Palazzo Ginori, Florence
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Palazzo Ginori, Florence
Palazzo Ginori is a Renaissance architecture, Renaissance-style palace in Via de' Ginori # 11 in the Quartieri San Giovanni of the city of Florence, Italy. History The palace was built c. 1516-1520 by Carlo Ginori, with designs attributed to Baccio d'Agnolo. The rear facade of the palace, on Via Stufa, underwent refurbishment in 1690-1701 under the architect Lorenzo Merlini and Antonio Maria Ferri, who helped refurbish the interiors. Originally the Renaissance facade had monochrome paintings of the ''History of Sampson'' frescoed by Mariano da Pescia. The late 17th century refurbishment coincided with the marriage of Lorenzo Ginori with Anna Maria Minerbetti. Interior roomes were frescoed in 1729 by Alessandro Gherardini, Carlo Marcellini, Giovanni Domenico Ferretti, Vincenzo Meucci, Pietro Dandini and Matteo Bonechi. The work of the latter two in the gallery was redecorated by Pasquale Saviotti in 1847. Further reconstruction at the time coincided with the marriage of Lorenzo Gi ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Giovanni Domenico Ferretti
Giovanni Domenico Ferretti (''Giandomenico''), also called Giandomenico d'ImolaM. Farquhar (15 June 1692 – 18 August 1768) was an Italian Rococo style painter from Florence. According to the contemporary Giovanni Camillo Sagrestani, Ferretti was a pupil of the Bolognese painter Giuseppe Maria Crespi. Others say he worked with painter Giovanni Gioseffo dal Sole. He returned to Florence with a letter of recommendation of Cardinal Gozzadini seeking patronage from Cosimo III de' Medici. He found work in the studio of Tommaso Redi and Sebastiano Galeotti. He travelled to Bologna to work under Felice Torelli and then resettled in Florence in 1715. Ferretti soon joined the Florentine Accademia del Disegno, where he later taught painting but also designed tapestries for the Medici. He found abundant patronage in fresco painting for the Florentine Abbey (Badia Fiorentina), the Chapel of San Giuseppe in the Duomo, and the altar and cupola of the Church of ''San Salvatore al Vescovo ...
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Palaces In Florence
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a ...
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Doccia Porcelain
The Doccia porcelain manufactory, at Doccia, a ''frazione'' of Sesto Fiorentino, near Florence, was in theory founded in 1735 by marchese Carlo Ginori near his villa, though it does not appear to have produced wares for sale until 1746. It has remained the most important Italian porcelain factory ever since. In its first decades it was unusual in producing, alongside the usual tablewares and vases, etc, porcelain versions of statuettes and small sculptures, intended as bronzes, by Florentine sculptors of several decades earlier. After the death of its founder in 1757 the factory concentrated on producing more conventional wares, often borrowing styles from larger factories in Germany and France. Now known as Richard-Ginori, following its merger with Società Richard of Milan, by 2013 it was in bankruptcy and was acquired by Gucci. The ''Museo Richard Ginori della Manifattura di Doccia'', a museum nearby dedicated to the factory and its history, is closed to visitors as of 20 ...
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Baccio Bandinelli
Baccio Bandinelli (also called Bartolommeo Brandini; 12 November 1493 – shortly before 7 February 1560), was an Italian Renaissance sculptor, draughtsman, and painter. Biography Bandinelli was the son of a prominent Florentine goldsmith, and first apprenticed in his shop. As a boy, he was apprenticed under Giovanni Francesco Rustici, a sculptor friend of Leonardo da Vinci. Among his earliest works was a ''Saint Jerome'' in wax, made for Giuliano de' Medici, identified as Bandinelli's by John Pope-Hennessy. Giorgio Vasari, a former pupil in Bandinelli's workshop, claimed Bandinelli was driven by jealousy of Benvenuto Cellini and Michelangelo; and recounts that: Bandinelli's lifelong obsession with Michelangelo is a recurring theme in assessments of his career. Bandinelli was a leader in the group of Florentine Mannerists who were inspired by the revived interest in Donatello attendant on the installation of Donatello's bas-relief panels for the pulpit in San Lorenzo, 15 ...
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Strozzi Family
The House of Strozzi is the name of an ancient (later noble) Florentine family, who like their great rivals the Medici family, began in banking before moving into politics. Until its exile from Florence in 1434, the Strozzi family was by far the richest in the city, and was rivaled only by the Medici family, who ultimately took control of the government and ruined the Strozzi both financially and politically. This political and financial competition was the origin of the Strozzi-Medici rivalry. Later, while the Medici ruled Florence, the Strozzi family ruled Siena, which Florence attacked, causing great animosity between the two families. Soon afterward, the Strozzi married into the Medici family, essentially giving the Medici superiority. History Palla Strozzi (1372–1462) neglected the family bank, but played an important part in the public life of Florence, and founded the first public library in Florence in the monastery of Santa Trinita, as well as commissioning the importa ...
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Pasquale Saviotti
Pasquale Saviotti (1792–1855) was an Italian painter and engraver who worked in a Neoclassical style. He was born in Faenza, and initially studied design and engraving under Giuseppe Zauli in the Liceo Dipartimentale del Rubicone in Faenza. He later became an instructor at the school. In 1830, he moved to Florence where he developed a career as a painter.Le dimore di Pistoia e della Valdinievole: l'arte dell'abitare tra ville e residenze urbane
Emilia Daniele, Associazione dimore storiche italiane. Sezione Toscana (2004); page 89. One of the pupils of both Zauli and Saviotti was

Matteo Bonechi
Matteo Bonechi (8 November 1669 in Florence – 27 February 1756 in Florence) was an Italian painter of the late Baroque period, active mainly in Florence. He trained under Giovanni Camillo Sagrestani. He also executed works in the church of San Frediano in Cestello, in the Oltrarno district of Florence. He also painted for the Palazzo Capponi-Covoni The Palazzo Capponi Covoni is a Baroque architecture palace in Florence, region of Tuscany, Italy. There are apparently three other palaces once associated with the Capponi family: * Palazzo Capponi. * Palazzo Capponi-Vettori. * Palazzo Capponi all ... near the Nunziata in Florence. Sources *Italian Wikipedia entry * 1669 births 1756 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Florence Italian Baroque painters 18th-century Italian male artists {{Italy-painter-18thC-stub ...
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Pietro Dandini
Pietro Dandini (12 April 1646 – 26 November 1712) was an Italian painter of the Baroque period, active mainly in Florence. Biography He is also called ''Pier Dandini''. He was the son (or nephew) and pupil of the painter Vincenzo Dandini. Pietro's uncle, Cesare Dandini, was a prominent painter in Florence. Vincenzo's sons, Ottaviano and Vincenzo Dandini the younger also became painters. Among his pupils as Valerio Baldassarri of Pescia, Father Alberico Carlini of Vellano, Gaetano Santarelli Giovanna Fratellini, and Giovanni Cinqui. In addition to having training within the family, he traveled to Bologna, Modena, Venice, and Rome to learn about art.Pittorico''
Pellegrino Antonio Orlandi, Bolognese, 1723, page 365. As a painter, Dandini's styles are eclectic, as reflected in his travels, though he has the high-minded graciousness ...
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Vincenzo Meucci
Vincenzo Meucci (1694–1766) was an Italian painter of the late-Baroque period. Born in Florence. He was a pupil first of the painter Sebastiano Galeotti, then of Giovanni Gioseffo dal Sole in Bologna. He was patronized by the Marchese Giovan Battista Salimbeni of Siena, as well as the cardinals Alessandro Chigi Zondadari and Neri Corsini. His masterpiece was a commission by Anna Maria Luisa de' Medici, the last Medici resident of the Pitti Palace, who contracted him to fresco the cupola of the Basilica di San Lorenzo di Firenze with the ''Glory of Florentine Saints'' (1742). Among his pupils are Tommaso Gherardini. Selected works *Frescoes for Chapel of San Mauro, Badia Fiorentina, Florence (1717) *''Madonna del Rosario'', Santa Lucia alla Castellina, Sesto Fiorentino Sesto Fiorentino (), known locally as just Sesto, is a municipality (''comune'') in the Metropolitan City of Florence, Tuscany, central Italy. History The oldest known human settlement in the a ...
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Carlo Marcellini
Carlo is a given name. It is an Italian form of Charles. It can refer to: *Carlo (name) *Monte Carlo *Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia *A satirical song written by Dafydd Iwan about Prince Charles. *A former member of Dion and the Belmonts best known for his 1964 song, Ring A Ling. *Carlo (submachine gun), an improvised West Bank gun. * Carlo, a fictional character from Animal Crossing: Pocket Camp * It can be confused with Carlos * Carlo means “man” (from Germanic “karal”), “free man” (from Middle Low German “kerle”) and “warrior”, “army” (from Germanic “hari”). See also *Carl (name) *Carle (other) *Carlos (given name) Carlos is a masculine given name, and is the Portuguese and Spanish variant of the English name ''Charles'', from the Germanic ''Carl''. Notable people with the name include: Royalty *Carlos I of Portugal (1863–1908), second to last King of P ... {{disambig Italian ...
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Florence
Florence ( ; it, Firenze ) is a city in Central Italy and the capital city of the Tuscany region. It is the most populated city in Tuscany, with 383,083 inhabitants in 2016, and over 1,520,000 in its metropolitan area.Bilancio demografico anno 2013, datISTAT/ref> Florence was a centre of medieval European trade and finance and one of the wealthiest cities of that era. It is considered by many academics to have been the birthplace of the Renaissance, becoming a major artistic, cultural, commercial, political, economic and financial center. During this time, Florence rose to a position of enormous influence in Italy, Europe, and beyond. Its turbulent political history includes periods of rule by the powerful Medici family and numerous religious and republican revolutions. From 1865 to 1871 the city served as the capital of the Kingdom of Italy (established in 1861). The Florentine dialect forms the base of Standard Italian and it became the language of culture throughout Ital ...
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