Palazzo Cospi-Ferreti, Bologna
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Palazzo Cospi-Ferreti, Bologna
The Palazzo Cospi Ferretti is a Renaissance style palace located on Via Castiglione #21 in central Bologna, region of Emilia-Romagna, Italy. History This building was commissioned by the Sampieri family in the 15th century. The facade has teracotta decorations. In 1614 the palace was acquired by the Cospi, who commissioned fresco decoration (circa 1670) of the piano nobile by Angelo Michele Colonna and Giacomo Alboresi. Other fresco decoration provided by Domenico Pedrini Domenico Pedrini (Bologna, 1728 – Bologna, 1800) was an Italian painter. Fiercely provincial in his geographic activity, Pedrini's works were mainly completed in and around Bologna, and yet his atavistic style strayed far afield into Bologna's st ... and Francesco Stagni.Biblioteca Salaborsa
entry on palace.


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Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Emilia-Romagna
egl, Emigliàn (man) egl, Emiglièna (woman) rgn, Rumagnòl (man) rgn, Rumagnòla (woman) it, Emiliano (man) it, Emiliana (woman) or it, Romagnolo (man) it, Romagnola (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-45 , blank_name_sec1 = GDP (nominal) , blank_info_se ...
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Angelo Michele Colonna
Angelo Michele Colonna (21 September 1604 - 1687) was an Italian painter of the Baroque period, active in Bologna, northern and central Italy and Spain. He is sometimes referred to as Michelangelo Colonna. Biography He was born in Rovenna. As a boy in Como, he worked with a painter by the name of Caprera. By 1617, he travelled to Bologna to apprentice with Gabriello Ferrantino or ''il Occhiale'', and then the early ''quadratura'' master, Girolamo Curti, called ''il Dentone''. He painted frescoes for the Palazzo Albergati in Bologna. He would have been known by the biographer of Bolognese artists, Cesare Malvasia, for whom Colonna frescoed the Villa Malvasia in Trebbo in 1624, along with Curti and Domenico Ambrogi. The following year, Curti and Colonna frescoed parts of the Villa Paleotti (now Villa Monari-Sardè). Also in 1625, along with Ambrogi, he carried out frescoes in the Villa Malvezzi-Campeggi in Bagnarola and after being recommended by Alessandro Tiarini, he helped ...
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Giacomo Alboresi
Giacomo Alboresi (1632–1677) was an Italian painter of the Baroque period. Biography Born in Bologna, he was a pupil of Domenico Santi, under whom he worked seventeen years, devoting himself above all to the painting of birds and small figures in illuminated manuscripts. Then he moved to the studio of the quadratura painter Agostino Mitelli who instructed him in decorative fresco painting, and procured him commissions. In 1659 he married the stepdaughter of Mitelli and, after the death of the master (1660), he was considered the heir of the decorative style that Mitelli had created. He limited himself to repeating diligently designs of his master. Later he worked under Angelo Michele Colonna in Spain, Florence, and Parma. Colonna and Alboresi used painters Fulgenzio Mondini, and later Giulio Cesare Milani, and Canuti, to place figures in their backgrounds. Examples of the collaboration of Colonna, Alboresi and Canuti can be found at the Palazzo Felicini. He worked with Mondin ...
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Domenico Pedrini
Domenico Pedrini (Bologna, 1728 – Bologna, 1800) was an Italian painter. Fiercely provincial in his geographic activity, Pedrini's works were mainly completed in and around Bologna, and yet his atavistic style strayed far afield into Bologna's strong Baroque ancestry. Biography He mainly painted for Bolognese churches including the church of San Bartolomeo (''Madonna Addolorata''), the Sanctuary of Santa Maria della Vita (''St Joseph with the Christ Child''), and the church of San Sigismondo (''St Sigismund of Burgundy Adoring the Sacred Heart'', main altarpiece). In the 1770s, he painted the altarpiece depicting ''Virgin and Child with St Cajetan'' for the church of Santa Maria delle Grazie alla Cavalleria in Bologna. Various quadrature and ornamental frescoes were completed in the Bolognese palaces of Cospi Ferretti, Fava-Simonetti and Tanari. Pedrini's allegorical ceiling paintings in the Palazzo Malvezzo, were likely to have been executed under the direction of Ubaldo ...
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Francesco Stagni
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people * Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena ...
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Palaces In Bologna
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, wherea ...
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