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Palazzo Martelli, Florence
The Palazzo or Casa Martelli was a residential palace, and since 2009, a civic museum displaying in situ the remains of the original family's valuable art collection, as well as its frescoed rooms. The palace is located on Via Ferdinando Zannetti 8 near the corner with Via Cerretani in central Florence, region of Tuscany, Italy. History In the place where the palace there were the old houses of the Martelli family, since the twenties of the sixteenth century. In 1627, the area of this palace was aggregated after the marriage of Senator Marco Martelli and his cousin. Marco also acquired further buildings. Some frescoes on the main floor date to this era. The Cardinal Francesco Martelli (1633–1717) was a member of this family. In 1738, Giuseppe Maria Martelli, Archbishop of Florence and Niccolo Martelli, bailiff of Florence, unified the palaces under the designs of the architect Bernardino Ciurini. The piano nobile of the palace was decorated by frescoes by Vincenzo Meucci, Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Francia
__NOTOC__ Francesco Francia, whose real name was Francesco Raibolini (1447 – 5 January 1517) was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint.Levinson:492 He may have trained with Marco Zoppo and was first mentioned as a painter in 1486. His earliest known work is the ''Felicini Madonna'', which is signed and dated 1494. He worked in partnership with Lorenzo Costa, and was influenced by Ercole de' Roberti's and Costa's style. After 1505 he was influenced more by Perugino and Raphael. He had a large workshop and trained Marcantonio Raimondi, Ludovico Marmitta, and several other artists; he produced niellos, in which Raimondi first learnt to engrave, soon excelling his master, according to Vasari. Raphael's ''Santa Cecilia'' is supposed to have produced such a feeling of inferiority in Francia that it caused him to die of depression. However, as his friendship with Raphael is now well-known, this story has been discredited. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleurs-de-lis
The fleur-de-lis, also spelled fleur-de-lys (plural ''fleurs-de-lis'' or ''fleurs-de-lys''), is a lily (in French, and mean 'flower' and 'lily' respectively) that is used as a decorative design or symbol. The fleur-de-lis has been used in the heraldry of numerous European nations, but is particularly associated with France, notably during its monarchical period. The fleur-de-lis became "at one and the same time, religious, political, dynastic, artistic, emblematic, and symbolic," especially in French heraldry. The fleur-de-lis has been used by French royalty and throughout history to represent saints of France. In particular, the Virgin Mary and Saint Joseph are often depicted with a lily. The fleur-de-lis is represented in Unicode at in the Miscellaneous Symbols block. Origin The ''fleur de lis'' is widely thought to be a stylized version of the species ''Iris pseudacorus'', or ''Iris florentina''.Stefan Buczacki However, the lily (genus lilium, family Liliaceae) and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pergola
A pergola is most commonly an outdoor garden feature forming a shaded walkway, passageway, or sitting area of vertical posts or pillars that usually support cross-beams and a sturdy open lattice, often upon which woody vines are trained. The origin of the word is the Late Latin ''pergula'', referring to a projecting eave. As a type of gazebo, it also may be an extension of a building or serve as protection for an open terrace or a link between pavilions. They are different from green tunnels, with a green tunnel being a type of road under a canopy of trees. Pergolas are sometimes confused with "arbors," as the terms are used interchangeably. Generally, an "arbor" is regarded as wooden bench seats with a roof, usually enclosed by lattice panels forming a framework for climbing plants; in evangelical Christianity, brush arbor revivals occur under such structures. A pergola, on the other hand, is a much larger and more open structure. Normally, a pergola does not include integ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massimiliano Soldani Benzi
Massimiliano Soldani or Massimiliano Soldani Benzi (15 July 1656 – 23 February 1740) was an Italian baroque sculptor and medallist, mainly active in Florence. Born at Montevarchi, the son of a Tuscan cavalry captain, Soldani was employed by the Medici for his entire career.Klaus Lankheit, ''Florentinische Barockplastik'', 1962. Name He first went under the name ''Soldani'' but, claiming descent from the family of bishop Soldani of Fiesole and from the aristocratic Benzi family of Figline, he applied for and received, in 1693, an official letter acknowledging his nobility based on this ancestry. From this date forward, he called himself, and is referred to in many documents as, ''Soldani Benzi''. Life Soldani began training in the Medici drawing school in Florence. He attracted the attention of Grand Duke Cosimo III de' Medici who sent Soldani to his grand-ducal academy in Rome to study under Ciro Ferri and Ercole Ferrata, and to train in coining. During his years in Rome (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Curradi
Francesco Curradi or Currado (15 November 1570 – 1661) was an Italian painter of the style described as Counter-''Maniera'' or Counter-Mannerism, born and active in Florence. Biography Curradi was the son of a jeweller, Taddeo. He trained under Giovanni Battista Naldini and in 1590 matriculated in the Accademia del Disegno, Florence. His first independent works from 1597 to 1598 were for churches in Volterra, including that in the Colleoni chapel of the local Duomo. He helped paint the frescoes of the ''Fame Exalting Michelangelo'' (c. 1616–1617) for the Casa Buonarroti. In 1622 he painted the ''St Francis Xavier preaching in India'' for the church of San Giovannino degli Scolopi in Florence, and a canvas of ''Narcissus'' and ''Herminia among shepherds'' commissioned by the cardinal Carlo de' Medici for his Casino di San Marco. He also executed seven lunettes in the chapel of Villa del Poggio Imperiale with the ''Story of Mary Magdalen''. Curradi painted the ''Crowning of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orazio Borgianni
Orazio Borgianni (6 April 1574 – 14 January 1616) was an Italian painter and etcher of the Mannerist and early-Baroque periods. He was the stepbrother of the sculptor and architect Giulio Lasso. Borgianni was born in Rome, where he was documented in February 1604. He was instructed in the art of painting by his brother, Giulio Borgianni, called Scalzo. The patronage by Philip II of Spain induced him to visit Spain, where he signed an inventory in January 1605. He returned to Rome from Spain after April 1605 at the height of his career, and most of the work of his maturity was carried out 1605–16. In Spain, he signed a petition to begin an Italianate academy of painting and executed a series of nine paintings for the Convento de Portacoeli, Valladolid, where they remain. From his time in Spain, there remain two of his paintings in the Prado Museum: ''St Christopher'' and the ''Stigmatization of St Francis and'' also an ''attributed selfportrait'' of youth. Not far from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Brueghel The Younger
Pieter Brueghel (also Bruegel or Breughel) the Younger (, ; ; between 23 May and 10 October 1564 – between March and May 1638) was a Flemish painter, known for numerous copies after his father Pieter Bruegel the Elder's work as well as his original compositions. The large output of his studio, which produced for the local and export market, contributed to the international spread of his father's imagery. Traditionally Pieter Brueghel the Younger has been nicknamed "de helse Brueghel" or "Hell Brueghel" because it was believed he was the author of several paintings with fantastic depictions of fire and grotesque imagery. These paintings have now been attributed to his brother Jan Brueghel the Elder.Alexander Wied and Hans J. Van Miegroet. "Jan Breughel I." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 11 July 2014.Larry Silver, ''Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market'', University of Pennsylvania Press, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Sweerts
Michiel Sweerts or Michael Sweerts (29 September 1618 – 1 June 1664) was a Flemish people, Flemish painter and printmaker of the Baroque period, who is known for his allegorical and genre paintings, portraits and tronies. The artist led an itinerant life and worked in Rome, City of Brussels, Brussels, Amsterdam, Persia and India (Goa). While in Rome Sweerts became linked to the group of Dutch and Flemish painters of low-life scenes known as the ''Bamboccianti''. Sweerts' contributions to the Bamboccianti genre display generally greater stylistic mastery and social-philosophical sensitivity than the other artists working in this manner. While he was successful during his lifetime, Sweerts and his work fell into obscurity until he was rediscovered in the 20th century as one of the most intriguing and enigmatic artists of his time. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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