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Palazzo Giustinian Lolin, Venice
The Palazzo Giustinian Lolin is a Baroque style palace located on the Grand Canal of Venice, Italy. The present facade was designed circa 1630 by Baldassare Longhena. It is used as an exhibition venue for the Venice Biennale. History A palace at the site was constructed in the 14th century by the Lolin family, but rebuilt in the 17th century by the Giustianian family with designs of Baldassare Longhena. Longhena's design still maintains traces of the original gothic plan, with narrow peaked windows. His facade stacks the three classical orders: Doric, Ionic, and Corinthian. In the 19th century, the palace had varied residents. In 1836, the doctor Francesco Aglietti died here. Later in the 19th century, it was owned by the dancer Maria Taglioni, and by the former Duchess of Parma, Maria Luisa. In the 20th century, it was the home of the Ugo and Olga Levi Foundation for Music Studies, founded in 1962. The Levis were a wealthy jewish mercantile and banking family of Venice. The cou ...
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Palazzo Giustinian Lolin (Venice)
The Palazzo Giustinian Lolin is a Baroque style palace located on the Grand Canal of Venice, Italy. The present facade was designed circa 1630 by Baldassare Longhena. It is used as an exhibition venue for the Venice Biennale. History A palace at the site was constructed in the 14th century by the Lolin family, but rebuilt in the 17th century by the Giustianian family with designs of Baldassare Longhena. Longhena's design still maintains traces of the original gothic plan, with narrow peaked windows. His facade stacks the three classical orders: Doric, Ionic, and Corinthian. In the 19th century, the palace had varied residents. In 1836, the doctor Francesco Aglietti died here. Later in the 19th century, it was owned by the dancer Maria Taglioni, and by the former Duchess of Parma Duchess consort of Parma House of Farnese, 1545–1731 House of Bourbon-Anjou, 1731–1735 :None House of Habsburg, 1735–1748 House of Bourbon-Parma, 1748–1802 House of Habsburg-Lorra ...
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Ugo And Olga Levi Foundation
Ugo is the Italian form of Hugh, a widely used name of Germanic origin. Its diminutive form is Ugolino. It is also a Nigerian Igbo first name. It may refer to: People * Vgo (stonemason), medieval stonemason * Ugo Bassi, a Roman Catholic priest and Italian nationalist * Ugo Betti, Italian judge and author * Ugo Boncompagni, birth name of Pope Gregory XIII * Ugo Correani, Italian/German fashion designer * Ugo da Carpi, Italian printmaker * Ugo Ehiogu, English football player * Ugo Fano, Italian physicist * Ugo Gabrieli, Italian footballer * Ugo Giachery, Italian Bahá'í * Ugo Humbert, French tennis player * Ugo La Malfa, an Italian politician * Ugo Mattei, professor of international and comparative law at UC Hastings * Ugo Monye, English international rugby union player * Ugo Mulas, Italian photographer * Ugo Rondinone, Swiss-born artist * Ugo Sansonetti, Italian businessman and athlete * Ugo Tognazzi, Italian actor * Ugo Zagato, Italian automobile designer Other * Ugo, ...
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Palaces In Sestiere San Marco
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ...
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Baroque Architecture In Venice
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Houses Completed In The 17th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such as c ...
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Buildings And Structures Completed In 1630
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Houses Completed In The 14th Century
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such a ...
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Palazzo Giustinian Pesaro
Palazzo Giustinian Pesaro is a Gothic palace located in Venice, Italy, in the Cannaregio district and overlooking the Grand Canal. The palazzo is situated between Ca' d'Oro and Palazzo Morosini Sagredo. History The palace dates back to the late 14th century; it was renovated later during the 18th and 19th centuries. The building was converted from a residence to a hotel business in 2006. The palace was owned by the prominent Giustiniani family. Architecture The small palace has an atypical L-shaped plan and a garden towards the Grand Canal. The perfectly restored Gothic façade presents the results of numerous modifications that have affected it over the past centuries. The palazzo has two noble floors decorated by quadriforas shifted the right, so the façade looks asymmetrical. Each quadrifora is supported by a pair of single-light windows from the left side. All the ogival openings are surrounded by serrated frames and decorated by the typical flower on top. The balconies we ...
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Palazzo Giustinian
The Palazzo Giustinian is a palace in Venice, northern Italy, situated in the Dorsoduro district and overlooking the Grand Canal next to Ca' Foscari. It is among the best examples of the late Venetian Gothic and was the final residence of Princess Louise of Artois. History and description The edifice was built in the late 15th century, perhaps with the participation of Bartolomeo Bon. The palace consisted originally of two separated sectors, one for each branch of the family, which were later joined by a façade; these are the ''Ca' Giustinian dei Vescovi'' (now housing part of the Ca' Foscari University) and the ''Ca' Giustinian dalle Zogie'' (now privately owned). Behind the façade, they are separated by an alley which, through a ''sottoportego'', or portico-tunnel, connects to the central portal. The two sub-palaces share numerous decorative features with the annexed ''Ca' Foscari''. They have an L-shaped plan with four floors, the upper ones having mullioned windows. A ...
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Giuseppe Tassini
Giuseppe Tassini (12 November 1827 - 22 December 1899) was an Italian historian and one of the most notable scholars of the toponymy of his birthplace of Venice. His most notable work was ''Curiosità Veneziane'', a minute toponymical study first published in 1863 and universally considered the most important bibliographical source of its kind. Life Born into an old middle-class Venetian family, he was the son of Carlo (1781-1848), an official with the Austro-Hungarian Navy and his noble-born wife Elisabetta de Wasserfall. He had a bumpy childhood which only settled down after his father's death, gaining a laurea in law in 1860. He then mainly focussed on administering his family estates, including lands in Scorzè and several houses in Venice, and on further study. He died of an apoplexy, apoplectic fit in his house near the sotoportego delle Cariole in Venice, not far from San Zulian. His body was discovered by a chamberlain of the Caffè dei Segretari who usually brought Tassini ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Maria Luisa, Duchess Of Parma
Marie Louise (12 December 1791 – 17 December 1847) was an Austrian archduchess who reigned as Duchess of Parma from 11 April 1814 until her death. She was Napoleon's second wife and as such Empress of the French and Queen of Italy from their marriage on 1 April 1810 until his abdication on 6 April 1814. As the eldest child of Francis II, Holy Roman Emperor and Emperor of Austria, and his second wife, Maria Theresa of Naples and Sicily, Marie Louise grew up during a period of continuous conflict between Austria and revolutionary France. A series of military defeats at the hands of Napoleon Bonaparte had inflicted a heavy human toll on Austria and led Francis to dissolve the Holy Roman Empire. The end of the War of the Fifth Coalition resulted in the marriage of Napoleon and Marie Louise in 1810, which ushered in a brief period of peace and friendship between Austria and the French Empire. Marie Louise agreed to the marriage despite being raised to despise France. She was ad ...
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