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Palazzo Zambeccari, Bologna
The Palazzo Zambeccari at 11 Via Carbonesi is a Neoclassical urban palace in central Bologna, region of Emilia-Romagna, Italy. It is located diagonal to the facade of San Paolo Maggiore, and in 2015 was home to offices of the Banco Populare di Milano SCRL. History The palace was designed in 1775 by Carlo Bianconi. The grand staircase has quadratura by Giovanni Santi and Francesco Santini with stucco decoration (1790) by Luigi Acquisti Luigi Acquisti (1745–1823) was an Italian sculptor mainly known for his works in the neoclassical style. He was born in Forlì the 29 March 1747 and died in Bologna in 1823. His works are distributed throughout Italy. Among them are reliefs ... (1790). The piano nobile has a room decorated with a fresco depicting ''Olympus'' by Giuseppe Maria Roli and Giacomo Alboresi. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilia-Romagna
egl, Emigliàn (man) egl, Emiglièna (woman) rgn, Rumagnòl (man) rgn, Rumagnòla (woman) it, Emiliano (man) it, Emiliana (woman) or it, Romagnolo (man) it, Romagnola (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-45 , blank_name_sec1 = GDP (nominal) , blank_info_se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Paolo Maggiore, Bologna
San Paolo Maggiore, also known as San Paolo Decollato, is a Baroque-style, Roman Catholic basilica church located on Via Carbonari #18 in Bologna, region of Emilia-Romagna, Italy. History The church was commissioned between 1606 and 1611 by the Barnabites from the architect Ambrogio Magenta or Mazenta. Patronage for this church was mainly derived from the Prince Virgilio Spada, brother of Cardinal Bernardino Spada. The Barnabites, also known as the ''Clerics Regular of St Paul'', named this church as ''Maggiore'' to distinguish it from two other San Paolo's in Bologna. Between 1634 and 1636 the facade was built to designs by Ercole Fichi. The facade, in brick and stone, has statues of ''St Peter'' and ''Paul'', respectively by Domenico Maria Mirandola and G. Cruventi. During the Napoleonic invasion, the Barnabites were suppressed, and the church was made a parish church in 1819. Closed again later, it was reconsecrated in 1878. In 1959 it was restored to the Barnabites, and two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Zambeccari, 01
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Bianconi
Carlo Bianconi (1732 – August 15, 1802) was an Italian painter, engraver, and architect. Biography He trained in Bologna with Ercole Graziani the Younger in Bologna. He created many engravings of antiquities. In Bologna, he worked with Mauro Tesi in designing a monument to their patron, Count Francesco Algarotti. He was a member of the Accademia Clementina, but moved to Milan in 1778 and became secretary of the Brera Academy for twenty years. he had helped edit Malvasia's guide to Bologna. In 1787, he published a Guide to Arts and Antiquities in Milan. by Carlo Bianconi Stamperia Sirtoni, Milan (1787). He died in Milan. His brother , wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadratura
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Santi
Giovanni Santi (c. 1435 – 1 August 1494) was an Italian people, Italian Painting, painter, Italian Renaissance interior design, decorator, and the father of Raphael. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenzo. He was court painter to Federico da Montefeltro, the Duke of Urbino and painted several altarpieces. He died in Urbino. Life and painting Santi was born in 1435 at Colbordolo in the Urbino, Duchy of Urbino. He was a petty merchant for a time; he then studied under Piero della Francesca. He was influenced by Fiorenzo di Lorenzo, and seems to have been an assistant and friend of Melozzo da Forlì. He was court painter to Duke of Urbino Federico da Montefeltro and painted several altarpieces, two now in the Alte Nationalgalerie, Berlin Museum, a Madonna (art), Madonna in the church of San Francesco in Urbino, one at the church of Santa Croce in Fano, one in the National Gallery at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Santini
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena (1659 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Acquisti
Luigi Acquisti (1745–1823) was an Italian sculptor mainly known for his works in the neoclassical style. He was born in Forlì the 29 March 1747 and died in Bologna in 1823. His works are distributed throughout Italy. Among them are reliefs of '' Arco della Pace'' in Milan; the statue of the ''Vecchia Legge'' for the facade of Milan Cathedral; ''Mars and Venus'' for the Villa Carlotta in Tremezzo on Lake Como; statues in Palazzo Braschi in Rome; and an ''Atlanta'' (c. 1806) for the Villa Belgiojoso Bonaparte in Milan. Biography Acquisti was still young when he moved to Bologna in order to study at the Accademia Clementina as a student of Filippo Balugani and Carlo Bianconi. He consecutively won the prestigious 1st class Marsili-Aldrovandi prize with his works ''Enea condotto dalla Sibilla ai Campi Elisi'' (1774) and ''Un Romano che rapisce una Sabina'' (1775). In 1785 he was nominated ''Academico del Numero'' in the figurative sculpture class, and in 1780 he became the ''D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Roli
Giuseppe Maria Rolli or Roli (1645 – 17 November 1727) is an Italian painter and engraver active during the Baroque period, mainly in his native Bologna. Biography He was sent by his father to work along with Giuseppe Antonio Caccioli and later under Domenico Maria Canuti. He worked alongside his brother ''Antonio'' (1643-1695), who painted the quadratura. Together the brothers painted for the Casa Ranuzzi in Bologna, Casa Miti in Imola Imola (; rgn, Jômla or ) is a city and ''comune'' in the Metropolitan City of Bologna, located on the river Santerno, in the Emilia-Romagna region of northern Italy. The city is traditionally considered the western entrance to the historical re ..., at the Camaldolese church of Monte d'Alvernia, at the church of the Scalzi and the Refectory of the Canons Lateranensi in Bologna, and at the cupoletta of San Lionardo in Bologna. By himself, Giuseppe painted the ceiling of the church of the Barnabites, the Oratory of San Giovanni Battista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Alboresi
Giacomo Alboresi (1632–1677) was an Italian painter of the Baroque period. Biography Born in Bologna, he was a pupil of Domenico Santi, under whom he worked seventeen years, devoting himself above all to the painting of birds and small figures in illuminated manuscripts. Then he moved to the studio of the quadratura painter Agostino Mitelli who instructed him in decorative fresco painting, and procured him commissions. In 1659 he married the stepdaughter of Mitelli and, after the death of the master (1660), he was considered the heir of the decorative style that Mitelli had created. He limited himself to repeating diligently designs of his master. Later he worked under Angelo Michele Colonna in Spain, Florence, and Parma. Colonna and Alboresi used painters Fulgenzio Mondini, and later Giulio Cesare Milani, and Canuti, to place figures in their backgrounds. Examples of the collaboration of Colonna, Alboresi and Canuti can be found at the Palazzo Felicini. He worked with Mondin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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