theater. Biography Yamauchi (née Nakamura) was born in Westmorland, California. Her mother and father, both Issei, or first-generation Japanese immigrants, were farmers in California's Imperial Valley. Many of her stories and her two plays, '' And the Soul Shall Dance'' and ''The Music Lessons'', are set in the same dusty, isolated settings".Wong, Shawn. ''Asian American Literature''. New York: HarperCollins, 1996. Her plays and stories examine the hardships that Japanese Americans faced in California's agricultural communities and in the internment camps during the second World War.Tudeau, Lawrence J. ''Asian American Literature: Reviews and Criticism of Works by American writers of Asian Descent''. Farmington Hills: Gale Research. 1999. In 1942, at seventeen, Yamauchi and her family were interned at the Poston, Arizona camp; the ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Momoko Iko
Momoko Iko (1940–2020) was a Japanese-American playwright, best known for her 1972 play ''Gold Watch''. She was also a founding member of the Asian Liberation Organization and the Pacific Asian American Women Writers West. Life Momoko Iko was born to Kyokuo and Natsuko (Kagawa) Iko on March 30, 1940 in Wapato, Washington. She was the youngest of six children, two older brothers (Tets and Kei) and three older sisters (Yae, Mina, and Sono. After the start of World War II, Iko was incarcerated, aged two, at the Portland Assembly Center before being transferred to the Heart Mountain Relocation Center following the signing of Executive Order 9066. Her family were the last to leave the camp in 1945, as they did not know where to go. The family initially worked as migrant farm workers in New Jersey before settling in Chicago. In Chicago, her father found work as a day laborer and her mother as a seamstress. She found writing inspiration from her life in Chicago, where she said her hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velina Hasu Houston
Velina Hasu Houston (born Velina Avisa Hasu Houston; May 5, 1957) is an American playwright, essayist, poet, author, editor and screenwriter who has had many works produced, presented and published. Her work draws from her experience of being multiracial, as well as from the immigrant experiences of her family and those she encountered growing up in Junction City, Kansas. Houston is best known for her play ''Tea'', which portrays the lives of Japanese war brides who move to the United States with their American servicemen husbands. Early life The youngest of three, Houston was born in international waters on a military ship en route to a U.S. base in Japan. Her Japanese mother, Setsuko Takechi, was originally from Matsuyama, Ehime, a provincial town in Shikoku Island. Her father, Lemo Houston, was African Native American/ Blackfoot- Pikuni Native American Indian originally from Linden, Alabama. Houston's ancestral lineages include historical ethnic ties to India, Cuba, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Kan Gotanda
Philip Kan Gotanda (born December 17, 1951) is an American playwright and filmmaker and a third generation Japanese American. Much of his work deals with Asian American issues and experiences. Biography Over the last three decades Gotanda has composed many plays designed to broaden theater in America. Through his plays and advocacy, he has been instrumental in bringing stories of Asians in the United States to mainstream American theater, as well as to Europe and Asia. The creator of one of the largest bodies of Asian American-themed work, Gotanda's plays and films are studied and performed at universities and schools across the USA. Gotanda wrote the text and directed the production of Maestro Kent Nagano's '' Manzanar: An American Story'', an original symphonic work with narration. His newest work, ''After the War'', premiered at the American Conservatory Theater in March 2007. ''After the War'' chronicles San Francisco's Japantown in the late 1940s, when Japanese American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Patrick (dramatist)
John Patrick (May 17, 1905November 7, 1995) was an American playwright and screenwriter. Biography He was born John Patrick Goggin in Louisville, Kentucky. His parents soon abandoned him, and he spent a delinquent youth in foster homes and boarding schools. At age 19, he secured a job as an announcer at KPO Radio in San Francisco, California, marrying Mildred Legaye in 1925. He wrote over 1,000 scripts for the '' Cecil and Sally'' radio program (originally titled ''The Funniest Things''), broadcast between 1928 and 1933. The show's sole actors were Patrick and Helen Troy. In 1937, Patrick wrote adaptations for NBC's ''Streamlined Shakespeare'' series, guest-starring Helen Hayes. Produced on a tight budget, his first play, ''Hell Freezes Over'', directed by Joshua Logan, had a brief run on Broadway in 1935. However, the credit opened the door for him as a Hollywood scriptwriter. In 1942, a second play, ''The Willow and I'', was produced with Martha Scott and Gregory Peck in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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