Palazzo Michiel Dalle Colonne, Venice
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Palazzo Michiel Dalle Colonne, Venice
The Palazzo Michiel Dalle Colonne is a Baroque style palace located on the northern bank of the Grand Canal in the sestiere of Cannaregio in Venice, Italy. It is one building south of the junction of Rio del Santissimi Apostoli with Grand Canal, next to the Palazzo Michiel del Brusà and across the Canal from the Rialto Mercato and the Campo della Pescaria. The palace is also referred to as Palazzo Michiel Dalle Colonne a Santa Sofia. History The present facade is mainly due to reconstructions of the original Gothic-Byzantine palace during the 17th and 18th-centuries, the most important rebuilding was by the architect Antonio Gaspari (1656-1723). The palace had many owners during the centuries including the Grimani and Zeno families. In the 17th-century it was acquired by Ferdinand Charles Gonzaga Nevers, Duke of Mantua and Montferrat. He is described as a prince enamoured by profligate delights, including women, specially those heavy and large, and of infamous character. Tas ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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War Of The Spanish Succession
The War of the Spanish Succession was a European great power conflict that took place from 1701 to 1714. The death of childless Charles II of Spain in November 1700 led to a struggle for control of the Spanish Empire between his heirs, Philip of Anjou and Charles of Austria, and their respective supporters, among them Spain, Austria, France, the Dutch Republic, Savoy and Great Britain. Related conflicts include the 1700–1721 Great Northern War, Rákóczi's War of Independence in Hungary, the Camisards revolt in southern France, Queen Anne's War in North America and minor trade wars in India and South America. Although weakened by over a century of continuous conflict, Spain remained a global power whose territories included the Spanish Netherlands, large parts of Italy, the Philippines, and much of the Americas, which meant its acquisition by either France or Austria potentially threatened the European balance of power. Attempts by Louis XIV of France and William III o ...
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Baroque Architecture In Venice
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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National Fascist Party
The National Fascist Party ( it, Partito Nazionale Fascista, PNF) was a political party in Italy, created by Benito Mussolini as the political expression of Italian Fascism and as a reorganization of the previous Italian Fasces of Combat. The party ruled the Kingdom of Italy from 1922 when Fascists took power with the March on Rome until the fall of the Fascist regime in 1943, when Mussolini was deposed by the Grand Council of Fascism. It was succeeded, in the territories under the control of the Italian Social Republic, by the Republican Fascist Party, ultimately dissolved at the end of World War II. The National Fascist Party was rooted in Italian nationalismStanley G. Payne. A History of Fascism, 1914–1945. p. 106.Roger Griffin, "Nationalism" in Cyprian Blamires, ed., ''World Fascism: A Historical Encyclopedia'', vol. 2 (Santa Barbara, California: ABC-CLIO, 2006), pp. 451–53. and the desire to restore and expand Italian territories, which Italian Fascists deemed nece ...
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Giuseppe Tassini
Giuseppe Tassini (12 November 1827 - 22 December 1899) was an Italian historian and one of the most notable scholars of the toponymy of his birthplace of Venice. His most notable work was ''Curiosità Veneziane'', a minute toponymical study first published in 1863 and universally considered the most important bibliographical source of its kind. Life Born into an old middle-class Venetian family, he was the son of Carlo (1781-1848), an official with the Austro-Hungarian Navy and his noble-born wife Elisabetta de Wasserfall. He had a bumpy childhood which only settled down after his father's death, gaining a laurea in law in 1860. He then mainly focussed on administering his family estates, including lands in Scorzè and several houses in Venice, and on further study. He died of an apoplexy, apoplectic fit in his house near the sotoportego delle Cariole in Venice, not far from San Zulian. His body was discovered by a chamberlain of the Caffè dei Segretari who usually brought Tassini ...
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Francesco Zanchi
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people * Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena ...
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Michelangelo Morlaiter
Michelangelo Morlaiter (Venice, 23 December 1729 – 1806) was an Italian painter, active mainly in Venice. He was one of the founding members and professor of the '' Accademia di Scoltura, Pittura, ed Architettura Civile'' in Venice in 1766. His father, Giovanni Maria Morlaiter, was a prominent sculptor. One of Michelangelo's pupils was Francesco Maggiotto. Works in Venice * Palazzo Grassi, Frescoes * Palazzo Palazzo Michiel dalle Colonne, stucco decoration * Gallerie dell'Accademia, sala 18, ''Venice awards the arts''. * Church of San Bartolomeo, canvas in ceiling of presbytery, depicting ''San Bartolomeo in gloria''. * Church of Angelo San Raffaele, wall frescoes of ''Archangel Raphael and Tobias'' and ceiling God the Father in Glory of Angels''. * Church of San Moisè, Angels behind Meyring's statue at main altar Other works * Church of San Michele Arcangelo in Candiana, ceiling frescoes. * Parochial church of Biancade in Roncade, altarpiece of ''Virgin and child with S ...
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Charles VII, Holy Roman Emperor
Charles VII (6 August 1697 – 20 January 1745) was the prince-elector of Bavaria from 1726 and Holy Roman Emperor from 24 January 1742 to his death. He was a member of the House of Wittelsbach, and his reign as Holy Roman Emperor thus marked the end of three centuries of uninterrupted Habsburg imperial rule although he was related to the Habsburgs by both blood and marriage. After the death of emperor Charles VI in 1740, he claimed the Archduchy of Austria by his marriage to Maria Amalia of Austria, the niece of Charles VI, and was briefly, from 1741 to 1743, as Charles III King of Bohemia. In 1742, he was elected emperor of the Holy Roman Empire as Charles VII and ruled until his death three years later. Early life and career Charles (Albert) (german: Karl Albrecht) was born in Brussels and the son of Maximilian II Emanuel, Elector of Bavaria, and Theresa Kunegunda Sobieska, daughter of King John III Sobieski of Poland. His family was politically divided during the War of the ...
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Frederick Augustus I Of Saxony
pl, Fryderyk August Józef Maria Antoni Jan Nepomucen Alojzy Ksawery , image = Frederick Augustus I of Saxony by Marcello Bacciarelli (ca 1808-1809).png , caption = Portrait by Marcello Bacciarelli (1809) , succession = King of Saxony , coronation = 20 December 1806 , reign = , successor = Anthony , regent = Maria Antonia of Bavaria , succession1 = Grand Duke of the Duchy of Warsaw , reign1 = 9 June 1807 – 22 May 1815 , succession2 = Elector of Saxony , reign2 = 17 December 1763 – , predecessor2 = Frederick Christian , spouse= Amalie of Zweibrücken-Birkenfeld , issue= Princess Maria Augusta of Saxony , house= Wettin , father=Frederick Christian, Elector of Saxony , mother= Princess Maria Antonia of Bavaria , birth_date = , birth_place = Dresden, Electorate of Saxony, Holy Roman Empire , death_date = , death_place = Dresden, Kingdom of Saxony, German Confederation , place of burial=Dresden Cathedral, Dresden , religion= Roman Catholicism , signat ...
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Marcantonio Michiel
Marcantonio Michiel (1484–1552) was a Venetian noble from a family prominent in the service of the State who was interested in matters of art. His notes on the contemporary art collections of Venice, Padua, Milan and other northern Italian centres (''Notizie d'opere del disegno''), written sporadically between 1521 and 1543 and preserved in the Biblioteca Marciana, provide a major primary source for art historians and a less thoroughly inspected source for historians of décor. Michiel never worked up his notes into a publishable itinerary of art collections; "his publication record is poor and mainly posthumous," Jennifer Fletcher has noted, "and letters from friends hint at a certain lack of perseverance." His diary was never intended to be read by the public, and his history of Venice was an endless project. Pietro Aretino wrote him a flattering letter praising his interests in painting, architecture and poetry. Iconography was his weak point: though his Latin was excellent, ...
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Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione, Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Colli Euganei, Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Percy Bysshe Shelley, Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden of Padua, Botanical Garden, the most anc ...
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