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Palladium (mythology)
In Greek and Roman mythology, the Palladium or Palladion (Greek Παλλάδιον (Palladion), Latin ''Palladium'') was a cult image of great antiquity on which the safety of Troy and later Rome was said to depend, the wooden statue (''xoanon'') of Pallas Athena that Odysseus and Diomedes stole from the citadel of Troy and which was later taken to the future site of Rome by Aeneas. The Roman story is related in Virgil's ''Aeneid'' and other works. Rome possessed an object regarded as the actual Palladium for several centuries; it was in the care of the Vestal Virgins for nearly all this time. Since around 1600, the word palladium has been used figuratively to mean anything believed to provide protection or safety, and in particular in Christian contexts a sacred relic or icon believed to have a protective role in military contexts for a whole city, people or nation. Such beliefs first become prominent in the Eastern church in the period after the reign of the Byzantine Emperor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nike Warrior Louvre Ma969
Nike often refers to: * Nike (mythology), a Greek goddess who personifies victory * Nike, Inc., a major American producer of athletic shoes, apparel, and sports equipment Nike may also refer to: People * Nike (name), a surname and feminine given name *Nike, daughter of Shahrbaraz Arts, entertainment, and media * Nike Award, a Polish language literature prize *'' Nike of Samothrace'', an ancient statue of the goddess Nike * Nike of Callimachus, an ancient statue of the goddess Nike * "Nikes" (song), by Frank Ocean from the album ''Blonde'' (2016) Military * Project Nike, a US Army missile project ** MIM-3 Nike Ajax, a solid fuel–propelled surface-to-air missile ** MIM-14 Nike-Hercules, a solid fuel–propelled surface-to-air missile ** Nike (rocket stage) ** Various US sounding rockets named after the upper stage used, including: *** Nike Apache *** Nike-Asp *** Nike-Cajun *** Nike-Deacon *** Nike Hawk *** Nike Hydac *** Nike Iroquois *** Nike Javelin *** Nike Malemute *** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acheiropoieta
''Acheiropoieta'' (Medieval Greek: , "made without hand"; singular ''acheiropoieton'') — also called icons made without hands (and variants) — are Christian icons which are said to have come into existence miraculously; not created by a human. Invariably these are images of Jesus or the Virgin Mary. The most notable examples that are credited by tradition among the faithful are, in the Eastern church, the Mandylion, also known as the Image of Edessa, and the Hodegetria, and several Russian icons, and in the West the Shroud of Turin, Veil of Veronica, Our Lady of Guadalupe, and the Manoppello Image. The term is also used of icons that are only regarded as normal human copies of a miraculously created original archetype. Although the most famous ''acheiropoieta'' today are mostly icons painted on wood panel, they exist in other media, such as mosaics, painted tile, and cloth. Ernst Kitzinger distinguished two types: "Either they are images believed to have been made by hands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthropomorphism
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals. Etymology Anthropomorphism and anthropomorphization derive from the verb form ''anthropomorphize'', itself derived from the Greek ''ánthrōpos'' (, "human") and ''morphē'' (, "form"). It is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God.''Oxford English Dictionary'', 1st ed. "anthropomorphism, ''n.''" Oxford University P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Staples
(Blaise) Daniel "Danny" Staples (13 July 1948 – December 2005 .) was a Classical ; a native of , he received a B.A. in Comparative Religion and a Ph.D. in Classical Studies from . He lived in |
Carl Ruck
Carl A. P. Ruck (born December 8, 1935, Bridgeport, Connecticut), is a professor in the Classical Studies department at Boston University. He received his B.A. at Yale University, his M.A. at the University of Michigan, and a Ph.D. at Harvard University. He lives in Hull, Massachusetts. Entheogen theory Carl Ruck is best known for his work along with other scholars in mythology and religion on the sacred role of entheogens, or psychoactive plants that induce an altered state of consciousness, as used in religious or shamanistic rituals. His focus has been on the use of entheogens in classical western culture, as well as their historical influence on modern western religions. He currently teaches a mythology class at Boston University that presents this theory in depth. The book ''The Road to Eleusis: Unveiling the Secret of the Mysteries,'' co-authored by Ruck with Albert Hofmann and R. Gordon Wasson, makes a case that the psycho-active ingredient in the secret kykeion potion u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effigy
An effigy is an often life-size sculptural representation of a specific person, or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certain traditions around New Year, Carnival and Easter. In European cultures, effigies were in the past also used for punishment in formal justice, when the perpetrator could not be apprehended, and in popular justice practices of social shaming and exclusion. Additionally, "effigy" is used for certain traditional forms of sculpture, namely tomb effigies, funeral effigies and coin effigies. There is a large overlap and exchange between the ephemeral forms of effigies. Traditional holiday effigies are often politically charged, for instance, when the generalised figures Año Viejo (the Old Year) or Burning of Judas, Judas in Latin America are substituted by the effigy of a despised politician. Traditional forms are also borrowed for political p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilus
In Greek mythology, Ilus (; ) is the name of several mythological persons associated directly or indirectly with Troy. * Ilus, the son of Dardanus, and the legendary founder of Dardania. * Ilus, the son of Tros, and the legendary founder of Troy. * Ilus, son of Mermerus, and grandson of Jason and Medea. This Ilus lived at Ephyra, between Elis and Olympia. In a tale recounted in ''The Odyssey'', he played host to Odysseus, but when Odysseus requested from Ilus poison for his arrows, he declined, from fear of divine vengeance. * Ilus, an ally of Turnus, the man who opposed Aeneas in Italy.Virgil, ''Aeneid'' 10.400 Ilus means "beautiful" in Estonian language. Notes References * Homer, ''The Iliad'' with an English Translation by A.T. Murray, Ph.D. in two volumes. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1924Online version at the Perseus Digital Library.* Homer, ''Homeri Opera'' in five volumes. Oxford, Oxford University Press. 1920Greek te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Rome
In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC) and Roman Empire (27 BC–476 AD) until the fall of the western empire. Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually dominated the Italian Peninsula, assimilated the Greek culture of southern Italy ( Magna Grecia) and the Etruscan culture and acquired an Empire that took in much of Europe and the lands and peoples surrounding the Mediterranean Sea. It was among the largest empires in the ancient world, with an estimated 50 to 90 million inhabitants, roughly 20% of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interpretatio Graeca
''Interpretatio graeca'' (Latin, "Greek translation") or "interpretation by means of Greek odels is a discourse used to interpret or attempt to understand the mythology and religion of other cultures; a comparative methodology using ancient Greek religious concepts and practices, deities, and myths, equivalencies, and shared characteristics. The phrase may describe Greek efforts to explain others' beliefs and myths, as when Herodotus describes Egyptian religion in terms of perceived Greek analogues, or when Dionysius of Halicarnassus and Plutarch document Roman cults, temples, and practices under the names of equivalent Greek deities. ''Interpretatio graeca'' may also describe non-Greeks' interpretation of their own belief systems by comparison or assimilation with Greek models, as when Romans adapt Greek myths and iconography under the names of their own gods. ''Interpretatio romana'' is comparative discourse in reference to ancient Roman religion and myth, as in the form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greece
Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of culturally and linguistically related city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's empire from 336 to 323 BC (though this excludes a number of Greek city-states free from Alexander's jurisdiction in the western Mediterranean, around the Black Sea, Cyprus, and Cyrenaica). In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Roughly three centuries after the Late Bronze Age collapse of Mycenaean Greece, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and the colonization of the Mediterranean Basin. This was followed by the age of Classical G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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